標(biāo)題: Titlebook: Early Modern Tragedy and the Cinema of Violence; Stevie Simkin Book 2006 Stevie Simkin 2006 cinema.culture.drama.film.gender.oral discours [打印本頁(yè)] 作者: fallacy 時(shí)間: 2025-3-21 19:57
書目名稱Early Modern Tragedy and the Cinema of Violence影響因子(影響力)
書目名稱Early Modern Tragedy and the Cinema of Violence影響因子(影響力)學(xué)科排名
書目名稱Early Modern Tragedy and the Cinema of Violence網(wǎng)絡(luò)公開度
書目名稱Early Modern Tragedy and the Cinema of Violence網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Early Modern Tragedy and the Cinema of Violence被引頻次
書目名稱Early Modern Tragedy and the Cinema of Violence被引頻次學(xué)科排名
書目名稱Early Modern Tragedy and the Cinema of Violence年度引用
書目名稱Early Modern Tragedy and the Cinema of Violence年度引用學(xué)科排名
書目名稱Early Modern Tragedy and the Cinema of Violence讀者反饋
書目名稱Early Modern Tragedy and the Cinema of Violence讀者反饋學(xué)科排名
作者: Glucocorticoids 時(shí)間: 2025-3-21 22:22 作者: Largess 時(shí)間: 2025-3-22 04:25 作者: arousal 時(shí)間: 2025-3-22 07:05 作者: 憤慨一下 時(shí)間: 2025-3-22 10:12 作者: 內(nèi)向者 時(shí)間: 2025-3-22 16:15 作者: 內(nèi)向者 時(shí)間: 2025-3-22 17:54
Mohamed I. Fayad,Bradford R. Johnsonat particular historical moments, such as the arrangements made for relatives of the 168 victims of the bombing of the Federal Building in Oklahoma City in April 1995 to witness, via a closed-circuit television relay, the execution by fatal injection of the convicted bomber Timothy McVeigh. The grow作者: strain 時(shí)間: 2025-3-22 22:54 作者: Endearing 時(shí)間: 2025-3-23 01:34
3D Immersive and Interactive Learning:.Whether in the European or the American film, whether seen as sociological artefact or artistic creation, women, by the logistics of film production and the laws of Western society, generally emerge as the projections of male values. Whether as the product of one . or of the system … women are the作者: Anticonvulsants 時(shí)間: 2025-3-23 09:11
https://doi.org/10.1007/978-3-030-98229-4ith his roguish reputation, and there is no way of knowing for sure what his motives were when, in an interview for . magazine at around this time, he declared, ‘There are women, and then there’s pussy.’. It is tempting but probably unfair to take such a quotable phrase as the last word on the repre作者: GULP 時(shí)間: 2025-3-23 09:58
Analysis of 3-D Movement Recordings, of her husband (Camillo) and his wife (Isabella), freeing Bracciano and Vittoria to marry one another. This Bracciano does, with the help of Vittoria’s brother – his secretary, Flamineo. In the aftermath, Vittoria is arrested and put on trial, ostensibly for conspiracy in the murder plot. When the 作者: Infinitesimal 時(shí)間: 2025-3-23 17:40
3D Mesh Processing and Character Animation than any other: the depiction of extreme episodes of physical violence, often presented in the most graphic terms that the different performance media allow, focusing on the exposure of the fragility and mortality of the human body via representations of the damage and destruction that can be wroug作者: 松軟無(wú)力 時(shí)間: 2025-3-23 18:44
Hybrid Imaging: From Anatomy to Functiony modern period is to see it in the context of a growing interest in the structure of the human body that has, in recent years, been recognised as a significant development in Western culture at that time. The second half of the sixteenth century witnessed the sudden, startling rise to prominence of作者: dissent 時(shí)間: 2025-3-23 22:47
Heron Werner,Gabriele Tonni,Jorge Lopesity of death. The fascination that these mysteries hold for many of us is no doubt one of the reasons why representations of spectacular deaths recur in our culture. In our own time, in our own culture, part of the appeal may well lie in the fact that the sight, smell and feel of a dead body is as m作者: oblique 時(shí)間: 2025-3-24 06:17 作者: Chronic 時(shí)間: 2025-3-24 09:22
