標(biāo)題: Titlebook: Documentary and Disability; Catalin Brylla,Helen Hughes Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 blindness.deafness. [打印本頁] 作者: misperceive 時間: 2025-3-21 16:58
書目名稱Documentary and Disability影響因子(影響力)
書目名稱Documentary and Disability影響因子(影響力)學(xué)科排名
書目名稱Documentary and Disability網(wǎng)絡(luò)公開度
書目名稱Documentary and Disability網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Documentary and Disability被引頻次
書目名稱Documentary and Disability被引頻次學(xué)科排名
書目名稱Documentary and Disability年度引用
書目名稱Documentary and Disability年度引用學(xué)科排名
書目名稱Documentary and Disability讀者反饋
書目名稱Documentary and Disability讀者反饋學(xué)科排名
作者: calamity 時間: 2025-3-21 23:54
http://image.papertrans.cn/e/image/282333.jpg作者: integral 時間: 2025-3-22 00:57 作者: Soliloquy 時間: 2025-3-22 04:34 作者: initiate 時間: 2025-3-22 11:51
Screening Transnational Regioscapesty. Using a process oriented analysis of ., an ethnographic film about a Balinese woman with Tourette syndrome, this chapter provides a novel exploration of how anthropologists can render the lived experience of disability onscreen, capturing and communicating both the richness of the lives of peopl作者: SOBER 時間: 2025-3-22 14:32 作者: SOBER 時間: 2025-3-22 20:02
LCF Studies in Commercial and Financial Law film’s narrative and aesthetics, and that operate through the emphasis of binaries, such as blindness-vision, deviant-normal and them-us. Reflecting an ableist ideology, the formation and maintenance of these stereotypes inform, and are informed by, the sociocultural knowledge shared by filmmakers 作者: 產(chǎn)生 時間: 2025-3-22 22:06 作者: circumvent 時間: 2025-3-23 01:24 作者: 慷慨援助 時間: 2025-3-23 06:18
The Military Marketplace in India, 1850–60 experience: . and .. Although they utilise different aesthetic styles – graphic animation and clay animals – both series rely on visual metaphors to evoke their viewer’s bodily senses. This chapter examines corporeal metaphors that embody experiences of disability and suggests that by emphasising s作者: MILK 時間: 2025-3-23 13:24 作者: 苦澀 時間: 2025-3-23 15:04 作者: consolidate 時間: 2025-3-23 18:31 作者: peak-flow 時間: 2025-3-23 23:09
Alain Delon, International Man of Mysteryanalysis of the programmes themselves within a framework informed by political economy, production studies and Steyger’s own first-hand testimony from his experience working at Interface. Their account suggests that the progressive politics of representation requires certain material and institution作者: tolerance 時間: 2025-3-24 04:42 作者: 確定方向 時間: 2025-3-24 09:20
https://doi.org/10.1057/9781137268280ly a few productions provide alternative framings of disability. Such films can be conceived as a kind of experimental system through which established knowledge about disability can be unsettled. To demonstrate this, this chapter analyses the . by Artur ?mijewski, a video installation interlacing e作者: 可以任性 時間: 2025-3-24 11:29
Alain Delon, International Man of Mysteryto make use of the moving pictures – the first medium able to capture sign language. The main aim of NAD films was to document and preserve sign language. Films were descriptive, as real people and their performances were filmed, but also normative, because films were to be distributed among the dea作者: Rankle 時間: 2025-3-24 15:23
https://doi.org/10.1007/978-3-031-18063-7This chapter explores the author’s own creative practice (.), arguing that collective memory and revised representation of difference ruptures stigma and pre-inscription. The film work defies current medical interference and promotes ethical debates around the ‘will-to-normalise’ what is considered to be aberrant, deviant and abject.作者: nascent 時間: 2025-3-24 21:47
Aberrancy and Autobiographical DocumentaryThis chapter explores the author’s own creative practice (.), arguing that collective memory and revised representation of difference ruptures stigma and pre-inscription. The film work defies current medical interference and promotes ethical debates around the ‘will-to-normalise’ what is considered to be aberrant, deviant and abject.作者: gregarious 時間: 2025-3-25 01:10 作者: 高興一回 時間: 2025-3-25 04:00 作者: theta-waves 時間: 2025-3-25 07:43 作者: BILL 時間: 2025-3-25 15:04
es on inclusion and the future of media.Demonstrates that doThis edited collection of contributions from media scholars, film practitioners and film historians connects the vibrant fields of documentary and disability studies. Documentary film has not only played an historical role in the social con作者: 確定的事 時間: 2025-3-25 16:50 作者: 減去 時間: 2025-3-25 23:46 作者: 來自于 時間: 2025-3-26 02:10
Transnational Securities RegulationRabiger’s narrative analysis, the film inspires parents of children living with intellectual disability in general and chromosomal differences on the 18th chromosome in particular by adhering to narrative conventions, yet departing from them in the context of disability.作者: IDEAS 時間: 2025-3-26 06:01
