標(biāo)題: Titlebook: Docudrama on European Television; A Selective Survey Tobias Ebbrecht-Hartmann,Derek Paget Book 2016 The Editor(s) (if applicable) and The A [打印本頁] 作者: Affordable 時間: 2025-3-21 16:09
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作者: Scintillations 時間: 2025-3-21 21:56
German Docudrama: Aligning the Fragments and Accessing the Past,. In a public ceremony that could be interpreted as a symbolic re-enactment, around 8000 illuminated balloons marked the length of the former wall and were later released in a citywide commemoration, allowing them to rise in the night sky. This public event re-enacting the past in and for the presen作者: Vital-Signs 時間: 2025-3-22 03:10
Polish Docudrama: Finding a Balance Between Difficult and Easy Pleasures,ng freedom and self-determination to Central and Eastern European nations, were decisive in the shaping of a completely new concept of television. Studies of the medium up to the 1990s by Andrzej Kozie? and Jaros?aw Kończak (published in . and .), acknowledge the breakthrough in the political system作者: FIN 時間: 2025-3-22 06:57 作者: TRACE 時間: 2025-3-22 09:09 作者: obtuse 時間: 2025-3-22 15:10
Swedish Docudrama: In the Borderlands of Fact and Fiction,refore need to be set in perspective. This article is a first step in the process of mapping the development of Swedish docudrama, with a survey approach prioritised over detailed analysis. An initial overview of the docudrama discourse and research in Sweden over time is followed by a summary of th作者: obtuse 時間: 2025-3-22 19:43 作者: 窒息 時間: 2025-3-22 23:54 作者: 鉆孔 時間: 2025-3-23 02:08 作者: 反復(fù)無常 時間: 2025-3-23 09:05 作者: BLOT 時間: 2025-3-23 13:04
2634-615X as film, and with claims to fact underscored by investigative journalism, television docudrama examines key events and personalities in unfolding national histories.?Post-Fall of the Berlin Wall, docudrama has become a means for nations to work through traumatic experiences both within national bor作者: AVANT 時間: 2025-3-23 13:54 作者: embolus 時間: 2025-3-23 20:18 作者: Water-Brash 時間: 2025-3-23 23:45 作者: 抓住他投降 時間: 2025-3-24 02:37 作者: graphy 時間: 2025-3-24 09:40
Book 2016urope-wide. In this regard, it?is an important genre for television networks as they attempt to make sense of complex current events. These authors offer?a template for further study and point towards ways in which European television cultures, beyond those discussed here, might be considered in the future..作者: 廣口瓶 時間: 2025-3-24 11:25
Introduction: A New Europe, the Post-Documentary Turn and Docudrama,fall of the Wall, the forests of aerials pointing westwards in East Germany, remarked by many visitors from the West during the long Cold War period, were testament to many things, including the desire for a ‘free’ media in the East that would open up proscribed subjects. The extent to which any med作者: inchoate 時間: 2025-3-24 17:42
German Docudrama: Aligning the Fragments and Accessing the Past,nstallation combined symbolic re-enactment, archival footage, personal memories from the past and testimonies, thus ‘forming a collective landscape of memories of Berlin’ (Hausen 2014)—a kind of a ‘real life docudrama’ that was broadcast nationally and around the world.作者: 載貨清單 時間: 2025-3-24 20:50
Polish Docudrama: Finding a Balance Between Difficult and Easy Pleasures,first 40 years of Polish television. I will argue that the situation was caused by political and social factors, and not by factors within the medium itself. The turn of the twenty-first century marked a short-lived eruption of docudrama, when there was some bewilderment about the ‘play with reality作者: 油氈 時間: 2025-3-24 23:18
British Docudrama: New Directions in Reflexivity,studio re-enactments. This practice resulted from television’s initial limitations in recording on location, but was seen by programme makers as a strength, generating a ‘distinctive aesthetic’ and ‘particular dynamics of narrative’ (Corner 1996, p. 31), and enabling ‘a(chǎn)udience identification’ – thes作者: 勉強(qiáng) 時間: 2025-3-25 04:12
