標(biāo)題: Titlebook: Dramatic Dickens; Carol Hanbery MacKay (Professor of English) Book 1989 Palgrave Macmillan, a division of Macmillan Publishers Limited 198 [打印本頁] 作者: DART 時(shí)間: 2025-3-21 16:44
書目名稱Dramatic Dickens影響因子(影響力)
書目名稱Dramatic Dickens影響因子(影響力)學(xué)科排名
書目名稱Dramatic Dickens網(wǎng)絡(luò)公開度
書目名稱Dramatic Dickens網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Dramatic Dickens被引頻次
書目名稱Dramatic Dickens被引頻次學(xué)科排名
書目名稱Dramatic Dickens年度引用
書目名稱Dramatic Dickens年度引用學(xué)科排名
書目名稱Dramatic Dickens讀者反饋
書目名稱Dramatic Dickens讀者反饋學(xué)科排名
作者: 你敢命令 時(shí)間: 2025-3-21 22:06 作者: 阻塞 時(shí)間: 2025-3-22 04:23
VHDL Answers to Frequently Asked Questionsnd why was it such a crucial element in his creative and personal life? The essays collected here attempt to answer these and related questions by examining the dramatic impulses underlying Dickens’s conception of himself and his art and by exploring how those impulses were transformed into the world of his fiction.作者: 賞心悅目 時(shí)間: 2025-3-22 04:59
Functional Properties of Receptor Structureshildhood smothered in the clutches of Murdstone and Grinby to the halcyon prospects of an adolescence under the wing of that guardian spirit of birth and family, the androgynous Aunt Betsey, each stage of these perennial rites is brought to life by Dickens with absolute precision.作者: Directed 時(shí)間: 2025-3-22 08:43
Management of the dizzy patientate tragic overtones, while Boucicault gave the scene an archetypal comic function. Paradoxically, then, although Dickens and Boucicault used the scene to engage the audience and developed it to crystallize their works’ argument, its ultimate dramatic and thematic functions were different for them.作者: 蛤肉 時(shí)間: 2025-3-22 14:35 作者: 蛤肉 時(shí)間: 2025-3-22 20:35 作者: 倒轉(zhuǎn) 時(shí)間: 2025-3-22 22:15
Niels Haering,Niels Da Vitoria Lobobroom was Little Dorrit herself, an idea adapted from Grotowski’s staging of the story of Jacob and Rachel in his play . All of the speeches did come from Dickens’s text but the speeches were not often given in the play by those who had said them in the novel.作者: 使閉塞 時(shí)間: 2025-3-23 01:46
Miscellaneous central vestibular disordersthan in ‘a(chǎn)ny of the novels which supposedly reflect his influence’.. What follows is a brief consideration of Dickens, in the context not of the Victorian stage, but in his relationship to the early modern theatre of Shaw, Ibsen and Strindberg.作者: Heresy 時(shí)間: 2025-3-23 05:35 作者: 撤退 時(shí)間: 2025-3-23 11:55
,Lady Dedlock Prostrate: Drama, Melodrama, and Expressionism in Dickens’s Floor Scenes,acters share with their secondary sisters a tendency to manifest their distress in a manner that has proven highly distressing to critics: they fall to the floor, and it is rare when they do so quietly.作者: 有特色 時(shí)間: 2025-3-23 17:29 作者: Brocas-Area 時(shí)間: 2025-3-23 21:41 作者: visceral-fat 時(shí)間: 2025-3-23 22:25 作者: pulmonary-edema 時(shí)間: 2025-3-24 04:04
Management of the dizzy patiente conventional dominance of stage action ought to yield to what was regarded as a ‘modern’ fascination with the intricacies of a sensibility, with internal psychological subtlety expressed through introspective lyrical verse.作者: AROMA 時(shí)間: 2025-3-24 09:01
,‘Before the Curtain’: Entrances to the Dickens Theatre,nd why was it such a crucial element in his creative and personal life? The essays collected here attempt to answer these and related questions by examining the dramatic impulses underlying Dickens’s conception of himself and his art and by exploring how those impulses were transformed into the world of his fiction.作者: 莊嚴(yán) 時(shí)間: 2025-3-24 11:13
The Initiation of David Copperfield the Younger: A Ritual Passage in Three Acts,hildhood smothered in the clutches of Murdstone and Grinby to the halcyon prospects of an adolescence under the wing of that guardian spirit of birth and family, the androgynous Aunt Betsey, each stage of these perennial rites is brought to life by Dickens with absolute precision.作者: Senescent 時(shí)間: 2025-3-24 16:07 作者: 無底 時(shí)間: 2025-3-24 19:53 作者: Legend 時(shí)間: 2025-3-24 23:41 作者: BRIDE 時(shí)間: 2025-3-25 05:59
