標(biāo)題: Titlebook: Dramaturgy and Architecture; Theatre, Utopia and Cathy Turner Book 2015 Cathy Turner 2015 Architecture in performance.site-specific perfor [打印本頁(yè)] 作者: FLUX 時(shí)間: 2025-3-21 19:57
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作者: 拋媚眼 時(shí)間: 2025-3-21 20:49
https://doi.org/10.1007/978-1-4939-3389-1 reveal a single example of such an architecture, he holds to the possibility of ‘inroads’ and ‘incursion’ into the real, ‘by means of the ., which can put an end to the pseudoblockage of thought, the paralysis of initiatives’ (Lefebvre 2014 [1973]: 55).作者: 是貪求 時(shí)間: 2025-3-22 01:41 作者: 組成 時(shí)間: 2025-3-22 08:32
Construction: The Convergence of City and Stage in Russian Constructivism,e to hide beneath this ‘Monument’. Having reached its safety, ‘they would lie low in that strange place — in the void beneath the planks that separate Tsar Alexander III from the revolution’ (Shklovsky 2005 [1923]: 126–7).作者: dictator 時(shí)間: 2025-3-22 10:39
From the Bauhaus to Robert Wilson,e’ (Lefebvre 1991: 126) implied a focus, not on individual objects, but on the interrelationship of objects in the spirit of the German Werkbund, whose concerns ranged ‘From the sofa cushion to city planning’ (Muthesius in Schwartz 1996: 22).作者: 昆蟲 時(shí)間: 2025-3-22 16:58 作者: 昆蟲 時(shí)間: 2025-3-22 17:34 作者: Constrain 時(shí)間: 2025-3-23 01:18 作者: NATAL 時(shí)間: 2025-3-23 03:38
Conclusion,overarching concept here, but to position it alongside the others, and to suggest their similarity, as well as their differences. Important principles are at stake in the choice of terms, though, in each instance, the aim may be to articulate a way of thinking about the spatio-temporal organisation of a work.作者: TOXIN 時(shí)間: 2025-3-23 08:31 作者: 支柱 時(shí)間: 2025-3-23 10:29 作者: Measured 時(shí)間: 2025-3-23 16:33 作者: Outspoken 時(shí)間: 2025-3-23 19:19 作者: 緩和 時(shí)間: 2025-3-24 01:48 作者: 流浪者 時(shí)間: 2025-3-24 02:21
2947-6801 habit. It discusses in detail ways in which theatre and performance have critiqued and intervened in everyday spaces, modelled our dreams or fears and made proposals for the future.978-1-349-55904-6978-1-137-31714-8Series ISSN 2947-6801 Series E-ISSN 2947-681X 作者: municipality 時(shí)間: 2025-3-24 07:02
Seiji Shibasaki,Mitsuyoshi UedaIn my introduction, I referred to Hans- Thies Lehmann’s characterisation of the dramatic form as ‘a(chǎn) certain .’ (Lehmann 1997: 56). In ., playwright Steve Waters develops a similar characterisation of the dramatic text as architecture:作者: 厚顏 時(shí)間: 2025-3-24 13:53 作者: Extort 時(shí)間: 2025-3-24 15:31
,Building: Ibsen, , and the Playwright as ‘Master Builder’,In my introduction, I referred to Hans- Thies Lehmann’s characterisation of the dramatic form as ‘a(chǎn) certain .’ (Lehmann 1997: 56). In ., playwright Steve Waters develops a similar characterisation of the dramatic text as architecture:作者: 脫離 時(shí)間: 2025-3-24 22:04 作者: Magnificent 時(shí)間: 2025-3-25 02:06
Dramaturgy and Architecture978-1-137-31714-8Series ISSN 2947-6801 Series E-ISSN 2947-681X 作者: 配偶 時(shí)間: 2025-3-25 05:04