,Conclusion: ‘Unity in Diversity’?,Europe’s national PSB broadcasters to reorganize their output according to the demands of the developing European market. International co-productions and co-operations at a European level have become a crucial element of producing and programming television. This has had its effect on docudrama, wh作者: Obscure 時間: 2025-3-25 08:34 作者: Exaggerate 時間: 2025-3-25 12:00 作者: Magnitude 時間: 2025-3-25 16:14 作者: amenity 時間: 2025-3-25 22:01
https://doi.org/10.1007/978-3-030-47461-4studio re-enactments. This practice resulted from television’s initial limitations in recording on location, but was seen by programme makers as a strength, generating a ‘distinctive aesthetic’ and ‘particular dynamics of narrative’ (Corner 1996, p. 31), and enabling ‘a(chǎn)udience identification’ – thes作者: 男學(xué)院 時間: 2025-3-26 03:38
https://doi.org/10.1007/978-3-030-47461-4Europe’s national PSB broadcasters to reorganize their output according to the demands of the developing European market. International co-productions and co-operations at a European level have become a crucial element of producing and programming television. This has had its effect on docudrama, wh作者: prosthesis 時間: 2025-3-26 04:25 作者: 江湖郎中 時間: 2025-3-26 09:57 作者: arthrodesis 時間: 2025-3-26 16:43 作者: 地名詞典 時間: 2025-3-26 18:51 作者: Flatus 時間: 2025-3-26 23:46 作者: BARGE 時間: 2025-3-27 01:09
Observing the Sun: Full-Aperture Filtersng freedom and self-determination to Central and Eastern European nations, were decisive in the shaping of a completely new concept of television. Studies of the medium up to the 1990s by Andrzej Kozie? and Jaros?aw Kończak (published in . and .), acknowledge the breakthrough in the political system作者: 政府 時間: 2025-3-27 07:23
https://doi.org/10.1007/978-3-030-42787-0rs can be divided into two main state-owned channels (France 2, France 3), two privately owned TV operator (TF1 and M6), one Franco-German channel (Arte) and one premium pay TV channel that offers un-encrypted programmes during off-peak hours: Canal+. These channels are the most widely available and作者: SAGE 時間: 2025-3-27 10:40 作者: Cholesterol 時間: 2025-3-27 16:39 作者: FILTH 時間: 2025-3-27 19:54 作者: Redundant 時間: 2025-3-28 00:20
https://doi.org/10.1007/978-3-030-47461-4a significant case for studying the interplay and even the collision, between regions, nations and transnational entities. Since the 1980s, television broadcasting has been increasingly liberalized within the European Union (EU), thereby challenging not only the borders of national television broadc作者: Canyon 時間: 2025-3-28 02:06
Edmond Halley and the Distance of the SunSuggest making ‘storytelling’ one word as the OED has it. OK to amend or revert?作者: Chemotherapy 時間: 2025-3-28 06:41
Italian Docudrama: From the Experimental Moment to Biography as Text of Identity,Suggest making ‘storytelling’ one word as the OED has it. OK to amend or revert?作者: 煩人 時間: 2025-3-28 13:57
https://doi.org/10.1057/978-1-137-49979-0Docudrama; documentary; biopic; Europe; history; memeory; trauma作者: 芭蕾舞女演員 時間: 2025-3-28 14:43 作者: maladorit 時間: 2025-3-28 19:22
Spanish Docudrama: Of Heroes and Celebrities,wed by years of scarcity. The aim of this chapter is to analyse the latest phase of this trend—roughly corresponding to the period from 2008 to the present—the most significant period so far in terms of the number of productions, variety of topics, and interest in audience reception.作者: Admonish 時間: 2025-3-29 00:09 作者: 向外才掩飾 時間: 2025-3-29 06:27
https://doi.org/10.1007/978-3-322-91198-8Baugruppe; Gelenkgetriebe; Getriebe; Konstruktion; Maschinenbau; Mechanik; Mechatronik; Produktion; Schlie?e