,Dickens’s Theatre of Self-Knowledge,ce’s presence. But he also returned with fascination to the metaphor of the theatre as a special forum for revealing secrets about himself and his past. He posited an image of the theatre as a space set apart from the turmoil and consequences of the ordinary world, in which ‘a(chǎn)ctual truth’ could be p作者: 魔鬼在游行 時(shí)間: 2025-3-25 08:41
Pecksniff and Pratfalls,m literary critics. Ebenezer Scrooge has long been the best friend of every advertising agent who appreciates how Dickens taught people to celebrate Christmas in the proper commercial spirit: buy the biggest and the best and do not waste time attending church when you could be more profitably employ作者: Pruritus 時(shí)間: 2025-3-25 15:18
The Initiation of David Copperfield the Younger: A Ritual Passage in Three Acts,onal of all liminal rites, the rites which contrive to transform boy into man through the symbol and artifice of dramatic action, are nowhere more clearly drawn than in Dickens’s famous account of the London-to-Dover trek of the young David Copperfield. In the boy’s passage from the captivity of a c作者: 多嘴多舌 時(shí)間: 2025-3-25 17:21 作者: agglomerate 時(shí)間: 2025-3-25 21:26
,‘The Mimic Life of the Theatre’: The 1838 Adaptation of ,ill help to suggest some of the reasons why this is so, however little consensus exists concerning the theatrical merits of the 1838 version of . In 1838 George Almar adapted and produced a version of the text which was, according to A. Nicholas Vardac, performed in both London and New York. Almar’s作者: 有毒 時(shí)間: 2025-3-26 02:40 作者: sperse 時(shí)間: 2025-3-26 05:19
, as ‘Poor Theatre’: Dickens through Grotowski,y Polish director, Jerzy Grotowski.. A little while before we opened our adaptation, I asked the cast if they thought, as I had begun to fear, that the audience might have trouble following our adaptation. ‘Only,’ one of them cheerfully answered, ‘only if they’ve read the novel.’ Readers of Dickens’作者: 剝皮 時(shí)間: 2025-3-26 11:57 作者: 喃喃訴苦 時(shí)間: 2025-3-26 14:34
Thackeray and Dickens on the Boards,, Dickens wrote to his friend and future biographer John Forster.. Dickens is known to have been involved with the stage as early as his twentieth year. So too did Thackeray write at the age of twenty during his . in Weimar to Frau von Goethe: The theatre is all my rage. … I intend to try my hand at作者: Noisome 時(shí)間: 2025-3-26 20:22
,The ‘Sensation Scene’ in Charles Dickens and Dion Boucicault,en years with his novelistic version of the sensation scene. Both artists found the scene’s vigorous action and spectacular effects ideal for their dramatic styles and thematic concerns. And both Dickens and Boucicault increasingly sophisticated the sensation scene. Dickens eventually used it to cre作者: FAST 時(shí)間: 2025-3-27 00:24
Dickens and the Early Modern Theatre, fascination with the theatre, his taste for melodrama, and the fact that he was ‘himself an incorrigible actor’.. Shaw blamed the strangling grip of nineteenth-century censorship for killing serious drama, in consequence of which ‘dramatists had to express themselves in novels’.. Whatever the merit作者: 教育學(xué) 時(shí)間: 2025-3-27 03:41
,Postscript: Theatricality and Dickens’s End Strategies, or by his characters. Nina Auerbach extends a theatrical metaphor to encompass all of Dickens’s ‘one-man performances’ in his novels, an achievement that allowed the novelist finally to become ‘a(chǎn) theatre in himself. Coral Lansbury and James R. Kincaid attribute the same kind of authority to Pecksni作者: Obsessed 時(shí)間: 2025-3-27 06:49
http://image.papertrans.cn/e/image/282778.jpg作者: KEGEL 時(shí)間: 2025-3-27 12:51 作者: Aviary 時(shí)間: 2025-3-27 15:13
VHDL Answers to Frequently Asked Questionsksniff, Mr Podsnap, Mrs General, or, in the colloquial line, Mrs Nickleby. Something like the same rule applies, I think, to academic essays, especially to their beginnings. Aren’t we all suspicious of papers that start straight off with references to the ., for instance? One naturally assumes that 作者: GROWL 時(shí)間: 2025-3-27 19:57
Design Verification and Testbench,ce’s presence. But he also returned with fascination to the metaphor of the theatre as a special forum for revealing secrets about himself and his past. He posited an image of the theatre as a space set apart from the turmoil and consequences of the ordinary world, in which ‘a(chǎn)ctual truth’ could be p作者: Highbrow 時(shí)間: 2025-3-27 23:57
