標(biāo)題: Titlebook: Early Modern Diplomacy, Theatre and Soft Power; The Making of Peace Nathalie Rivère de Carles Book 2016 The Editor(s) (if applicable) and T [打印本頁] 作者: informed 時(shí)間: 2025-3-21 19:30
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書目名稱Early Modern Diplomacy, Theatre and Soft Power讀者反饋學(xué)科排名
作者: 依法逮捕 時(shí)間: 2025-3-21 23:56 作者: impaction 時(shí)間: 2025-3-22 00:44
Springer Fachmedien Wiesbaden GmbHe contemporary playwrights’ political philosophy. The tensions on the world stage are reflected on the theatrical stage. .’., and its English version ., show the diplomat closer in spirit to the dramatists who expose the mechanisms of contemporary power games than to its rulers.作者: evince 時(shí)間: 2025-3-22 08:20
Springer Fachmedien Wiesbaden GmbH the smaller duchies and cities of Protestant Silesia. I then turn to one of the . about which Benjamin wrote, Gryphius’ ., . (., ., 1647/1655) and read it as a commentary on the costs not of the war, but of the Westphalian peace negotiations as they played themselves out on Silesian ground.作者: jaunty 時(shí)間: 2025-3-22 10:50 作者: notion 時(shí)間: 2025-3-22 13:28 作者: notion 時(shí)間: 2025-3-22 19:55
14th International Probabilistic Workshopenalties are severe, peace-making requires a more contemplative and timeless venue that facilitates shared wonder. Paulina’s gallery, with its rare sculpture by master artist Giulio Romano, is just such a venue. Culturally, the gallery was gendered masculine (a place for male connoisseurs to gather 作者: Precursor 時(shí)間: 2025-3-23 00:55
https://doi.org/10.1007/978-3-322-96643-8s at court, but they also met in informal marginal places such as gardens, parks, private houses and, on occasion, in an informal manner in the Presence Chamber. From an exploration of early modern diplomatic relations, we can identify the types of non-residential spaces of diplomatic exchanges and,作者: 刪除 時(shí)間: 2025-3-23 05:19 作者: 媽媽不開心 時(shí)間: 2025-3-23 09:08 作者: 泰然自若 時(shí)間: 2025-3-23 12:02 作者: 大方一點(diǎn) 時(shí)間: 2025-3-23 16:42 作者: relieve 時(shí)間: 2025-3-23 18:36 作者: Stress-Fracture 時(shí)間: 2025-3-23 22:45 作者: 漂亮 時(shí)間: 2025-3-24 03:35
The Ambassador as Proteus: Indirect Characterization and Diplomatic Appeasement in , and ,n the appeasement of dramatic conflicts. Finally, we analyse how diplomatic indirect characterization, especially in a tragicomic context, is an oblique strategy of appeasement (the diplomatic .) and a subtle discussion of both the principal’s hubris and the ambassador’s ill counsel.作者: ALT 時(shí)間: 2025-3-24 06:33
Galleries and Soft Power: The Gallery in ,enalties are severe, peace-making requires a more contemplative and timeless venue that facilitates shared wonder. Paulina’s gallery, with its rare sculpture by master artist Giulio Romano, is just such a venue. Culturally, the gallery was gendered masculine (a place for male connoisseurs to gather 作者: acheon 時(shí)間: 2025-3-24 11:53
Marginal Diplomatic Spaces During the Jacobean Era, 1603–25s at court, but they also met in informal marginal places such as gardens, parks, private houses and, on occasion, in an informal manner in the Presence Chamber. From an exploration of early modern diplomatic relations, we can identify the types of non-residential spaces of diplomatic exchanges and,作者: 檢查 時(shí)間: 2025-3-24 18:40
Venetian Merchants as Diplomatic Agents: Family Networks and Cross-Confessional Diplomacy in Early Me Tridentine orthodoxy and to the Renaissance ideal of the pious merchant described by Leon Battista Alberti and Benedetto Cotrugli, their private correspondence reveals a keen ability to move across religious borders, keeping contact with Protestant England and with several Italian reformers in Ven作者: characteristic 時(shí)間: 2025-3-24 19:15 作者: 險(xiǎn)代理人 時(shí)間: 2025-3-25 00:49 作者: buoyant 時(shí)間: 2025-3-25 03:53
2634-5919 d German contemporaries..It provides an international cross-This book explores the secret relations between theatre and diplomacy from the Tudors to the Treaty of Westphalia. It?offers an original insight into the art of diplomacy in the 1580-1655 period through the prism of literature, theatre and 作者: Hearten 時(shí)間: 2025-3-25 09:10 作者: Cardioversion 時(shí)間: 2025-3-25 13:08
The Slumber of War: Diplomacy, Tragedy, and the Aesthetics of the Truce in Early Modern Europe I call “diplomatic virtue”–that would stand in contrast with traditional depictions of heroism. The essay features detailed engagements with two important dramas about national identity, Cervantes’s . and Corneille’s ., read in the context of reflections on truce-making (and breaking) by such political theorists as Grotius and Ayala.作者: 集合 時(shí)間: 2025-3-25 18:00 作者: Processes 時(shí)間: 2025-3-25 22:55 作者: Germinate 時(shí)間: 2025-3-26 03:13 作者: delusion 時(shí)間: 2025-3-26 07:45