Book 2015Dramaturgy and Architecture approaches modern and postmodern theatre‘s contribution to the way we think about the buildings and spaces we inhabit. It discusses in detail ways in which theatre and performance have critiqued and intervened in everyday spaces, modelled our dreams or fears and made proposals for the future.作者: PET-scan 時(shí)間: 2025-3-25 08:53 作者: TRACE 時(shí)間: 2025-3-25 12:35
https://doi.org/10.1007/978-1-4939-3389-1ent, we must enter the dream because the real has betrayed joy’ (Lefebvre 2014 [1973]: 32). While Lefebvre’s imaginary voyage by magic carpet does not reveal a single example of such an architecture, he holds to the possibility of ‘inroads’ and ‘incursion’ into the real, ‘by means of the ., which ca作者: 整體 時(shí)間: 2025-3-25 18:51
https://doi.org/10.1007/978-1-4939-7104-6 (Shaw 1952 [1904]: 452). Perhaps in the same spirit, a reviewer of the 1910 . at Letchworth writes: ‘I refuse to take Garden City seriously, because, like all important things, it began as a joke. An official in the House of Lords wrote a little book about the cities of Tomorrow. A number of influe作者: angiography 時(shí)間: 2025-3-25 23:04 作者: olfction 時(shí)間: 2025-3-26 03:38
Christina Wege,George P. Lomonossoff Lefebvre links the Russian constructivists and the Bauhaus together, though he places particular significance on the work of the Bauhaus in the reconceptualisation of a modern space. He characterises this as one that posits a link:.This ‘worldwide, homogenous and monotonous architecture of the stat作者: 丑惡 時(shí)間: 2025-3-26 07:14 作者: 場(chǎng)所 時(shí)間: 2025-3-26 11:30 作者: Madrigal 時(shí)間: 2025-3-26 15:20 作者: 效果 時(shí)間: 2025-3-26 20:42 作者: 發(fā)芽 時(shí)間: 2025-3-26 23:50
Construction: The Convergence of City and Stage in Russian Constructivism,ccasion of the first anniversary of the October Revolution, in 1918. This Bolshevik structure, characteristically covered with text, as if arguing itself into existence, paradoxically draws attention to the statue that it conceals. Shklovsky recollects the street urchins who would run from the polic作者: Congeal 時(shí)間: 2025-3-27 04:47 作者: 表狀態(tài) 時(shí)間: 2025-3-27 08:55
,Architecture and Deep Map: Cliff McLucas’s Placeevents, France, although for various reasons Paris felt these shifts acutely. These changes are those Jameson identifies when hypothesising the ‘break’ that determines postmodernism, while acknowledging the potential pitfalls in periodisation:.The situationist movement emerged in response to the ‘economic 作者: Genteel 時(shí)間: 2025-3-27 12:51
Conclusion,mposition that tend to relate it more clearly to spatiality: as ‘building’; ‘chronotope’; ‘rhythmic production’; ‘construction’; ‘gestalt’; ‘situation’; ‘a(chǎn)rchitecture’; or ‘deep map’. Juliet Rufford adds another useful term in her suggestion that ‘tectonics’ can be a way into discussing theatre (Ruf作者: 輕快帶來(lái)危險(xiǎn) 時(shí)間: 2025-3-27 15:25
8樓作者: 沒(méi)有準(zhǔn)備 時(shí)間: 2025-3-27 18:43
8樓作者: FILTH 時(shí)間: 2025-3-27 22:13
9樓作者: Abduct 時(shí)間: 2025-3-28 05:59
9樓作者: Chronological 時(shí)間: 2025-3-28 08:36
9樓作者: pacific 時(shí)間: 2025-3-28 14:25
9樓作者: Flawless 時(shí)間: 2025-3-28 15:14
10樓作者: 思鄉(xiāng)病 時(shí)間: 2025-3-28 21:30
10樓作者: 矛盾 時(shí)間: 2025-3-29 01:28
10樓作者: 創(chuàng)新 時(shí)間: 2025-3-29 04:46
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