標題: Titlebook: E. M. Forster: Centenary Revaluations; Judith Scherer Herz,Robert K. Martin Book 1982 Judith Scherer Herz and Robert K. Martin 1982 evalua [打印本頁] 作者: tornado 時間: 2025-3-21 16:22
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作者: 充足 時間: 2025-3-22 00:08 作者: 語言學(xué) 時間: 2025-3-22 04:05
The Philosophy of E. M. Forsterne (and in which H. G. Wells on the one hand, and Virginia Woolf on the other, did not). I mean that he had a set of theories (not just beliefs) about existence which had multiple application and formed a worked-out system. You could become a ‘Forsterian’ as you could a Lawrentian or a Blakeian. And作者: Virtues 時間: 2025-3-22 06:33 作者: 多樣 時間: 2025-3-22 11:11
The Paterian Mode in Forster’s Fiction: , to into some other world, disparted from the spectacular point where he was now placed to survey it, like that distant road below, along which he had travelled this morning across the Campagna. Through a dreamy land he could see himself moving, as if in another life, and like another person, through a作者: 暗語 時間: 2025-3-22 15:05 作者: 暗語 時間: 2025-3-22 21:01
the French New Novel and English Romanticismp to some central themes in English romanticism. His interest in the human imagination, with its power to betray those who indulged it too easily and to act as an important guide to the nature of reality in those who knew how to and on what terms to trust it, had emerged for me as an important clue 作者: FLAT 時間: 2025-3-22 21:35
The Role of the Essayist-Commentator in hackeray, Joseph Conrad and E. M. Forster, no doubt, as James himself might say, contradiction would grow ‘young again over tea cups and cigars’.. One can imagine the restless spoons if the conversation turned to the role of the narrator in the novel. James, of course, would advocate viewing the act作者: 衍生 時間: 2025-3-23 05:19
Moments in the Greenwood: , in Contextreflected, in fact, a broader social and intellectual milieu that alternately inhibited and stimulated the behaviour and creativity of many writers at the beginning of the twentieth century. The nature of that climate and its impact on Forster is the subject of this paper which focuses, more precise作者: Biomarker 時間: 2025-3-23 06:13
as Fantasytment so intensely felt that it robs its characters of charity and its symbolic devices of depth’, and hence ‘simply falls short of art’.. For him, ‘. at best is personal therapy, at least a fumbling insight into a tortured soul. But is this enough? When one turns to our original question, “Has Fors作者: Subjugate 時間: 2025-3-23 13:35
The Evolution of E. M. Forster’s al form’.. Since there are, however, three versions of the novel, dated 1914, 1932 and 1959 respectively, I propose here to examine in detail the extent to which Forster’s statement is accurate. A study over the past two years of its three typescripts, in the possession of King’s College, Cambridge,作者: 水獺 時間: 2025-3-23 14:51
Annotating the Imagination or geographical and historical references but just as important for tracing the paths followed by the author’s imagination in creating the fiction. The occasional direct annotations necessary to mark a doubtful manuscript reading are only the surface indications of a continual process of decision, 作者: 星球的光亮度 時間: 2025-3-23 22:06
E. M. Forster and Hindu Mythology was enriched initially by recourse to Greek mythology, and the Hellenistic world predominated and was idealized in his early work. In . and . he attempts apparently to transplant the mythical life of ancient Greece among the downs and farms of England, but the effect that is achieved in these two n作者: 高調(diào) 時間: 2025-3-24 00:54 作者: Aspiration 時間: 2025-3-24 05:27 作者: 小爭吵 時間: 2025-3-24 10:29 作者: 貪婪地吃 時間: 2025-3-24 14:20 作者: Nerve-Block 時間: 2025-3-24 16:37 作者: 繁榮中國 時間: 2025-3-24 19:13 作者: 過分自信 時間: 2025-3-25 00:00 作者: Congestion 時間: 2025-3-25 03:50 作者: Fortuitous 時間: 2025-3-25 08:33
3.524 existence which had multiple application and formed a worked-out system. You could become a ‘Forsterian’ as you could a Lawrentian or a Blakeian. And though he was a natural or ‘born’ novelist, I cannot think of another equally considerable one who wrote so exclusively in the interests of a philosophy.作者: EXALT 時間: 2025-3-25 13:57 作者: 柔美流暢 時間: 2025-3-25 17:38 作者: 改良 時間: 2025-3-25 21:20 作者: cutlery 時間: 2025-3-26 01:55