Early Modern Diplomacy, Theatre and Soft Power978-1-137-43693-1Series ISSN 2634-5919 Series E-ISSN 2634-5927 作者: 草率男 時(shí)間: 2025-3-26 10:48 作者: 煤渣 時(shí)間: 2025-3-26 12:54
https://doi.org/10.1007/978-1-137-51229-1atus. It simultaneously involves an end to violence and a continuation of the state of war. I argue that this doubleness haunts the ways in which truces are deployed as plot devices in early modern drama. I show how various authors stage moments of truce making in order to raise issues about the eth作者: 小母馬 時(shí)間: 2025-3-26 19:13 作者: 朝圣者 時(shí)間: 2025-3-26 22:04
Springer Fachmedien Wiesbaden GmbH Westphalia (1648) that the genre famously referred to by Walter Benjamin as the Baroque . was born. Having allegedly brought a century of religious conflict to an end and, in its place, inaugurated a new era based on the ‘modern’ international system of states, the Treaty has come to inhabit a kind作者: Endometrium 時(shí)間: 2025-3-27 03:52
Atta-ur-Rahman,Viqar Uddin Ahmadt, these conflicting relations became a source of inspiration for Italian playwrights who centred some of their tragedies on the relations between Venice and the Ottoman Empire. The conquest of Budapest, the siege of Vienna, the attack of the Famagusta fort in Cyprus and the Battle of Lepanto were t作者: 上流社會(huì) 時(shí)間: 2025-3-27 09:05
Atta-ur-Rahman,Viqar Uddin Ahmadn, the ambassador is not identified solely as an actor but, more interestingly, as a character, as a rhetorical and a structural . for an idea, namely appeasement. At first, he seems to be reduced to an actor, but the word ‘comedian’ means more than performance. It refers to the genre of comedy and 作者: 小步走路 時(shí)間: 2025-3-27 10:02
14th International Probabilistic Workshop both as a room of state and as a privy space, a place for the successful deployment of soft, coercive power, was only beginning to be commonplace in the early seventeenth century when the play was first performed (1609–11). .’., stages the work of soft power diplomacy as a remedy for tyranny and as作者: 連鎖 時(shí)間: 2025-3-27 16:27
https://doi.org/10.1007/978-3-322-96643-8e reign of James VI & I of England. James heartily disliked the hustle and bustle of city life and much preferred the retired privacy and ease of the country. What James most wished to escape from was the perplexing and exhausting diversity of counsel, the unending importunity of petitioners and the作者: TAIN 時(shí)間: 2025-3-27 20:25 作者: 清唱?jiǎng)?nbsp; 時(shí)間: 2025-3-27 23:18 作者: 檔案 時(shí)間: 2025-3-28 03:11
https://doi.org/10.1057/978-1-137-43693-1Shakespeare; Renaissance art; Geopolitics; Early Modern drama; European drama; British and Irish Literatu作者: FEAT 時(shí)間: 2025-3-28 08:02 作者: 輕快走過 時(shí)間: 2025-3-28 12:42
The Poetics of Diplomatic Appeasement in the Early Modern Era,onception of peace. The ambassadors had come to negotiate England’s help against Spanish rule in the Netherlands. Elizabeth was offered election as countess of Holland and was thus faced with the possibility of an open diplomatic and military conflict with Spain. Although Elizabeth did not altogethe作者: COM 時(shí)間: 2025-3-28 15:28
The Slumber of War: Diplomacy, Tragedy, and the Aesthetics of the Truce in Early Modern Europeatus. It simultaneously involves an end to violence and a continuation of the state of war. I argue that this doubleness haunts the ways in which truces are deployed as plot devices in early modern drama. I show how various authors stage moments of truce making in order to raise issues about the eth作者: Axon895 時(shí)間: 2025-3-28 19:19 作者: 我們的面粉 時(shí)間: 2025-3-29 00:35 作者: 慎重 時(shí)間: 2025-3-29 03:29
The Performative Power of Diplomatic Discourse in the Italian Tragedies Inspired by the Wars Againstt, these conflicting relations became a source of inspiration for Italian playwrights who centred some of their tragedies on the relations between Venice and the Ottoman Empire. The conquest of Budapest, the siege of Vienna, the attack of the Famagusta fort in Cyprus and the Battle of Lepanto were t作者: visceral-fat 時(shí)間: 2025-3-29 09:41
The Ambassador as Proteus: Indirect Characterization and Diplomatic Appeasement in , and ,n, the ambassador is not identified solely as an actor but, more interestingly, as a character, as a rhetorical and a structural . for an idea, namely appeasement. At first, he seems to be reduced to an actor, but the word ‘comedian’ means more than performance. It refers to the genre of comedy and 作者: 柳樹；枯黃 時(shí)間: 2025-3-29 12:18
