派博傳思國際中心

標(biāo)題: Titlebook: Domestic Violence in Hollywood Film; Gaslighting Diane L. Shoos Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 psychologica [打印本頁]

作者: 磨損    時間: 2025-3-21 18:44
書目名稱Domestic Violence in Hollywood Film影響因子(影響力)




書目名稱Domestic Violence in Hollywood Film影響因子(影響力)學(xué)科排名




書目名稱Domestic Violence in Hollywood Film網(wǎng)絡(luò)公開度




書目名稱Domestic Violence in Hollywood Film網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Domestic Violence in Hollywood Film被引頻次




書目名稱Domestic Violence in Hollywood Film被引頻次學(xué)科排名




書目名稱Domestic Violence in Hollywood Film年度引用




書目名稱Domestic Violence in Hollywood Film年度引用學(xué)科排名




書目名稱Domestic Violence in Hollywood Film讀者反饋




書目名稱Domestic Violence in Hollywood Film讀者反饋學(xué)科排名





作者: 擁擠前    時間: 2025-3-21 21:21
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作者: 連鎖    時間: 2025-3-22 02:20
https://doi.org/10.1007/978-3-319-65064-7psychological abuse; Intimate partner violence; Violence against women; Coercive control; Victim/survivo
作者: promote    時間: 2025-3-22 05:57
978-3-319-87941-3The Editor(s) (if applicable) and The Author(s) 2017
作者: Militia    時間: 2025-3-22 11:58
Roland Albrecht,Jürgen BirnbaumThis chapter introduces the three critical contexts for this discussion of domestic violence films (domestic abuse post-awareness, postfeminism, and film genres), summarizes primary concepts in domestic violence literature, discusses the legacy of . as a major contemporary media representation of abuse, and previews subsequent chapters.
作者: Insatiable    時間: 2025-3-22 14:45
Ultraschallgestützte Regionalan?sthesieThis chapter examines. as the first Hollywood domestic violence film and the only one to focus on psychological abuse or “gaslighting.” The discussion focuses on the conventions of this later Gothic romance, the abuser’s strategies of verbal and psychological abuse, and the film’s implications for contemporary domestic violence films.
作者: Insatiable    時間: 2025-3-22 17:17

作者: 熱情的我    時間: 2025-3-23 00:23
Epsilon-Pseudo-Orbits and ApplicationsThis chapter explores the intersectional complexity of the representation of abuse in the musical biopic .. While the film critiques male coercive control and myths of popular romance it also re-objectifies the black female body and reinforces the stereotype of the violent black man.
作者: cipher    時間: 2025-3-23 04:55
Burkhard Schwenker,Klaus SpremannThis chapter examines how the conventions of the Gothic romance and the maternal melodrama in . foreground the systemic nature of women’s oppression and the abuser’s use of motherhood as a weapon, while ultimately offering female-female relationships and female violence as predictable solutions to abuse.
作者: Recess    時間: 2025-3-23 08:10

作者: Celiac-Plexus    時間: 2025-3-23 10:35
Deformation Induced Ferrite Transformation,This chapter examines. as the epitome of the reified narratives and ideological gaslighting of Hollywood domestic violence films. The chapter asserts the need to resist ideological gaslighting and address these films’ absences by focusing on marginalized women and advocates for collective action and institutional change to end abuse.
作者: 護(hù)身符    時間: 2025-3-23 16:04
Introduction: Representing Domestic Violence, Regalvanizing the Revolution,This chapter introduces the three critical contexts for this discussion of domestic violence films (domestic abuse post-awareness, postfeminism, and film genres), summarizes primary concepts in domestic violence literature, discusses the legacy of . as a major contemporary media representation of abuse, and previews subsequent chapters.
作者: 不要嚴(yán)酷    時間: 2025-3-23 21:35
,, Gaslighting, and the Gothic Romance Film,This chapter examines. as the first Hollywood domestic violence film and the only one to focus on psychological abuse or “gaslighting.” The discussion focuses on the conventions of this later Gothic romance, the abuser’s strategies of verbal and psychological abuse, and the film’s implications for contemporary domestic violence films.
作者: Infirm    時間: 2025-3-24 01:08
,, Victim Empowerment, and the Thrill of Horror,This chapter considers .’s post-aware and postfeminist perspectives as shaped by the conventions of the Gothic romance, the suspense thriller, and the horror film. The chapter critiques the film’s eroticization of violence, dismissal of resources for abused women, stereotypically monstrous abuser, and heroic victim empowerment.
作者: Anticonvulsants    時間: 2025-3-24 03:38