Moments in the Greenwood: , in Contexter’s own assessment of England at the end of its Edwardian idyll and ask what he meant when he wrote that . was part of ‘a(chǎn)n England where it was still possible to get lost. It belongs to the last moment of the greenwood’..作者: Blasphemy 時間: 2025-3-26 05:11 作者: 不透明 時間: 2025-3-26 08:52 作者: Allodynia 時間: 2025-3-26 14:17 作者: 陳腐的人 時間: 2025-3-26 19:41 作者: 修飾語 時間: 2025-3-26 21:46 作者: Bumble 時間: 2025-3-27 04:34 作者: lanugo 時間: 2025-3-27 08:36 作者: curriculum 時間: 2025-3-27 13:20
3.524ne (and in which H. G. Wells on the one hand, and Virginia Woolf on the other, did not). I mean that he had a set of theories (not just beliefs) about existence which had multiple application and formed a worked-out system. You could become a ‘Forsterian’ as you could a Lawrentian or a Blakeian. And作者: 鞭子 時間: 2025-3-27 15:45 作者: Override 時間: 2025-3-27 21:42 作者: 植物茂盛 時間: 2025-3-28 01:02 作者: Lethargic 時間: 2025-3-28 03:56
,Gesch?ftsplanung des Gründungsvorhabens,p to some central themes in English romanticism. His interest in the human imagination, with its power to betray those who indulged it too easily and to act as an important guide to the nature of reality in those who knew how to and on what terms to trust it, had emerged for me as an important clue 作者: 先行 時間: 2025-3-28 09:22 作者: 提煉 時間: 2025-3-28 11:03 作者: Inflated 時間: 2025-3-28 15:51
,Schlu?folgerungen und Ausblick,tment so intensely felt that it robs its characters of charity and its symbolic devices of depth’, and hence ‘simply falls short of art’.. For him, ‘. at best is personal therapy, at least a fumbling insight into a tortured soul. But is this enough? When one turns to our original question, “Has Fors作者: 打谷工具 時間: 2025-3-28 21:23 作者: Proclaim 時間: 2025-3-28 23:49 作者: ICLE 時間: 2025-3-29 04:02 作者: Mechanics 時間: 2025-3-29 08:03
Uwe-Peter Egger,Peter Gronemeier‘Let there be those “formidable erosions of contour” of which Nietzsche speaks’.作者: BILE 時間: 2025-3-29 12:40 作者: Palpable 時間: 2025-3-29 15:42 作者: tendinitis 時間: 2025-3-29 19:53
and Literary History‘Let there be those “formidable erosions of contour” of which Nietzsche speaks’.作者: Overstate 時間: 2025-3-30 00:59
The Advance Beyond Daintiness: Voice and Myth in Behind the rather cozy domesticity of . lies a full-scale attempt on Forster’s part to create an English myth. His preoccupation with this idea is evident when the narrative voice muses:作者: 配置 時間: 2025-3-30 04:34
: The Dominant Voice. moves toward catastrophe and symbolic revelation with the visit of two English ladies and their Indian host to the famous Marabar Caves. As Mrs Moore, Adela Quested, Aziz, and their entourage of servants enter the first cave, Forster describes their passage:作者: 不可比擬 時間: 2025-3-30 09:49
,Einleitung — Ein vernünftiges Besonderes,st-successes or failures’,. he wrote to Virginia Woolf in that same year and throughout his life he remained sceptical of the notion that his five published novels constituted a succession of ‘masterpiece after masterpiece’. But despite Forster’s own diffidence and his toying with the idea of greatn作者: COLON 時間: 2025-3-30 14:42 作者: 會議 時間: 2025-3-30 20:16
Uwe-Peter Egger,Peter Gronenmeierorm to which he was strongly attracted on stylistic grounds. Fortunately the traditional form proved sufficiently malleable for him to discover a personal voice and vision within it. This paper seeks to place the process of discovery in broad historical perspective and to examine the positive and ne作者: FLIC 時間: 2025-3-30 23:29 作者: Incommensurate 時間: 2025-3-31 02:07 作者: 樹木心 時間: 2025-3-31 06:58
,Marketing — machen Sie sich bekannt,r’s intentions for the work as a whole. Or an idea may be less well-imagined, and the process of polishing may bring a subtly different idea into expression. In either case there is no guarantee that the word one might expect to see in a finished work is the word that appears in the draft, though on作者: 流逝 時間: 2025-3-31 10:17
