標(biāo)題: Titlebook: Dramaturgy of the Real on the World Stage; Carol Martin (Senior Fulbright Specialist, and an Book 2010 Palgrave Macmillan, a division of [打印本頁(yè)] 作者: children 時(shí)間: 2025-3-21 16:20
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書目名稱Dramaturgy of the Real on the World Stage讀者反饋
書目名稱Dramaturgy of the Real on the World Stage讀者反饋學(xué)科排名
作者: 并入 時(shí)間: 2025-3-21 22:25 作者: 不要嚴(yán)酷 時(shí)間: 2025-3-22 02:39 作者: Forehead-Lift 時(shí)間: 2025-3-22 06:55
Post-1990s Verbatim Theatre in South Africa: Exploring an African Concept of “Truth”proliferation of personal narratives in the media and print journalism suggests an overwhelming interest in people’s personal stories. Much has been surmised about the problems with and reasons for this fascination with personal narratives (Martin 2006:9–15). Stephen Bottom suggests that “a compulsi作者: jagged 時(shí)間: 2025-3-22 09:17 作者: Minuet 時(shí)間: 2025-3-22 16:03 作者: Minuet 時(shí)間: 2025-3-22 17:44
REwind: A Cantata going back is a doubling back. To rewind: a spool of film, a thread of tape, a sound of a story. But we can’t say where what is seen, or heard, or happened starts or finishes, or when. “It has already begun and so already finished beginning”;. it is always ‘a(chǎn)lready there’ and always ‘not yet’..作者: defeatist 時(shí)間: 2025-3-22 21:49
Is.Man is a story on a social theme, but it is not the result of a mere addition of facts and figures updated daily by the media. ., a form of collectively condoned violence, became the focal point of . while Adelheid Roosen was meeting a convicted killer, whose real identity is not given in the play. Mur作者: 上坡 時(shí)間: 2025-3-23 02:18 作者: 尊嚴(yán) 時(shí)間: 2025-3-23 07:57
The Filesowards the back of the stage. The four chairs are inscribed with the names Nana, Hercules, Adam, and Judas, which later will be crossed out with the real names of the actors: Ewa, Marcin, Adam, Tadeusz. The softly lit space feels intimate and safe and the actors are within the reach of the audience.作者: Comprise 時(shí)間: 2025-3-23 10:16
Excerpts From the Plays of Vivi Tellas I prefer to call “archives:” . (2003), . (2004), . (2005), and . (2006). In all of them I’ve worked with regular people and the real worlds to which they belong. The protagonists of . were my actual mother and aunt, and certain myths and rituals from my own family history; in . I chose three philos作者: stressors 時(shí)間: 2025-3-23 16:15 作者: Bucket 時(shí)間: 2025-3-23 21:34
Toward a Poetics of Theatre and Public Events: In the Case of Stephen Lawrenceord-Clark as a joint production between his company, Out of Joint, and the Royal Court Theatre — is only one of a number of recent British plays that have come to be called “Verbatim Theatre” because they use people’s actual words.作者: 招待 時(shí)間: 2025-3-23 22:14 作者: 繁榮地區(qū) 時(shí)間: 2025-3-24 05:41
Three Postersothes of a local sheikh and led a donkey loaded with 400 kilograms of TNT up to the headquarters of the Israeli military governor in Hasbayya. After passing three barricades controlled by the South Lebanon Army, he reached his target, detonated the bomb, and exploded himself and the donkey along with it.作者: Incompetent 時(shí)間: 2025-3-24 07:45 作者: 調(diào)味品 時(shí)間: 2025-3-24 14:39
Voltammetry in the Neurosciencesdering a (usually) female relative is meant to cleanse the tarnished honor of the family, the . It is the woman who carries the burden of ., it is the man who defends it; by killing the woman, if need be.作者: intuition 時(shí)間: 2025-3-24 17:27 作者: 委托 時(shí)間: 2025-3-24 20:29 作者: 復(fù)習(xí) 時(shí)間: 2025-3-25 02:34 作者: JECT 時(shí)間: 2025-3-25 07:03 作者: jabber 時(shí)間: 2025-3-25 08:33
Robert D. O’Neill,Marianne Fillenzothes of a local sheikh and led a donkey loaded with 400 kilograms of TNT up to the headquarters of the Israeli military governor in Hasbayya. After passing three barricades controlled by the South Lebanon Army, he reached his target, detonated the bomb, and exploded himself and the donkey along with it.作者: FICE 時(shí)間: 2025-3-25 12:18
