標題: Titlebook: Displacements; Reading Space and Ti Alison Butler Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Film.Popular Music.Functio [打印本頁] 作者: BOUT 時間: 2025-3-21 17:43
書目名稱Displacements影響因子(影響力)
書目名稱Displacements影響因子(影響力)學科排名
書目名稱Displacements網(wǎng)絡(luò)公開度
書目名稱Displacements網(wǎng)絡(luò)公開度學科排名
書目名稱Displacements被引頻次
書目名稱Displacements被引頻次學科排名
書目名稱Displacements年度引用
書目名稱Displacements年度引用學科排名
書目名稱Displacements讀者反饋
書目名稱Displacements讀者反饋學科排名
作者: anus928 時間: 2025-3-22 00:08 作者: legislate 時間: 2025-3-22 04:04
Displacements978-3-030-30461-4Series ISSN 2634-6133 Series E-ISSN 2634-6141 作者: Nonflammable 時間: 2025-3-22 04:40
Alison ButlerConsiders the aesthetics and politics of contemporary artists’ moving image work.Features close textual analysis to explore works in detail.Pays close attention to the ways in which moving images inte作者: Density 時間: 2025-3-22 10:11 作者: Bureaucracy 時間: 2025-3-22 15:09
Immunopathogenesis of HIV Infectionilmmakers have migrated into the gallery from independent cinema and artists have taken up the moving image, new forms have emerged between the institutions of the cinema and the gallery. Using works by Eija-Liisa Ahtila, Apichatpong Weerasethakul and Steve McQueen as examples, this chapter makes th作者: Bureaucracy 時間: 2025-3-22 21:00
Vassili Soumelis,Yong-Jun Liu,Michel GillietChantal Akerman, and to the exhibition, ., a major show of her installation work, held at Ambika P3 in London. This exhibition of seven installations drew on work from several decades and ranged across three continents, exploring a life informed by migration and mobility; the filmmaker’s death a few作者: 領(lǐng)帶 時間: 2025-3-23 00:23 作者: Terminal 時間: 2025-3-23 02:40
The Biology of Early Influencesde a reference point in the landscape and a mirror image of the visitor in the gallery, suggesting a mode of address based on location and movement in space. Film theorists and art historians have drawn on phenomenology and neuropsychology in their accounts of embodied viewing, but few have done so 作者: 蘆筍 時間: 2025-3-23 07:04 作者: outrage 時間: 2025-3-23 11:52 作者: FAZE 時間: 2025-3-23 14:45 作者: ALLAY 時間: 2025-3-23 21:18
2634-6133 e specific spaces and sites of exhibition, the book explores the mobile viewer’s experiences in these immersive and transitory works. ..978-3-030-30463-8978-3-030-30461-4Series ISSN 2634-6133 Series E-ISSN 2634-6141 作者: fledged 時間: 2025-3-24 00:03
Book 2019on and conflict. Paying close attention to the ways in which moving imagesinteract with the specific spaces and sites of exhibition, the book explores the mobile viewer’s experiences in these immersive and transitory works. ..作者: Budget 時間: 2025-3-24 03:02
Introduction: Here and Elsewhere,ilmmakers have migrated into the gallery from independent cinema and artists have taken up the moving image, new forms have emerged between the institutions of the cinema and the gallery. Using works by Eija-Liisa Ahtila, Apichatpong Weerasethakul and Steve McQueen as examples, this chapter makes th作者: 發(fā)起 時間: 2025-3-24 07:44 作者: FER 時間: 2025-3-24 11:11
Time Machines and Other Assemblages,seful in three ways in considering moving image installation: the term can be used to describe the internal organisation and realisation of an individual work, the media forms it utilises, and the wider cultural systems it engages with. This flexibility makes it a useful concept through which to und作者: 冥想后 時間: 2025-3-24 17:01 作者: 搬運工 時間: 2025-3-24 21:52
War Zones,. Mark Boulos’s installation . (2008) and Richard Mosse’s . (2013) and . (2017) are immersive installations that generate new perspectives on distant conflicts and our relationships to them. The discursive works . (2012) and . (2013), by Hito Steyerl, trace links between the battlefield and the art 作者: 打谷工具 時間: 2025-3-25 01:40