LCF Studies in Commercial and Financial Lawve experiences. Analysing a range of filmic techniques in his films, the chapter proposes that ordinariness and subjectivity can be effectively mediated to the spectator through mapping corporeal relationships to everyday objects and domestic spaces.作者: Urea508 時間: 2025-3-26 09:01 作者: SHRIK 時間: 2025-3-26 14:23 作者: 行業(yè) 時間: 2025-3-26 19:52 作者: 發(fā)怨言 時間: 2025-3-26 22:54 作者: vasospasm 時間: 2025-3-27 02:45 作者: Console 時間: 2025-3-27 06:58 作者: abracadabra 時間: 2025-3-27 11:53 作者: 斑駁 時間: 2025-3-27 16:36 作者: EPT 時間: 2025-3-27 20:00
(Dis)abling the Spectator: Embodying Disability Experience in Animated Documentaryjective testimonies about life with disability, enhances intersubjective engagement by illustrating the testimonies as experienced through and by the bodies of their subjects, thus touching spectators’ own bodies. In some cases, spectators are further confronted with the socially bestowed privileges of their bodies.作者: aerobic 時間: 2025-3-27 22:44
Accessing Alternative Ethical Maps of In(ter)depenent Living in Global Disability Documentaryportunities for further raising public awareness about inclusion (i.e. the necessity and even value of the sharing of public space with disabled people long cloistered in homes and institutions). Additionally, global disability cinema now provides viewers with an alternative ethical map of living interdependently with each other.作者: jettison 時間: 2025-3-28 05:55 作者: conjunctivitis 時間: 2025-3-28 07:49 作者: Accede 時間: 2025-3-28 13:41
Book 2017d, queer approaches to sexual functionality, Channel 4 disability sports broadcasting, the political meaning of cochlear implant activation, and Christoph’s Schlingensief’s celebrated .Freakstars 3000..?.作者: 加劇 時間: 2025-3-28 15:58 作者: Living-Will 時間: 2025-3-28 19:47
The Military Marketplace in India, 1850–60s chapter locates the film within the ‘thalidomide documentary’ genre and investigates how this impacts its status as a music documentary about a performer for whom ‘disability is a fact and not a problem’. The representation of the disabled body is examined in the context of the film’s modes of ‘speaking .’ and ‘looking .’ its subject.作者: FLIRT 時間: 2025-3-29 02:17 作者: Juvenile 時間: 2025-3-29 03:25 作者: 額外的事 時間: 2025-3-29 10:41
Simone Baglioni,Olga Biosca,Tom Montgomeryism and homophobia. Through textual analysis, this work explores how the three stories featuring queer protagonists in the film (. and .) create an independent narrative thread that latently constructs a new subject of enunciation, which could be classified as ‘queer-crip’.作者: chondromalacia 時間: 2025-3-29 15:04
Alain Delon, International Man of Mysteryal prerequisites that are sometimes taken for granted in more abstract accounts. In doing so, the authors document some of the challenges that the Interface team faced in negotiating between the often-conflicting demands of the television community, the disabled communities and the production team themselves.作者: 拱墻 時間: 2025-3-29 18:23
Alain Delon, International Man of Mysteryf communities to unify sign language as well as promote it. This chapter analyses these films and reconstructs their contexts from both official and private documents gathered in the archives of Gallaudet University (Washington DC, USA).作者: STEER 時間: 2025-3-29 20:33 作者: 有助于 時間: 2025-3-30 02:20 作者: incontinence 時間: 2025-3-30 06:10
Rethinking Ability and Disability in the Work of Johan van der Keukeneotypes. Yet this also incorporated an experiential sense of beauty that has been described by Dissanayake as a form of ‘making special’, extrapolating the extraordinary from the ordinary. It is for this reason that van der Keuken’s work transcends the able/disabled divide and remains relevant today.作者: 花爭吵 時間: 2025-3-30 12:13 作者: Paraplegia 時間: 2025-3-30 15:11 作者: 爵士樂 時間: 2025-3-30 18:05
Interface Productions and Disability Programming for Channel 4: 1984–1986al prerequisites that are sometimes taken for granted in more abstract accounts. In doing so, the authors document some of the challenges that the Interface team faced in negotiating between the often-conflicting demands of the television community, the disabled communities and the production team themselves.作者: 聾子 時間: 2025-3-30 22:41 作者: 高度表 時間: 2025-3-31 01:08
Introduction: The Bricolage of Documentary and Disability,h disciplines: on the one hand, documentary studies need to discuss contemporary portrayals of disability, practices of disabled filmmakers and industry policies that determine access, inclusion and representation; on the other hand, disability studies need to adopt more explicit methodologies that 作者: 流眼淚 時間: 2025-3-31 07:26
Not Without Us: Collaborating across Difference in Documentary Filmmakingar news media, and many have turned to independent documentary film as an outlet for self-expression and definition. Most documentaries are a collaborative effort; however, how is the nature of collaboration altered when the filmmaker is not a member of the mental health community? What are the barr作者: gorgeous 時間: 2025-3-31 10:11 作者: freight 時間: 2025-3-31 16:35
