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標(biāo)題: Titlebook: Distributed Creativity; How Blockchain Techn Marcus O‘Dair Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licen [打印本頁]

作者: damped    時間: 2025-3-21 16:45
書目名稱Distributed Creativity影響因子(影響力)




書目名稱Distributed Creativity影響因子(影響力)學(xué)科排名




書目名稱Distributed Creativity網(wǎng)絡(luò)公開度




書目名稱Distributed Creativity網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Distributed Creativity被引頻次




書目名稱Distributed Creativity被引頻次學(xué)科排名




書目名稱Distributed Creativity年度引用




書目名稱Distributed Creativity年度引用學(xué)科排名




書目名稱Distributed Creativity讀者反饋




書目名稱Distributed Creativity讀者反饋學(xué)科排名





作者: 喃喃而言    時間: 2025-3-21 22:06
Eric B Carstens BSc., MSc., Ph.D.ains encourage ., with consumption data being used to benefit creators rather than intermediaries; cryptocollectibes resulting from digital scarcity; automated . payments; and properly designed tokens.
作者: 雪上輕舟飛過    時間: 2025-3-22 03:32

作者: esoteric    時間: 2025-3-22 07:19
Peter A. Revill,Peter J. Wrightt to remove. This is also a . risk, since ‘notice and takedown’ procedures would be ineffective in such a scenario. Arguably, there is a fundamental antipathy between blockchain technology and the very notion of copyright. Finally, there are significant . risks presented by the energy-intensive natu
作者: 挖掘    時間: 2025-3-22 10:48
Juan C. de la Torre,Kathryn M. Carboney to prevent unhelpful regulation. Regulation, after all, occurs not only through law but also through code, social norms and market economics. Since blockchain is a genuinely disruptive technology, the market economics ultimately favour new entrants rather than established organisations. Intermedia
作者: 有惡臭    時間: 2025-3-22 13:06
Blockchain: The Internet of Value,y distract from it. It is also a mistake to assume that blockchain is a necessarily radical—and radically disintermediating—technology. Broadly speaking, we can distinguish between incorporative/sustaining and radical/disruptive applications.
作者: 有惡臭    時間: 2025-3-22 17:33
Opportunities for the Creative Economy,ains encourage ., with consumption data being used to benefit creators rather than intermediaries; cryptocollectibes resulting from digital scarcity; automated . payments; and properly designed tokens.
作者: Inoperable    時間: 2025-3-23 00:07
Barriers to Adoption, to depend on accessibility to users who do not own cryptocurrencies, and who may not be aware that they are using blockchains at all. In terms of . barriers, scalability, in particular, is a significant concern. And while blockchain technology may be groundbreaking, the ‘garbage in/garbage out’ pro
作者: barium-study    時間: 2025-3-23 04:10
Risks of Adoption,t to remove. This is also a . risk, since ‘notice and takedown’ procedures would be ineffective in such a scenario. Arguably, there is a fundamental antipathy between blockchain technology and the very notion of copyright. Finally, there are significant . risks presented by the energy-intensive natu
作者: set598    時間: 2025-3-23 07:07
Conclusion and Recommendations,y to prevent unhelpful regulation. Regulation, after all, occurs not only through law but also through code, social norms and market economics. Since blockchain is a genuinely disruptive technology, the market economics ultimately favour new entrants rather than established organisations. Intermedia
作者: EXALT    時間: 2025-3-23 13:32

作者: ARENA    時間: 2025-3-23 14:20
https://doi.org/10.1007/0-387-31434-2a, rather than carefully selected extracts. The interviews are also intended to serve as case studies, illustrating some of the many possible applications of blockchain technology within the creative economy.
作者: 咒語    時間: 2025-3-23 20:30
Introduction, speed up royalty payments, as well as making them more transparent. Finally, a more inclusive approach to data would encourage innovation, allowing entrepreneurs to build new services. There are, however, significant barriers to adoption. Adoption would also bring with it significant risks.
作者: 產(chǎn)生    時間: 2025-3-24 00:46
Interview Transcripts,a, rather than carefully selected extracts. The interviews are also intended to serve as case studies, illustrating some of the many possible applications of blockchain technology within the creative economy.
作者: 沙漠    時間: 2025-3-24 05:09