作者: evasive    時間: 2025-3-24 10:07

作者: Optometrist    時間: 2025-3-24 12:17

作者: Interstellar    時間: 2025-3-24 15:06
Conclusion: , and Ideological Gaslighting,This chapter examines. as the epitome of the reified narratives and ideological gaslighting of Hollywood domestic violence films. The chapter asserts the need to resist ideological gaslighting and address these films’ absences by focusing on marginalized women and advocates for collective action and institutional change to end abuse.
作者: Surgeon    時間: 2025-3-24 22:57
Book 2017eeping with the Enemy.,. What’s Love Got to Do with It.,. Dolores Claiborne.,. Enough., and .Safe Haven.. Shaped by the contexts of postfeminism, domestic abuse post-awareness, and familiar genre conventions, these films engage in ideological “gaslighting” that reaffirms our preconceived ideas about
作者: 訓(xùn)誡    時間: 2025-3-25 03:04
ngages productive ways of thinking about and responding to t. .This is the first book to critically examine Hollywood films that focus on male partner violence against women. These films include .Gaslight.,. Sleeping with the Enemy.,. What’s Love Got to Do with It.,. Dolores Claiborne.,. Enough., an
作者: 故意    時間: 2025-3-25 06:27
Book 2017 women, this study proposes that they tacitly reinforce the very attitudes that we believe we no longer tolerate. Shoos argues that films like these limit not only popular understanding but also social and institutional interventions.?.
作者: 殺菌劑    時間: 2025-3-25 08:08

作者: 嘲笑    時間: 2025-3-25 14:08

作者: Breach    時間: 2025-3-25 18:35

作者: 連鎖    時間: 2025-3-25 21:03

作者: critic    時間: 2025-3-26 03:24

作者: 大廳    時間: 2025-3-26 06:44

作者: COUCH    時間: 2025-3-26 10:12

作者: 游行    時間: 2025-3-26 14:15

作者: Insul島    時間: 2025-3-26 18:12

作者: BADGE    時間: 2025-3-26 21:14

作者: Bureaucracy    時間: 2025-3-27 03:24

作者: creatine-kinase    時間: 2025-3-27 08:48
Capital Allocation under Regret and Kataoka Criteriastment into the stock market or into a stock market index. Under expected utility the optimal fraction .. to invest into the stock market depends on the initial capital, on the distribution of stock returns, on the planning horizon, and of course on the von Neumann/Morgenstern utility function. More
作者: Engaged    時間: 2025-3-27 11:31
Building on Marcuse: An Assessment of the New Phase of Neoliberal Despotismof populist authoritarianism or what political theorist John Keane calls “the new despotism” in “phantom democracies.” Given Marcuse’s discussion of a “proto-fascist syndrome” in the early 1970s, how that discussion was based on the Frankfurt School analyses of fascism in the 1930s, and the relevanc
作者: 進(jìn)步    時間: 2025-3-27 14:55

作者: Abnormal    時間: 2025-3-27 18:16

作者: 分開    時間: 2025-3-27 23:06

作者: Employee    時間: 2025-3-28 05:37
Algebraic Understanding of Equalities in Primary Classesomparing terms and tasks with a view toward the underlying mathematical structures. In this chapter we discuss our theoretical background and some results of our video-based qualitative analysis of learning situations in the area of reasoning about equalities.
作者: 反感    時間: 2025-3-28 09:31

作者: paradigm    時間: 2025-3-28 10:28

作者: 腫塊    時間: 2025-3-28 16:07

作者: Notorious    時間: 2025-3-28 19:09

作者: lymphoma    時間: 2025-3-29 01:49

作者: intimate    時間: 2025-3-29 06:20





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