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標(biāo)題: Titlebook: Dutch Silver; Embossed Ecclesiasti J. W. Frederiks Book 1961 Martinus Nijhoff, The Hague, Netherlands 1961 Dutch Master.Dutch Silver.Plate. [打印本頁(yè)]

作者: Buchanan    時(shí)間: 2025-3-21 19:01
書目名稱Dutch Silver影響因子(影響力)




書目名稱Dutch Silver影響因子(影響力)學(xué)科排名




書目名稱Dutch Silver網(wǎng)絡(luò)公開度




書目名稱Dutch Silver網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Dutch Silver被引頻次




書目名稱Dutch Silver被引頻次學(xué)科排名




書目名稱Dutch Silver年度引用




書目名稱Dutch Silver年度引用學(xué)科排名




書目名稱Dutch Silver讀者反饋




書目名稱Dutch Silver讀者反饋學(xué)科排名





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作者: 闖入    時(shí)間: 2025-3-23 00:41
The Period of TransitionThis anonymous master, who worked in Amsterdam in the first half of the 17th century, probably embossed his superb tazza bowl in 1632 after the same print that Adam van Vianen used for his plaquette of about 1615 (Volume I, no. 52, J). No other works of this excellent silversmith are known.
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作者: Expostulate    時(shí)間: 2025-3-23 05:37
The Construction of Human Civilization the lobate style of the middle of the 17th century. We have illustrated in this volume a wall-scone of 1712, rather coarsely embossed in the Louis XIV style. It shows obviously that his embossing was inferior to his engraving.
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作者: 展覽    時(shí)間: 2025-3-23 19:49
The Eighteenth Century the lobate style of the middle of the 17th century. We have illustrated in this volume a wall-scone of 1712, rather coarsely embossed in the Louis XIV style. It shows obviously that his embossing was inferior to his engraving.
作者: dermatomyositis    時(shí)間: 2025-3-23 22:27
The Baroque Stylee him a son, Johannes, who became a silversmith like his father. A second son, Jacobus, became an engraver. Mayken Roelants must have died before 1638, as in that year Lutma took a second wife, Sara de Bie. The latter died in 1666; Lutma himself died in 1669.
作者: 厚顏無(wú)恥    時(shí)間: 2025-3-24 06:17
The Eighteenth Century the lobate style of the middle of the 17th century. We have illustrated in this volume a wall-scone of 1712, rather coarsely embossed in the Louis XIV style. It shows obviously that his embossing was inferior to his engraving.
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Book 1961is confined to plaquettes, tazze and dishes, together with the complete oeuvre of the three most famous artists Adam and Paul van Vianen, and Lutma, a large variety of objects remains to be dealt with. Amongst these are many very important and beautiful vessels. The principal pieces described in thi
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