作者: 抗生素    時間: 2025-3-24 08:58
Book 2019 techno-economic paradigm. This book provides the first critical, in-depth examination of blockchain’s transformative impact on the creative industries, including music, media, art and gaming. Drawing on interviews with 10 leading start-ups and a comprehensive review of the literature, the author ex
作者: deadlock    時間: 2025-3-24 11:39
and a comprehensive review of the literature, the author examines blockchain’s impact on business models, addresses the barriers and risks, and concludes with policy recommendations that will help unlock value in the UK’s creative economy..978-3-030-13090-9978-3-030-00190-2
作者: 昏暗    時間: 2025-3-24 15:58
Book 2019s, including music, media, art and gaming. Drawing on interviews with 10 leading start-ups and a comprehensive review of the literature, the author examines blockchain’s impact on business models, addresses the barriers and risks, and concludes with policy recommendations that will help unlock value in the UK’s creative economy..
作者: CLAIM    時間: 2025-3-24 19:32

作者: hemophilia    時間: 2025-3-25 02:27
http://image.papertrans.cn/e/image/281878.jpg
作者: 配置    時間: 2025-3-25 04:57
https://doi.org/10.1007/978-3-030-00190-2bitcoin; digital currency; IT in business; ether; music; media; gaming
作者: Acclaim    時間: 2025-3-25 08:11
978-3-030-13090-9The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl
作者: hidebound    時間: 2025-3-25 15:30

作者: DNR215    時間: 2025-3-25 18:00

作者: Resign    時間: 2025-3-26 00:04
Eric B Carstens BSc., MSc., Ph.D. improve the process of attribution, allowing creators to receive credit for their work. This ownership information could also be stored in distributed, rather than centralised, databases, helping to provide a single source of truth for payments and licensing. Finally, a large number of parties coul
作者: Myelin    時間: 2025-3-26 02:33

作者: Conquest    時間: 2025-3-26 04:21
Peter A. Revill,Peter J. Wrightisks, as well as the benefits, to the creative economy (and beyond) in adopting blockchain technology. In . terms, both a complete lack of appropriate regulation, on the one hand, and over-regulation, on the other, represent risks. In . terms, the removal of trusted third parties may not be as desir
作者: Tidious    時間: 2025-3-26 09:45
Juan C. de la Torre,Kathryn M. Carbone creators. Start-ups in the space understand this, as do some creators and a growing number of incumbents. Now policy-makers need to understand the potential—and the potential risks of inaction. At present, we are in danger of blockchain start-ups gravitating to countries other than the UK—resulting
作者: 賞錢    時間: 2025-3-26 12:50

作者: ALIEN    時間: 2025-3-26 18:28

作者: Gorilla    時間: 2025-3-27 00:11
Blockchain: The Internet of Value,). Alternatively, some see blockchains as part of web 3.0, a decentralised, read-write-execute web that is fundamentally different from web 1.0 (the read-only web, used to search for information) and web 2.0 (the read-write web of user-generated content). Blockchains have also been portrayed as part
作者: Exaggerate    時間: 2025-3-27 02:05
Opportunities for the Creative Economy, improve the process of attribution, allowing creators to receive credit for their work. This ownership information could also be stored in distributed, rather than centralised, databases, helping to provide a single source of truth for payments and licensing. Finally, a large number of parties coul
作者: 斜    時間: 2025-3-27 05:51

作者: capsaicin    時間: 2025-3-27 13:14
Risks of Adoption,isks, as well as the benefits, to the creative economy (and beyond) in adopting blockchain technology. In . terms, both a complete lack of appropriate regulation, on the one hand, and over-regulation, on the other, represent risks. In . terms, the removal of trusted third parties may not be as desir
作者: otic-capsule    時間: 2025-3-27 13:57
Conclusion and Recommendations, creators. Start-ups in the space understand this, as do some creators and a growing number of incumbents. Now policy-makers need to understand the potential—and the potential risks of inaction. At present, we are in danger of blockchain start-ups gravitating to countries other than the UK—resulting
作者: 發(fā)現(xiàn)    時間: 2025-3-27 20:59

作者: Antagonism    時間: 2025-3-28 01:22
https://doi.org/10.1007/978-3-322-86216-7ndence, decolonisation and nation-building in . (Sucre, Bolivia), the first historical monumental place of Bolivia in a UNESCO World Heritage City. Understanding the museum as a site of negotiation, the aim is to underline the cultural governance and politics of representation around diverse narratives and identities in Latin America.
作者: ALE    時間: 2025-3-28 06:00

作者: Indict    時間: 2025-3-28 08:56
Programmieren von Mikrocomputernhttp://image.papertrans.cn/e/image/303990.jpg




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