標(biāo)題: Titlebook: Early Modern Drama and the Bible; Contexts and Reading Adrian Streete (Senior Lecturer in Renaissance Lit Book 2012 Palgrave Macmillan, a d [打印本頁] 作者: architect 時(shí)間: 2025-3-21 19:24
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書目名稱Early Modern Drama and the Bible讀者反饋學(xué)科排名
作者: cushion 時(shí)間: 2025-3-21 23:37
Enter the Book: Reading the Bible on the Early Modern Stagesity. Scholarly speculation ranges from the satires of Juvenal to the . of Montaigne, while just as plausibly Hamlet could be ruminating on his own ‘tables’ (if, that is, the actor playing the Prince produces a notebook of some kind in the soliloquy of 1.5).. Yet, what if Hamlet were holding neither作者: 新字 時(shí)間: 2025-3-22 03:59
Measuring up to Nebuchadnezzar: Biblical Presences in Shakespeare’s Tragicomediesble remained the central cultural text in England, as in the rest of Europe, through the seventeenth century’ (Shuger, 1994, 2). But as soon as we go beyond those comfortable generalisations and try to ascertain closer details, questions and uncertainties abound. Which Bible were the early modern En作者: 小口啜飲 時(shí)間: 2025-3-22 08:20 作者: Classify 時(shí)間: 2025-3-22 12:08 作者: 無可爭(zhēng)辯 時(shí)間: 2025-3-22 15:13 作者: 無可爭(zhēng)辯 時(shí)間: 2025-3-22 20:49
‘They repented at the preachyng of Ionas: and beholde, a greater then Ionas is here’: ,, Hosea and ty for an act as Jewish’ (Mellinkoff, 1993, 1: 97). As this final phrase suggests, it was often used with anti-Semitic intent: inscribed, for example, on the clothes of the torturers or bystanders in paintings of the Passion in order to implicate Jews in the Crucifixion.. But in early modern art – in作者: 指耕作 時(shí)間: 2025-3-22 23:24
Marital Infidelity and Christian Self-Sacrifice in Thomas Heywood’s antiquity, dignity and ‘the true use of their quality’ (Heywood, 1841, xvii).. . operates not only as a defence of the acting profession, but as a celebration of drama as a valuable instrument of instruction and edification. Heywood argues that the unique power of live performance (when compared wi作者: entrance 時(shí)間: 2025-3-23 01:47
Reading the White Devil in Thomas Adams and John Websterl.. No doubt Adams was primarily referring to the ‘inflammations and impostumes’ of hypocrisy which, he claimed, assailed him as he entered London from the country (Adams, 1615a, 25). But it seems likely that Adams’s sermon was also being haunted by another more specific white devil. Less than a yea作者: candle 時(shí)間: 2025-3-23 06:39 作者: microscopic 時(shí)間: 2025-3-23 12:49 作者: etiquette 時(shí)間: 2025-3-23 17:55
Introduction: Situating the Bible in Early Modern Dramaollowers with these words:.For an English audience watching the play during the late 1580s, these lines would have evoked a mixed response. On the one hand, the anti-Islamic sentiment displayed so openly here reflects broader cultural fears of the military and religious threat posed by the Ottoman Empire.作者: colony 時(shí)間: 2025-3-23 22:07 作者: Deference 時(shí)間: 2025-3-24 00:37 作者: 強(qiáng)有力 時(shí)間: 2025-3-24 04:01 作者: Exaggerate 時(shí)間: 2025-3-24 06:53
Punishing Perjury in t the moment of his admission of guilt. When his co-offender, Dumaine, enters the scene a moment later, he unwittingly invokes the image once again: ‘O would the King, Berowne and Longaville / Were lovers too! Ill, to example ill / Would from my forehead wipe a perjured note’ (4.3.120–2).作者: 個(gè)人長(zhǎng)篇演說 時(shí)間: 2025-3-24 11:33
2634-5919 early modern stage. Exploring plays by writers such as Shakespeare, Marlowe, Middleton, and Webster, the contributors show?how theatre offers a site of public and communal engagement with the Bible.978-1-349-33676-0978-0-230-35866-9Series ISSN 2634-5919 Series E-ISSN 2634-5927 作者: 一起 時(shí)間: 2025-3-24 17:20
https://doi.org/10.1007/978-3-662-05544-1ollowers with these words:.For an English audience watching the play during the late 1580s, these lines would have evoked a mixed response. On the one hand, the anti-Islamic sentiment displayed so openly here reflects broader cultural fears of the military and religious threat posed by the Ottoman Empire.作者: ROOF 時(shí)間: 2025-3-24 20:12
