標題: Titlebook: Early Modern Women‘s Writing and the Rhetoric of Modesty; Patricia Pender Book 2012 Palgrave Macmillan, a division of Macmillan Publishers [打印本頁] 作者: vitamin-D 時間: 2025-3-21 16:26
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作者: 走調(diào) 時間: 2025-3-21 22:41 作者: ARCH 時間: 2025-3-22 00:23
: Reading, Speech, and Silence in ,ss to the pivotal roles that reading, speech, and silence played in the religious debates of the English Reformation. Her reading of 1 Corinthians 7 provided scriptural authority for separating from her husband on the grounds of religious differences. She goaded the priests of Lincoln with her publi作者: synchronous 時間: 2025-3-22 04:45
,‘A worme most abjecte’: ,as Reformation Strategy in Katherine Parr’s Prayers or Medytacions, staged before the king and his councilors when, in 1545, she was targeted with accusations of conspiracy and treason by the conservative Bishop of Winchester, Stephen Gardiner. Pleading that as a wife and woman, she submitted absolutely to her husband and king, Parr put into physical practice the .作者: 紳士 時間: 2025-3-22 10:42 作者: 苦笑 時間: 2025-3-22 15:27
,‘This triall of my slender skill’: Inexpressibility and Interpretative Community in Aemilia Lanyer’y to impress the reader of her 1611 book with the scale of the apparently insurmountable task she has set herself. At the same time that she draws attention to the formidable proportions of her poetic project, Lanyer also implicitly underscores the stakes and the status of the enterprise she has und作者: 苦笑 時間: 2025-3-22 19:48 作者: 6Applepolish 時間: 2025-3-22 22:55 作者: 確定 時間: 2025-3-23 03:15
: Reading, Speech, and Silence in ,e of her reading practice. Her . negotiate rapid shifts in the cultural, religious, and legal discourses surrounding reading, speech, and silence in the last years of Henry VIII’s reign, illuminating one woman’s trenchant engagement with the Pauline prescriptions governing women’s religious expressi作者: NEXUS 時間: 2025-3-23 05:49
,‘A worme most abjecte’: ,as Reformation Strategy in Katherine Parr’s Prayers or Medytacions,mploying humility topoi which referred obliquely to contemporary cultural discourses of women’s weakness, she moreover presented the devout woman’s relationship to God as the most humble, and therefore the most appropriate approach to ‘heauenlye medytacion.’作者: myocardium 時間: 2025-3-23 12:15
: Mary Sidney, Modesty, and the History of the Book,eenth centuries, and survive in eighteen different manuscript copies.. Mary Sidney’s prefatory poems, however, survive together in only one extant copy, known as the Tixall manuscript. The Tixall manuscript is an elaborate presentation copy, transcribed by John Davies of Hereford in an elegant secre作者: AGATE 時間: 2025-3-23 15:44
,‘This triall of my slender skill’: Inexpressibility and Interpretative Community in Aemilia Lanyer’r title poem. Ongoing critical responses to the . have focused on the community of ‘good women’ Lanyer celebrates throughout the volume and that she is thought to have created in her dedications to powerful aristocratic women. These debates raise important methodological questions about the types of作者: 幻影 時間: 2025-3-23 21:41 作者: 暫時休息 時間: 2025-3-23 22:43
https://doi.org/10.1007/978-3-8274-3066-3ns, and of kings, /…. For my mean pen are too superior things.’. A bravura example of the formula occurs in Queen Elizabeth’s 1566 oration at Oxford University, where her opening gambit is a peculiarly regal variant of the line, .:作者: 防御 時間: 2025-3-24 03:50
https://doi.org/10.1007/978-3-662-48381-7e of her reading practice. Her . negotiate rapid shifts in the cultural, religious, and legal discourses surrounding reading, speech, and silence in the last years of Henry VIII’s reign, illuminating one woman’s trenchant engagement with the Pauline prescriptions governing women’s religious expressi作者: evince 時間: 2025-3-24 09:55 作者: 一罵死割除 時間: 2025-3-24 14:33
50 Schlüsselideen Digitale Kultureenth centuries, and survive in eighteen different manuscript copies.. Mary Sidney’s prefatory poems, however, survive together in only one extant copy, known as the Tixall manuscript. The Tixall manuscript is an elaborate presentation copy, transcribed by John Davies of Hereford in an elegant secre作者: 猛然一拉 時間: 2025-3-24 17:53 作者: 暴發(fā)戶 時間: 2025-3-24 20:13
https://doi.org/10.1007/978-3-8274-2381-8y is notoriously held to have been published without her permission when, in 1649, her brother-in-law John Woodbridge took a manuscript copy of her poems to London and printed them at his own expense.作者: DALLY 時間: 2025-3-25 00:26 作者: 出汗 時間: 2025-3-25 03:23 作者: 宣誓書 時間: 2025-3-25 10:27 作者: 雜役 時間: 2025-3-25 15:33 作者: 不持續(xù)就爆 時間: 2025-3-25 17:08
https://doi.org/10.1007/978-3-662-48381-7ss to the pivotal roles that reading, speech, and silence played in the religious debates of the English Reformation. Her reading of 1 Corinthians 7 provided scriptural authority for separating from her husband on the grounds of religious differences. She goaded the priests of Lincoln with her publi作者: 潛伏期 時間: 2025-3-25 22:59 作者: 支架 時間: 2025-3-26 01:28 作者: Encumber 時間: 2025-3-26 07:27 作者: evanescent 時間: 2025-3-26 09:51
https://doi.org/10.1007/978-3-8274-2381-8iterary tradition. Published almost forty years later, Anne Bradstreet’s 1650 volume of poetry, ., utilizes a similar strategy. It does so with what initially seems — given the example of Lanyer’s earlier sophisticated deployment of this concept — a perhaps surprising naivety.. The single-author vol作者: 無表情 時間: 2025-3-26 14:17 作者: 真 時間: 2025-3-26 20:09
Book 2012An in-depth study of early modern women‘s modesty rhetoric from the English Reformation to the Restoration. This book provides new readings of modesty‘s gendered deployment in the works of Anne Askew, Katharine Parr, Mary Sidney, Aemilia Lanyer and Anne Bradstreet.作者: Clumsy 時間: 2025-3-26 21:10 作者: 性滿足 時間: 2025-3-27 03:46 作者: 良心 時間: 2025-3-27 08:44
Early Modern Literature in Historyhttp://image.papertrans.cn/e/image/300786.jpg作者: handle 時間: 2025-3-27 11:38
Die kosmische Entfernungsleiterground is that in doing so they are prompted by modesty, because it seems a kind of ostentation not to be content to teach the art, but to appear desirous themselves of creating examples artificially.’. To this argument the author of the . provides a complex and vigorous rejoinder:作者: placebo-effect 時間: 2025-3-27 15:56
From Self-Effacement to ,: Modesty and Manipulation,ground is that in doing so they are prompted by modesty, because it seems a kind of ostentation not to be content to teach the art, but to appear desirous themselves of creating examples artificially.’. To this argument the author of the . provides a complex and vigorous rejoinder:作者: Ophthalmoscope 時間: 2025-3-27 18:07 作者: Mechanics 時間: 2025-3-28 01:26
10樓作者: LEER 時間: 2025-3-28 02:20
10樓作者: flaggy 時間: 2025-3-28 06:48
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