Krzysztof R. Apt,Ernst-Rüdiger Olderogm literary critics. Ebenezer Scrooge has long been the best friend of every advertising agent who appreciates how Dickens taught people to celebrate Christmas in the proper commercial spirit: buy the biggest and the best and do not waste time attending church when you could be more profitably employ作者: agenda 時(shí)間: 2025-3-28 04:27 作者: 蔑視 時(shí)間: 2025-3-28 08:39
Visceral Perception through Learning in their own schemes of revenge: such seriously troubled women comprise a large group of Dickens’s characters. Many of these, if memorable, are minor figures. There is Annie Strong, for instance, whose fears of violating the trust of her much older husband occupy only a few pages of . Or there is t作者: 縱火 時(shí)間: 2025-3-28 12:23 作者: MURKY 時(shí)間: 2025-3-28 15:10 作者: 饑荒 時(shí)間: 2025-3-28 19:20
Niels Haering,Niels Da Vitoria Loboy Polish director, Jerzy Grotowski.. A little while before we opened our adaptation, I asked the cast if they thought, as I had begun to fear, that the audience might have trouble following our adaptation. ‘Only,’ one of them cheerfully answered, ‘only if they’ve read the novel.’ Readers of Dickens’作者: Cuisine 時(shí)間: 2025-3-29 02:28
Management of the dizzy patient acted out the conflicts that were central to the vigorous and at times violent debate. At the heart of the controversy was the question of how far the conventional dominance of stage action ought to yield to what was regarded as a ‘modern’ fascination with the intricacies of a sensibility, with int作者: 安心地散步 時(shí)間: 2025-3-29 06:55
Vestibular disorders in (frontal) roll plane, Dickens wrote to his friend and future biographer John Forster.. Dickens is known to have been involved with the stage as early as his twentieth year. So too did Thackeray write at the age of twenty during his . in Weimar to Frau von Goethe: The theatre is all my rage. … I intend to try my hand at作者: 帳單 時(shí)間: 2025-3-29 10:34 作者: BIAS 時(shí)間: 2025-3-29 15:14 作者: chisel 時(shí)間: 2025-3-29 16:40
Krzysztof R. Apt,Ernst-Rüdiger Olderog or by his characters. Nina Auerbach extends a theatrical metaphor to encompass all of Dickens’s ‘one-man performances’ in his novels, an achievement that allowed the novelist finally to become ‘a(chǎn) theatre in himself. Coral Lansbury and James R. Kincaid attribute the same kind of authority to Pecksni作者: Pedagogy 時(shí)間: 2025-3-29 19:50 作者: Gastric 時(shí)間: 2025-3-30 03:22
Palgrave Macmillan, a division of Macmillan Publishers Limited 1989作者: 影響 時(shí)間: 2025-3-30 07:02 作者: Glaci冰 時(shí)間: 2025-3-30 09:12
Functional Properties of Receptor StructuresIn 1858, Dickens wrote to John Forster in wonder at the nineteen-year-old transvestite actress, Marie Wilton. Her ‘saucy and amusing’ portrayal of the boy Pippo in H. J. Byron’s burlesque, ., did not merely simulate masculinity: it stole the thing itself. Such thefts entranced Dickens, though he punished his own thieving characters unremittingly.作者: 頌揚(yáng)本人 時(shí)間: 2025-3-30 14:47
Dickens and Acting Women,In 1858, Dickens wrote to John Forster in wonder at the nineteen-year-old transvestite actress, Marie Wilton. Her ‘saucy and amusing’ portrayal of the boy Pippo in H. J. Byron’s burlesque, ., did not merely simulate masculinity: it stole the thing itself. Such thefts entranced Dickens, though he punished his own thieving characters unremittingly.作者: Induction 時(shí)間: 2025-3-30 20:25
,Dickens’s Theatre of Self-Knowledge,luminates more generally our desires to ‘play’ ourselves and to keep control of the production of play. Fascinated with himself to an extraordinary degree and eager to share with potential biographers his insights into what made him ‘inimitable’, Dickens struggled to articulate the contradictions of作者: 腐敗 時(shí)間: 2025-3-31 00:04
Pecksniff and Pratfalls,e with advertising agents, theatrical producers and ordinary people everywhere. Some of his contemporaries regarded him as an uncultivated crowd-pleaser and spoke of him in the same terms as Pimlico and Reynolds, but even they could not deny that Dickens’s vulgarity was capable of invoking moods and作者: 聲明 時(shí)間: 2025-3-31 02:42