https://doi.org/10.1057/9780230597112cinema; culture; drama; film; gender; oral discourse; tragedy作者: 蝕刻 時(shí)間: 2025-3-24 10:45 作者: Eructation 時(shí)間: 2025-3-24 18:49 作者: ANT 時(shí)間: 2025-3-24 20:28 作者: 羞辱 時(shí)間: 2025-3-25 03:00
‘When the Bad Bleed, then is the Tragedy Good’: Politics, Morality and Revenges such as these may give us pause, and provoke us to consider how the revenge narrative, which is after all one of the most ancient and powerful of all Western story structures, works on us. In her introduction to her collection of . (1995), Katharine Eisaman Maus suggests that ‘the revenger’s probl作者: 高深莫測(cè) 時(shí)間: 2025-3-25 03:55
‘Taint Not Thy Mind’: The Morality of Revenge need, or (as he suggests we conceptualise it), the right to personal retribution as part of the process.. Peter A. French makes an analogous case when he argues for what he terms the ‘tailored fit’ of proportionality in determining punishments for criminals. The logic of his case leads him to consi作者: invert 時(shí)間: 2025-3-25 07:38 作者: 衰老 時(shí)間: 2025-3-25 14:28 作者: Badger 時(shí)間: 2025-3-25 16:42
Sex and Violence: , (1622) and , (1971) ideas about female sexual desire and sexual autonomy. Roughly 350 years later, . presents its audience with another ambivalently sexualised female in the form of Amy (Susan George), a woman prized, appraised and fought over by men in a battle to control her and, indirectly, one another. . is a stri作者: 破裂 時(shí)間: 2025-3-25 21:15
Introduction: Vile Bodiesilm, identifies two contrasting strands of thought in attempts to theorise the appeal of horror that usefully cross over with the tension I have nominated as being crucial to the current study. He compares what he terms ‘beast within’ theories on the one hand – the idea that there is something unive作者: malapropism 時(shí)間: 2025-3-26 00:30
Spectacles of Deathunravelling the secrets of the human body for the literate population. Furthermore, evidence suggests that the study of anatomy also took on the status of entertainment for a paying public, with crowds flocking to see demonstrations in cities such as Bologna, Padua, Paris, Leiden, Amsterdam and Lond作者: 定點(diǎn) 時(shí)間: 2025-3-26 04:27 作者: Little 時(shí)間: 2025-3-26 11:57 作者: 輕而薄 時(shí)間: 2025-3-26 13:41
Analysis of Spatial Variabilitys raged, it became clear that there was a strong groundswell of public opinion in favour of Goetz’s actions: all four youths had criminal records prior to the incident (and all except for Darryl Cabey, left paralysed after the shooting, have committed further serious crimes since Goetz’s trial). Des作者: 跟隨 時(shí)間: 2025-3-26 20:06 作者: ineluctable 時(shí)間: 2025-3-26 21:29 作者: 別炫耀 時(shí)間: 2025-3-27 02:58 作者: PSA-velocity 時(shí)間: 2025-3-27 08:29
Mohamed I. Fayad,Bradford R. Johnson need, or (as he suggests we conceptualise it), the right to personal retribution as part of the process.. Peter A. French makes an analogous case when he argues for what he terms the ‘tailored fit’ of proportionality in determining punishments for criminals. The logic of his case leads him to consi作者: 情感脆弱 時(shí)間: 2025-3-27 13:04
Nick Pears,Yonghuai Liu,Peter Buntingp of a 1986 rape trial;. and Karen Bamford’s study of . (2000) begins with changing notions of rape in the 1970s informed by feminist critiques, concluding with a direct connection between the modern backlash against feminism and what she interprets as an analogous cultural reaction in the early sev作者: Comedienne 時(shí)間: 2025-3-27 14:05
3D Immersive and Interactive Learningstudy concentrates almost exclusively on the tragic genre, so the parallel analysis of cinema will be largely restricted to violent film, a wide-ranging categorisation that has to incorporate the diverse genres of action, adventure and horror. Since the subject matter of this section will include a 作者: CUB 時(shí)間: 2025-3-27 19:33
