標(biāo)題: Titlebook: Early Modern Authorship and Prose Continuations; Adaptation and Owner Natasha Simonova Book 2015 Palgrave Macmillan, a division of Macmilla [打印本頁] 作者: nourish 時間: 2025-3-21 19:10
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作者: Formidable 時間: 2025-3-21 23:01
Schiffssicherheit im Wandel der Zeitenin Alexander calls ‘the most important event in [Sidney’s] literary career’ (xix). Prior to his death, his works had had only a limited audience in manuscript, but their subsequent publication created Sir Philip Sidney as a canonical author: a status made all the more prominent by its ghostly and me作者: 通便 時間: 2025-3-22 03:14
https://doi.org/10.1007/978-3-658-07674-0iment hath quite defaste’, leaving it ‘brought to nought by little bits’ (28). Sidney’s . was a much more recent unfinished work, in ‘bits’ because of the author’s death rather than historical decay. Yet the metaphors used in Spenser’s disclaimer, with its description of following the author’s foots作者: Malleable 時間: 2025-3-22 07:18
Epicondylitis bzw. Epicondylopathiepublished aristocratic author than to be an active professional attempting to earn his keep. The question arose: could writers hope for both immortality and a ‘living’ from their works, or were they required to feel ‘a(chǎn)sham’d’ of them? Richard Helgerson divides the ‘matrix’ of possible ‘a(chǎn)uthorial rol作者: ARIA 時間: 2025-3-22 10:25
Wie beginnen Sie Anforderungsmanagement?,the new genre of the novel, which Richardson is often held to have inaugurated. In other ways, however, . does not represent a break with the past, but rather a culmination of the issues I have been discussing within a new context. At first sight, in fact, the . and . provide particularly fitting bo作者: 笨拙處理 時間: 2025-3-22 14:18
Wer macht Anforderungsmanagement?,rarity with which he took it. Richardson’s vast correspondence, preserved and organised as carefully as any of his novels, traces a negotiation of authority taking place over the course of his career, and serving as a contrast and response to the publishing challenges described in the previous chapt作者: 笨拙處理 時間: 2025-3-22 20:50
100 Minuten für Konfigurationsmanagementd development for both prose fiction and the literature industry within which these works appeared. It has examined the contexts shaping the composition of continuations, as well as the available evidence for how they were presented and received. By focusing on texts continued by more than one write作者: prick-test 時間: 2025-3-22 22:13
Early Modern Authorship and Prose Continuations978-1-137-47413-1Series ISSN 2634-5919 Series E-ISSN 2634-5927 作者: NATTY 時間: 2025-3-23 01:40
2634-5919 g continued by multiple writers, reading them for evidence of Early Modern attitudes towards authorship, originality, and literary property.978-1-349-50147-2978-1-137-47413-1Series ISSN 2634-5919 Series E-ISSN 2634-5927 作者: insecticide 時間: 2025-3-23 08:28
Book 2015The first in-depth account of fictional sequels in the seventeenth and eighteenth centuries, this examines cases of prose fiction works being continued by multiple writers, reading them for evidence of Early Modern attitudes towards authorship, originality, and literary property.作者: Pericarditis 時間: 2025-3-23 09:50
https://doi.org/10.1057/9781137474131authorship; authors; reading; sequels; continuations; prose fiction; Early Modern; Restoration; seventeenth 作者: 美學(xué) 時間: 2025-3-23 15:49
978-1-349-50147-2Palgrave Macmillan, a division of Macmillan Publishers Limited 2015作者: pulse-pressure 時間: 2025-3-23 20:42
Early Modern Literature in Historyhttp://image.papertrans.cn/e/image/300762.jpg作者: 心痛 時間: 2025-3-23 23:02 作者: 符合國情 時間: 2025-3-24 02:49 作者: expansive 時間: 2025-3-24 07:55
2634-5919 g continued by multiple writers, reading them for evidence of Early Modern attitudes towards authorship, originality, and literary property.978-1-349-50147-2978-1-137-47413-1Series ISSN 2634-5919 Series E-ISSN 2634-5927 作者: 漸強 時間: 2025-3-24 11:57 作者: 網(wǎng)絡(luò)添麻煩 時間: 2025-3-24 15:55
Introduction: Works of Another Hand,characters, settings, and plots in order to tie up loose ends or tell further stories. This meant that it was, indeed, occasionally difficult to ever reach the ‘. page’ of a popular work, or to decide who ought to have the ‘last word’ about what those pages ought to contain.作者: –吃 時間: 2025-3-24 21:31 作者: MAIZE 時間: 2025-3-25 01:33
,The ‘Perfect-Unperfect’ ,in Alexander calls ‘the most important event in [Sidney’s] literary career’ (xix). Prior to his death, his works had had only a limited audience in manuscript, but their subsequent publication created Sir Philip Sidney as a canonical author: a status made all the more prominent by its ghostly and me作者: Measured 時間: 2025-3-25 04:35 作者: 諷刺 時間: 2025-3-25 08:17 作者: 注意力集中 時間: 2025-3-25 14:21 作者: configuration 時間: 2025-3-25 18:19 作者: 笨拙的你 時間: 2025-3-25 23:06
Conclusion: The Fall of the Sequel,d development for both prose fiction and the literature industry within which these works appeared. It has examined the contexts shaping the composition of continuations, as well as the available evidence for how they were presented and received. By focusing on texts continued by more than one write作者: Antagonism 時間: 2025-3-26 00:16 作者: Range-Of-Motion 時間: 2025-3-26 08:20
https://doi.org/10.1007/978-3-658-07674-0 apology. While many of the images used are conventional in Renaissance discussions of imitation, they take on additional valences by being applied to this particular form of inter-textuality. These para textual frames therefore constitute an important source of evidence about Early Modern attitudes作者: 繁重 時間: 2025-3-26 10:19 作者: DOLT 時間: 2025-3-26 15:50 作者: 反應(yīng) 時間: 2025-3-26 20:21
100 Minuten für Konfigurationsmanagementy’s text. By the Restoration, such an association no longer seems to have been possible, with the relationship between ‘original’ authors and continuators instead becoming one of commercial and moral competition. This more antagonistic dynamic comes to a head in the career of Samuel Richardson, who 作者: coltish 時間: 2025-3-26 23:19 作者: URN 時間: 2025-3-27 03:47 作者: 擴大 時間: 2025-3-27 07:14 作者: 螢火蟲 時間: 2025-3-27 11:20
,Samuel Richardson vs. the ‘High Life Men’,to the .. Richardson had helped to print the 1725 edition of Sidney’s ., and its last eighteenth-century reissue was published in 1739, a year before Richardson’s novel. Gillian Beer even argues that the 1725 edition, which includes Richard Belling’s ., might ‘particularly have drawn Richardson’s at作者: liaison 時間: 2025-3-27 15:51
Conclusion: The Fall of the Sequel,y’s text. By the Restoration, such an association no longer seems to have been possible, with the relationship between ‘original’ authors and continuators instead becoming one of commercial and moral competition. This more antagonistic dynamic comes to a head in the career of Samuel Richardson, who 作者: Adj異類的 時間: 2025-3-27 19:53
9樓作者: 圓柱 時間: 2025-3-27 22:29
10樓作者: 孤僻 時間: 2025-3-28 04:46
10樓作者: Intruder 時間: 2025-3-28 06:56
10樓作者: 合并 時間: 2025-3-28 11:34
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