標題: Titlebook: Doubling, Distance and Identification in the Cinema; Paul Coates Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited [打印本頁] 作者: ARRAY 時間: 2025-3-21 18:27
書目名稱Doubling, Distance and Identification in the Cinema影響因子(影響力)
書目名稱Doubling, Distance and Identification in the Cinema影響因子(影響力)學科排名
書目名稱Doubling, Distance and Identification in the Cinema網絡公開度
書目名稱Doubling, Distance and Identification in the Cinema網絡公開度學科排名
書目名稱Doubling, Distance and Identification in the Cinema被引頻次
書目名稱Doubling, Distance and Identification in the Cinema被引頻次學科排名
書目名稱Doubling, Distance and Identification in the Cinema年度引用
書目名稱Doubling, Distance and Identification in the Cinema年度引用學科排名
書目名稱Doubling, Distance and Identification in the Cinema讀者反饋
書目名稱Doubling, Distance and Identification in the Cinema讀者反饋學科排名
作者: 要素 時間: 2025-3-21 23:24 作者: Essential 時間: 2025-3-22 03:35 作者: Simulate 時間: 2025-3-22 07:46
Doubling, Distance and Instruments of Perception,dis-)colouration promote a dual consciousness: the knowledge that one both ‘is’ and ‘is not’ capable of such vision, much as Francis in Egoyan’s . (1994) both ‘does’ and ‘does not’ touch. The double is implicit as the locus of a double vision. The modernist clouding of vision matches the hand’s sens作者: instill 時間: 2025-3-22 10:28 作者: Dictation 時間: 2025-3-22 16:34 作者: Dictation 時間: 2025-3-22 18:08
Urban Identity and the Atlantic Worlde of this introduction, ‘neither here nor there’. For instance, although the camera’s approach to a character seems often to involve a deepening of identification, doubling, by collapsing interiority/ exteriority distinctions, reveals the reversibility and ambiguity of both scale and identification, as what is ‘here’ is also situated ‘there’.作者: Lipohypertrophy 時間: 2025-3-22 23:36 作者: 樹膠 時間: 2025-3-23 02:46
https://doi.org/10.1057/9781137396693Cinema; doubling; scale; haptic; 3D cinema; identification; argue; cinema; discourse; knowledge; Plato作者: Adenocarcinoma 時間: 2025-3-23 06:13 作者: Modicum 時間: 2025-3-23 13:26 作者: 極微小 時間: 2025-3-23 14:56
Introduction: Neither Here nor There,e of this introduction, ‘neither here nor there’. For instance, although the camera’s approach to a character seems often to involve a deepening of identification, doubling, by collapsing interiority/ exteriority distinctions, reveals the reversibility and ambiguity of both scale and identification, as what is ‘here’ is also situated ‘there’.作者: fluoroscopy 時間: 2025-3-23 20:14 作者: laxative 時間: 2025-3-23 23:08 作者: 確定的事 時間: 2025-3-24 05:26 作者: Glossy 時間: 2025-3-24 07:23 作者: abracadabra 時間: 2025-3-24 14:09 作者: 輕浮女 時間: 2025-3-24 16:10 作者: 包庇 時間: 2025-3-24 22:50 作者: SLAG 時間: 2025-3-25 01:49
tance, identification and doubling in the cinema. It contains analyses of a wide variety of films, including Citizen Kane, The Double Life of Véronique, The Great Gatsby, Gilda, Vertigo and Wings of Desire.978-1-349-48469-0978-1-137-39669-3作者: 繁榮中國 時間: 2025-3-25 05:08
Romancing Post-Napoleonic Britainieved through the handheld lens of the telescope in Hoffmann’s ‘The Sandman’ and the camera lens in Benjamin’s ‘Mechanical Reproduction’ essay. The doubling employed in Rouben Mamoulian’s . (1931) gives an example of explicit filmic treatment of leitmotifs of Romantic provenance.作者: Seizure 時間: 2025-3-25 08:03 作者: Adenocarcinoma 時間: 2025-3-25 15:14
,Doubles and the Shadows in Plato’s Cave,ieved through the handheld lens of the telescope in Hoffmann’s ‘The Sandman’ and the camera lens in Benjamin’s ‘Mechanical Reproduction’ essay. The doubling employed in Rouben Mamoulian’s . (1931) gives an example of explicit filmic treatment of leitmotifs of Romantic provenance.作者: 殺死 時間: 2025-3-25 19:42
Extensions of the Self, and distant vision’ discerned in Cézanne by Jonathan Crary (Crary, 1999, p. 340). (The same applies to Hitchcock’s ., one of this book’s key texts, the rapid oscillation of its ‘vertigo-effect’ approximating both simultaneity and the dizziness occasioned by the hand’s approach to the taboo object, the fetish.)作者: 名次后綴 時間: 2025-3-25 21:38 作者: 外科醫(yī)生 時間: 2025-3-26 00:34 作者: peak-flow 時間: 2025-3-26 06:27 作者: 切掉 時間: 2025-3-26 10:56
Doubling, Distance and Identification in the Cinema作者: OASIS 時間: 2025-3-26 15:09
Doubling, Distance and Identification in the Cinema978-1-137-39669-3作者: ETHER 時間: 2025-3-26 18:39
Doubling, Distance and Instruments of Perception,still is in fact) elsewhere, only one sense having left the point of departure. With regard to Wim Wenders’ . (1987), the ‘double vision’ correlated in the previous chapter with its use of superimposition and ‘phantom hapticity’ results here from its oscillation between black-and-white and colour.作者: confide 時間: 2025-3-26 20:58
In and Out of the Shadows of ,,es’ . (1941), the lead film here in part for that reason. Some of the form’s examples and relatives are inspected below, early limbs of a family tree including . (1946), . (1943) and . (1958), its later extension beyond black-and-white, beyond the 1940s and 1950s and beyond the USA (. (.) (2000) bei作者: heirloom 時間: 2025-3-27 01:41
Cowboys and Aliens,anting of the Western by science fiction may have occurred to render possible the explicit invocation of 3-D, whose glasses are a primitive form of the technology it privileges, rendering audiences themselves extensions of the film-machine.作者: mastopexy 時間: 2025-3-27 05:17
Vittorio Degiorgionce-activated cell sorting, immunocytochemistry, and polymerase chain reaction. All procedures are based on simple laboratory techniques and, with the exception of a cell sorter and the skills to use it, do not require specialized equipment.作者: Initiative 時間: 2025-3-27 12:37 作者: ANTE 時間: 2025-3-27 17:12 作者: Dendritic-Cells 時間: 2025-3-27 21:02 作者: Cougar 時間: 2025-3-28 00:03
Marisa Michelini,Alberto Stefanelroughly fascinating science, it will help students to develop enthusiasm for statistical issues and methods, and may even inspire ideas for their own projects.978-3-662-68909-7978-3-662-68907-3Series ISSN 2948-2763 Series E-ISSN 2948-2771 作者: Measured 時間: 2025-3-28 02:49 作者: 無法取消 時間: 2025-3-28 08:21 作者: AMPLE 時間: 2025-3-28 10:30