The Essay Installation,w essayistic forms have been adapted for spatial presentation in museums and galleries. My examples include the exhibition, ., held at the Haus der Kulturen der Welt in Berlin in 2013 and the three-screen film . (Naeem Mohaiemen, 2017), both of which deal with the Non-Aligned Movement during the Col作者: Acupressure 時間: 2025-3-25 05:14
Postscript: Is This the Future?,—computer-generated imagery (CGI), virtual reality (VR) and artificial intelligence (AI). Through a comparison of recent works by Ian Cheng and Hito Steyerl, I explore the question of AI in particular, in its relationship to futurity, and draw out some of the ways that moving image installation migh作者: 笨拙的你 時間: 2025-3-25 09:28
Book 2019relationships in the gallery to connect with geopolitical issues. Displaced from the cinema, moving images increasingly address themes of movement and change in the world today. Digital technology has facilitated an explosion of work of this kind, and the expansion of contemporary art museums, bienn作者: Narcissist 時間: 2025-3-25 15:44
Immunopathogenesis of HIV Infections together. The geopolitical concerns that predominate in these works can be mapped onto the proliferation of biennials and large-scale art exhibitions that bring moving images to travelling audiences.作者: Aviary 時間: 2025-3-25 16:07 作者: Headstrong 時間: 2025-3-25 20:15 作者: 他很靈活 時間: 2025-3-26 01:31 作者: Melatonin 時間: 2025-3-26 06:06
https://doi.org/10.1007/978-94-011-5834-3eography, landscape and architecture as sites of collaboration and discussion, these discursive and essayistic works utilise the gallery as a location for intellectual reflection, an informal public sphere, more like a debating chamber than an immersive spectacle.作者: affluent 時間: 2025-3-26 11:20 作者: miracle 時間: 2025-3-26 13:47
Time Machines and Other Assemblages,historical awareness and critique. The postcolonial perspective of most of the key works discussed in this chapter highlights the ideological functions of ., and the critical potential of works in which they are deconstructed and reassembled.作者: TOXIN 時間: 2025-3-26 17:53 作者: 禍害隱伏 時間: 2025-3-26 23:47 作者: 窒息 時間: 2025-3-27 04:41
The Essay Installation,eography, landscape and architecture as sites of collaboration and discussion, these discursive and essayistic works utilise the gallery as a location for intellectual reflection, an informal public sphere, more like a debating chamber than an immersive spectacle.作者: 難管 時間: 2025-3-27 07:25 作者: CRUC 時間: 2025-3-27 11:50
Ulrich Welsch,Simone Büchl,Rainer Erlingerteyerl, I explore the question of AI in particular, in its relationship to futurity, and draw out some of the ways that moving image installation might be well-equipped to enable us as viewers in the present, here and now, to think about the future.作者: AVANT 時間: 2025-3-27 14:29
Postscript: Is This the Future?,teyerl, I explore the question of AI in particular, in its relationship to futurity, and draw out some of the ways that moving image installation might be well-equipped to enable us as viewers in the present, here and now, to think about the future.作者: 褪色 時間: 2025-3-27 19:01
Vassili Soumelis,Yong-Jun Liu,Michel Gillietnamics in her films make her installation work a particularly rich case study in hybrid moving image forms between the cinema and the gallery. The exhibition, on which she collaborated, gives spatio-temporal form to the major themes of her work and the ways it was shaped by her history.作者: Mumble 時間: 2025-3-27 23:16 作者: 過分 時間: 2025-3-28 02:49
10樓作者: 粘 時間: 2025-3-28 10:15
10樓作者: 步兵 時間: 2025-3-28 12:44
10樓作者: 相容 時間: 2025-3-28 16:04
10樓