The Role of CTGF in Diabetic Retinopathyns of “the first time” something happened or by naming recent acquaintances in show biz — and the actions of the present. The production’s subtitle alone is an oxymoron in its self-proclamation: a “nonfiction play.”作者: 使堅(jiān)硬 時(shí)間: 2025-3-25 18:45 作者: chronicle 時(shí)間: 2025-3-25 22:16 作者: Lethargic 時(shí)間: 2025-3-26 02:33 作者: Focus-Words 時(shí)間: 2025-3-26 06:30
Excerpts From the Plays of Vivi Tellas I deal with the relationship between cars and people, with two instructors from the main driving school in Buenos Aires and the only employee in the entire school, a woman, who doesn’t know how to drive.作者: coagulate 時(shí)間: 2025-3-26 09:55 作者: Flustered 時(shí)間: 2025-3-26 13:46
Post-1990s Verbatim Theatre in South Africa: Exploring an African Concept of “Truth”hip between traumatic lived experience and the fictional space of theatre that can offer an alternative reality in a safe space (Martin 2006:10). Within the context of these debates about the uses of personal narratives in particular social and political contexts, I want to explore the unique circum作者: GRAZE 時(shí)間: 2025-3-26 20:51
Reality From the Bottom Up: Documentary Theatre in Polandroductions of the High-Speed Urban Theatre (Szybki Teatr Miejski), the works of Pawel Demirski, Cesary Harasimowicz’s play . (., 2000), Marek Pruchniewski’s . (., 2003), and Andrzej Stasiuk’s . (., 2005). Noteworthy productions based strictly on the verbatim method include . (2003), directed by Jan 作者: 都相信我的話 時(shí)間: 2025-3-26 22:39
Don’t Be Surprised When They Come to Burn Your House Down作者: 異端邪說(shuō)下 時(shí)間: 2025-3-27 04:35 作者: Indurate 時(shí)間: 2025-3-27 08:52 作者: 煤渣 時(shí)間: 2025-3-27 09:51 作者: 植物群 時(shí)間: 2025-3-27 15:30
Victor W. Nitti MD,Michael Ficazzola MDroductions of the High-Speed Urban Theatre (Szybki Teatr Miejski), the works of Pawel Demirski, Cesary Harasimowicz’s play . (., 2000), Marek Pruchniewski’s . (., 2003), and Andrzej Stasiuk’s . (., 2005). Noteworthy productions based strictly on the verbatim method include . (2003), directed by Jan 作者: Aphorism 時(shí)間: 2025-3-27 21:12 作者: 知識(shí)分子 時(shí)間: 2025-3-27 22:50 作者: Intrepid 時(shí)間: 2025-3-28 03:32 作者: 存心 時(shí)間: 2025-3-28 07:37 作者: 決定性 時(shí)間: 2025-3-28 12:04 作者: 擴(kuò)張 時(shí)間: 2025-3-28 18:21 作者: STEER 時(shí)間: 2025-3-28 21:53 作者: Myosin 時(shí)間: 2025-3-29 00:12
Voltammetry in the Neurosciences is a story on a social theme, but it is not the result of a mere addition of facts and figures updated daily by the media. ., a form of collectively condoned violence, became the focal point of . while Adelheid Roosen was meeting a convicted killer, whose real identity is not given in the play. Mur作者: KEGEL 時(shí)間: 2025-3-29 05:26 作者: GUISE 時(shí)間: 2025-3-29 07:37 作者: LINES 時(shí)間: 2025-3-29 11:41
Anthony J. Adams,Marcus A. Bearse Jr. I prefer to call “archives:” . (2003), . (2004), . (2005), and . (2006). In all of them I’ve worked with regular people and the real worlds to which they belong. The protagonists of . were my actual mother and aunt, and certain myths and rituals from my own family history; in . I chose three philos作者: 把手 時(shí)間: 2025-3-29 16:43 作者: 擴(kuò)張 時(shí)間: 2025-3-29 19:51
Daniel T. Eitzman MD,Randal J. Westrick BSContemporary documentary theatre represents a struggle to shape and remember the most transitory history — the complex ways in which men and women think about the events that shape the landscapes of their lives. Much post-9/11 documentary theatre is etched with the urgency of the struggle over the future of the past.作者: 提名的名單 時(shí)間: 2025-3-30 02:34 作者: 令人不快 時(shí)間: 2025-3-30 06:12
Studies in International Performancehttp://image.papertrans.cn/e/image/282791.jpg作者: Exclaim 時(shí)間: 2025-3-30 08:22
The Scripted Realities of Rimini Protokollientation. Speed, the proximity of death, and the merging of bodies and technology are important themes in homes for the elderly as well as in Rimini Protokoll’s . (.; 2000) with its fictional staging of a Formula One race that results in astonishingly perceptive narratives about life at the end of life.
