標題: Titlebook: Dreams, Sleep, and Shakespeare’s Genres; Claude Fretz Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Early modern.Renaissa [打印本頁] 作者: advocate 時間: 2025-3-21 17:58
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作者: blackout 時間: 2025-3-21 22:23 作者: LAITY 時間: 2025-3-22 03:47 作者: Minuet 時間: 2025-3-22 06:44 作者: 基因組 時間: 2025-3-22 12:15
,‘Following Darkness Like a Dream’: Dreams, Sleep, and Dark Comedy,eare created a darker form of comedy in part by adapting literary traditions of fictitious dreams (mainly Plautine) and dream visions (mainly Chaucerian), and by engaging with early modern notions of dreams as satanic or demonic deceptions, as resurgences of waking thoughts, and as expressions of desires, fears, and emotions.作者: Largess 時間: 2025-3-22 13:32 作者: Largess 時間: 2025-3-22 18:20
https://doi.org/10.1007/978-3-030-83063-2often had natural origins and were potentially deceptive. This paradigm shift enabled Shakespeare to problematise the model of the prophetic dream found in classical tragedy, where dreams point to supernatural determinism, and instead to use dreams to emphasise human agency.作者: BLANC 時間: 2025-3-22 22:15
1940–1942: At the Rothschild Hospitalons of sleep underline the human origins of Shakespearean tragedy. It analyses, for example, how indolent sleep practices lead to tragedy, how the murder of a sleeping character emphasises human responsibility and wickedness, and how insomnia and waking hallucinations exacerbate a character’s physiological, psychological, and spiritual suffering.作者: 固執(zhí)點好 時間: 2025-3-23 01:49
2731-3204 previously unexplored relationship between dreams, sleep, a.This book explores how Shakespeare uses images of dreams and sleep to define his dramatic worlds. Surveying Shakespeare’s comedies, tragedies, histories, and late plays, it argues that Shakespeare systematically exploits early modern physi作者: amyloid 時間: 2025-3-23 09:18
https://doi.org/10.1007/978-3-030-83063-2eare created a darker form of comedy in part by adapting literary traditions of fictitious dreams (mainly Plautine) and dream visions (mainly Chaucerian), and by engaging with early modern notions of dreams as satanic or demonic deceptions, as resurgences of waking thoughts, and as expressions of desires, fears, and emotions.作者: outskirts 時間: 2025-3-23 10:08 作者: 審問,審訊 時間: 2025-3-23 13:50
,‘God’s Secret Judgement’? Dreams in Tragedy,often had natural origins and were potentially deceptive. This paradigm shift enabled Shakespeare to problematise the model of the prophetic dream found in classical tragedy, where dreams point to supernatural determinism, and instead to use dreams to emphasise human agency.作者: 蒙太奇 時間: 2025-3-23 18:08 作者: 有毒 時間: 2025-3-23 23:28
Book 2020ies, and late plays, it argues that Shakespeare systematically exploits early modern physiological, religious, and political understandings of dreams and sleep in order to reshape conventions of dramatic genre, and to experiment with dream-inspired plots..The book discusses the significance of dream作者: anarchist 時間: 2025-3-24 05:04
Introduction,kespeare’s time. Fretz argues that dreams and sleep were ambiguous and indeterminate states in early modern England and that they could have various possible origins and meanings—ranging from somatic to divine or demonic. While the subject of early modern dreams and sleep has been explored in many c作者: wall-stress 時間: 2025-3-24 09:26
,‘Following Darkness Like a Dream’: Dreams, Sleep, and Dark Comedy,sleep defy comedic closure by introducing darker themes that are neither resolved nor absorbed by the plays’ endings. The chapter examines how Shakespeare created a darker form of comedy in part by adapting literary traditions of fictitious dreams (mainly Plautine) and dream visions (mainly Chauceri作者: HOWL 時間: 2025-3-24 11:27
,‘God’s Secret Judgement’? Dreams in Tragedy, the chapter begins by examining the traditions that Shakespeare inherited—and from which he also deliberately departed. It discusses how the Renaissance moved away from the near-universal acceptance that dreams could be supernatural and prophetic, and towards an increased acknowledgement that they 作者: thrombus 時間: 2025-3-24 17:56 作者: metropolitan 時間: 2025-3-24 19:00
,‘Such Stuff as Dreams Are Made On’? Shakespeare’s Late Genre,icate comic and tragic genre conventions. Like Shakespeare’s genre frameworks, his devices of dreams and sleep evolved throughout his career. Fretz shows that this ultimately led to an indeterminate kind of drama that rests on the logic of dreams and systematically involves devices of dreams and sle作者: CLASP 時間: 2025-3-25 02:46 作者: peritonitis 時間: 2025-3-25 06:05
Dreams, Sleep, and Shakespeare’s Genres978-3-030-13519-5Series ISSN 2731-3204 Series E-ISSN 2731-3212 作者: uveitis 時間: 2025-3-25 11:27
Venture Capital Prior to the Age of COVIDwhat we find in Shakespeare’s earlier comedies, tragedies, and history plays. But as I have argued throughout this book, the playwright could not have written his dreamlike late plays without using dreams and sleep in the way he did in his earlier plays.作者: 搖擺 時間: 2025-3-25 14:05 作者: SPALL 時間: 2025-3-25 16:41 作者: 導(dǎo)師 時間: 2025-3-25 20:52 作者: AFFIX 時間: 2025-3-26 01:45 作者: dearth 時間: 2025-3-26 06:36
Palgrave Shakespeare Studieshttp://image.papertrans.cn/e/image/282818.jpg作者: granite 時間: 2025-3-26 11:47 作者: constitutional 時間: 2025-3-26 16:20
https://doi.org/10.1007/978-3-030-83063-2sleep defy comedic closure by introducing darker themes that are neither resolved nor absorbed by the plays’ endings. The chapter examines how Shakespeare created a darker form of comedy in part by adapting literary traditions of fictitious dreams (mainly Plautine) and dream visions (mainly Chauceri作者: 話 時間: 2025-3-26 18:48
https://doi.org/10.1007/978-3-030-83063-2 the chapter begins by examining the traditions that Shakespeare inherited—and from which he also deliberately departed. It discusses how the Renaissance moved away from the near-universal acceptance that dreams could be supernatural and prophetic, and towards an increased acknowledgement that they 作者: Certainty 時間: 2025-3-26 22:20 作者: Outmoded 時間: 2025-3-27 03:20
1946–1997: Review—Frankl on the Holocausticate comic and tragic genre conventions. Like Shakespeare’s genre frameworks, his devices of dreams and sleep evolved throughout his career. Fretz shows that this ultimately led to an indeterminate kind of drama that rests on the logic of dreams and systematically involves devices of dreams and sle作者: 偽書 時間: 2025-3-27 06:51 作者: accordance 時間: 2025-3-27 10:20
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