Enter the Book: Reading the Bible on the Early Modern Stagech an act might be. Reading the Bible as an . of drama – as an artefact of the material and spiritual cultures of early modern England – is our starting point. It is through the Book’s physical presence on the early modern stage that the performance of Biblereading – a performance rooted in question作者: 強(qiáng)制性 時(shí)間: 2025-3-25 02:06 作者: 禮節(jié) 時(shí)間: 2025-3-25 04:45 作者: 證實(shí) 時(shí)間: 2025-3-25 10:27
‘They repented at the preachyng of Ionas: and beholde, a greater then Ionas is here’: ,, Hosea and t German and French vernacular Bibles (Corbett, 1979, 39–40). From the Elizabethan period the Tetragrammaton became the accepted mode of visualising God, not merely on Bibles, but on the title pages of scores of sermons, histories and devotional works.. Protestantism’s interest in the original langua作者: Mutter 時(shí)間: 2025-3-25 12:32
Marital Infidelity and Christian Self-Sacrifice in Thomas Heywood’s n ‘sent from their great captaine Sathan […] to deceive the world, to lead people with enticing shewes to the divell, to seduce them to sinne’ (Rankins, 1587, 2.). Countering such criticism, Heywood claims divine endorsement of the playhouse, not on the basis of any biblical allusions to theatre, bu作者: Generic-Drug 時(shí)間: 2025-3-25 16:45
Reading the White Devil in Thomas Adams and John Websteroke free of the limited arena of biblical exegesis and by the time Adams was preaching his sermon in 1613 the white devil had become a highly popular, even commonplace, image for hypocrisy. The appearance in one year of two . in such strikingly different contexts does, however, make the mobility of 作者: 格子架 時(shí)間: 2025-3-25 23:13 作者: cliche 時(shí)間: 2025-3-26 03:50
Afterwordplayed many times in Coventry, and an epic 1628 puppet play in Oxford featured Adam and Eve in Eden, the Expulsion from Paradise, Cain and Abel, Abraham and Isaac, Nebuchadnezzar and the Fiery Furnace, the Nativity and the Adoration of the Three Kings, the Flight into Egypt and the Slaughter of the 作者: 嚴(yán)厲批評(píng) 時(shí)間: 2025-3-26 06:42
‘Fatal Visions’: The Image as Actor in Early Modern Tragedy作者: sperse 時(shí)間: 2025-3-26 11:29
Adrian Streete (Senior Lecturer in Renaissance Lit作者: 切碎 時(shí)間: 2025-3-26 15:04
Struktur eines Mikroprozessorsystems,ch an act might be. Reading the Bible as an . of drama – as an artefact of the material and spiritual cultures of early modern England – is our starting point. It is through the Book’s physical presence on the early modern stage that the performance of Biblereading – a performance rooted in question作者: initiate 時(shí)間: 2025-3-26 16:59
Time for a New Constitutional Changeom were they trained to interpret biblical language and its narratives and teachings, if at all? Was their experience of the Bible communal or private, educational or meditative, liturgical or domestic, or all of these? This essay could not possibly attempt to answer these questions, but they form t作者: Affluence 時(shí)間: 2025-3-26 23:53 作者: gruelling 時(shí)間: 2025-3-27 04:08
https://doi.org/10.1007/978-3-658-23650-2 German and French vernacular Bibles (Corbett, 1979, 39–40). From the Elizabethan period the Tetragrammaton became the accepted mode of visualising God, not merely on Bibles, but on the title pages of scores of sermons, histories and devotional works.. Protestantism’s interest in the original langua作者: 嫌惡 時(shí)間: 2025-3-27 06:49
https://doi.org/10.1057/9781403919595n ‘sent from their great captaine Sathan […] to deceive the world, to lead people with enticing shewes to the divell, to seduce them to sinne’ (Rankins, 1587, 2.). Countering such criticism, Heywood claims divine endorsement of the playhouse, not on the basis of any biblical allusions to theatre, bu作者: jagged 時(shí)間: 2025-3-27 10:37
Erneute Beteiligung des Privatkapitals,oke free of the limited arena of biblical exegesis and by the time Adams was preaching his sermon in 1613 the white devil had become a highly popular, even commonplace, image for hypocrisy. The appearance in one year of two . in such strikingly different contexts does, however, make the mobility of 作者: Palate 時(shí)間: 2025-3-27 14:48 作者: 的染料 時(shí)間: 2025-3-27 20:47