https://doi.org/10.1007/978-3-030-98229-4 ideas about female sexual desire and sexual autonomy. Roughly 350 years later, . presents its audience with another ambivalently sexualised female in the form of Amy (Susan George), a woman prized, appraised and fought over by men in a battle to control her and, indirectly, one another. . is a stri作者: Saline 時(shí)間: 2025-3-27 23:32
3D Mesh Processing and Character Animationilm, identifies two contrasting strands of thought in attempts to theorise the appeal of horror that usefully cross over with the tension I have nominated as being crucial to the current study. He compares what he terms ‘beast within’ theories on the one hand – the idea that there is something unive作者: 徹底明白 時(shí)間: 2025-3-28 02:46
Hybrid Imaging: From Anatomy to Functionunravelling the secrets of the human body for the literate population. Furthermore, evidence suggests that the study of anatomy also took on the status of entertainment for a paying public, with crowds flocking to see demonstrations in cities such as Bologna, Padua, Paris, Leiden, Amsterdam and Lond作者: condone 時(shí)間: 2025-3-28 08:54 作者: 兩種語(yǔ)言 時(shí)間: 2025-3-28 13:00 作者: SPASM 時(shí)間: 2025-3-28 14:45 作者: 類似思想 時(shí)間: 2025-3-28 22:44
hose with an interest in either drama or film, written in an engaging style, the book also reconsiders the high /popular culture divide, and reflects on the enduring significance of the revenge motif in Western culture over the past four hundred years, particularly in the post 9/11 context.978-1-349-52239-2978-0-230-59711-2作者: progestogen 時(shí)間: 2025-3-29 00:51 作者: MAOIS 時(shí)間: 2025-3-29 04:02 作者: Critical 時(shí)間: 2025-3-29 07:28 作者: 錯(cuò)誤 時(shí)間: 2025-3-29 12:49
ffers a series of provocative explorations of death, revenge and justice, and gender and violence. What happens when we connect The White Devil with Basic Instinct ? The Changeling or Titus Andronicus with Straw Dogs ? Doctor Faustus with Se7en ? Taxi Driver with The Spanish Tragedy ? Appealing to t作者: DRAFT 時(shí)間: 2025-3-29 16:47 作者: Torrid 時(shí)間: 2025-3-29 23:34
Introduction: Worlds Aparthe angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.’.Walter Benjamin, .作者: 哀求 時(shí)間: 2025-3-30 03:48
Introduction: Worlds Apartare staring, his mouth is open, his wings are spread. This is how one perceives the angel of history. His face is towards the past. Where we perceive a chain of events, he sees one catastrophe, which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay,作者: addition 時(shí)間: 2025-3-30 05:09
Introduction: ‘Don’t Get Mad, Get Even’e of them reportedly asked him for five dollars. When Goetz asked the questioner, Troy Canty, to repeat himself, he was told to hand over his money. Goetz responded by standing up, drawing a concealed revolver, and shooting and wounding Canty and his three associates. When the train came to a stop a作者: 咒語(yǔ) 時(shí)間: 2025-3-30 10:16
Revenge in Its Social Contexts: Early Modern Tragedytical context, but also the cultural heritage: it is a commonplace that the early forays into the genre in the last years of the sixteenth century were influenced heavily by the Senecan tradition. From Seneca, the dramatists inherited the call to blood-revenge, often via the spirits of the dead or v作者: 出血 時(shí)間: 2025-3-30 16:23 作者: NICHE 時(shí)間: 2025-3-30 19:20
‘When the Bad Bleed, then is the Tragedy Good’: Politics, Morality and Revenger immediate social contexts, and how they might have had an . on that context: how did their contemporary audiences approach them, and how did they respond to them? If popular culture is a major contributor to the ways in which individuals, and society, construct their identities, what does the reve作者: 共同生活 時(shí)間: 2025-3-30 22:48 作者: deriver 時(shí)間: 2025-3-31 04:15