19. H?mophilie-Symposion Hamburg 1988played many times in Coventry, and an epic 1628 puppet play in Oxford featured Adam and Eve in Eden, the Expulsion from Paradise, Cain and Abel, Abraham and Isaac, Nebuchadnezzar and the Fiery Furnace, the Nativity and the Adoration of the Three Kings, the Flight into Egypt and the Slaughter of the 作者: 思想 時(shí)間: 2025-3-28 00:39
Book 2012Early modern drama is steeped in biblical language, imagery and stories. This collection examines the pervasive presence of scripture on the early modern stage. Exploring plays by writers such as Shakespeare, Marlowe, Middleton, and Webster, the contributors show?how theatre offers a site of public and communal engagement with the Bible.作者: PANT 時(shí)間: 2025-3-28 03:45 作者: choleretic 時(shí)間: 2025-3-28 10:17 作者: 表兩個(gè) 時(shí)間: 2025-3-28 11:07 作者: CHIDE 時(shí)間: 2025-3-28 14:43
Early Modern Literature in Historyhttp://image.papertrans.cn/e/image/300767.jpg作者: LATHE 時(shí)間: 2025-3-28 20:20
https://doi.org/10.1007/978-3-662-05544-1und in the temple of that Mahomet’ (5.1.172–3) so that he can burn them (see Garber, 1984).. Tamburlaine taunts the Muslim prophet and his ‘Turkish’ followers with these words:.For an English audience watching the play during the late 1580s, these lines would have evoked a mixed response. On the one作者: 正常 時(shí)間: 2025-3-29 00:08
Struktur eines Mikroprozessorsystems,sity. Scholarly speculation ranges from the satires of Juvenal to the . of Montaigne, while just as plausibly Hamlet could be ruminating on his own ‘tables’ (if, that is, the actor playing the Prince produces a notebook of some kind in the soliloquy of 1.5).. Yet, what if Hamlet were holding neither作者: angiography 時(shí)間: 2025-3-29 06:38
Time for a New Constitutional Changeble remained the central cultural text in England, as in the rest of Europe, through the seventeenth century’ (Shuger, 1994, 2). But as soon as we go beyond those comfortable generalisations and try to ascertain closer details, questions and uncertainties abound. Which Bible were the early modern En作者: coagulate 時(shí)間: 2025-3-29 08:53 作者: 松緊帶 時(shí)間: 2025-3-29 14:23
On Proof and Progress in Mathematics,ism still assumes that the play allegorises either the displacement of justice by mercy or, in recent Aristotelian interpretations, the displacement of justice by equity, mercy’s classicised cousin (see Marx, 2000, ch. 5). Stacy Magedanz refines the mercy—justice debate by pointing out that the Duke作者: 別名 時(shí)間: 2025-3-29 15:39
18. H?mophilie-Symposion Hamburg 1987riminal offence of wilful perjury. As part of their punishment, convicted perjurers were set ‘on the pillory in some market-place within the shire, city or borough’, wherein the offence had been committed (., 1563, section vii). Standing exposed to the public gaze, they wore a paper, fixed either to作者: STALE 時(shí)間: 2025-3-29 21:17
https://doi.org/10.1007/978-3-658-23650-2y for an act as Jewish’ (Mellinkoff, 1993, 1: 97). As this final phrase suggests, it was often used with anti-Semitic intent: inscribed, for example, on the clothes of the torturers or bystanders in paintings of the Passion in order to implicate Jews in the Crucifixion.. But in early modern art – in作者: 溝通 時(shí)間: 2025-3-30 03:30
https://doi.org/10.1057/9781403919595 antiquity, dignity and ‘the true use of their quality’ (Heywood, 1841, xvii).. . operates not only as a defence of the acting profession, but as a celebration of drama as a valuable instrument of instruction and edification. Heywood argues that the unique power of live performance (when compared wi作者: GIDDY 時(shí)間: 2025-3-30 05:58 作者: Spangle 時(shí)間: 2025-3-30 10:40
https://doi.org/10.1007/978-3-030-42192-2n for this is that we do not know what led Massinger and Field to collaborate on this play, nor do we possess any existing evidence as to when it was written or first performed (see Massinger, 1976, xxx–xxxi).. The Oxford editors of Massinger’s complete works note that dating is contingent upon read
