標(biāo)題: Titlebook: Disnarration and the Unmentioned in Fact and Fiction; Marina Lambrou Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 disnar [打印本頁] 作者: Taylor 時間: 2025-3-21 16:41
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作者: Console 時間: 2025-3-21 22:54
Telling Stories,iated with the discourse of storytelling. A discussion of the purpose of telling stories as a social activity and a closer look at the characteristics of narratives, such as the importance of causation and the presence of Trouble with a capital ‘T’, will provide further insights to contextualise the作者: 共同時代 時間: 2025-3-22 00:54 作者: 表主動 時間: 2025-3-22 07:56 作者: heckle 時間: 2025-3-22 12:12 作者: 有權(quán) 時間: 2025-3-22 15:24
Conclusion,nge of factual and fictional texts and understand why disnarrated modes of storytelling are so pervasive in all genres of storytelling. Analysis of experiential, personal stories, news and fictional narratives suggests there is a discourse of disnarration, while counterfactual divergence triggered b作者: 有權(quán) 時間: 2025-3-22 20:43 作者: Lumbar-Spine 時間: 2025-3-23 00:12
Book 2019referred to – across three genres of texts: personal narratives; news stories; and fiction (literary and film). The book begins by asking why such disnarrated narratives are nevertheless considered tellable. It moves on to examine the pervasiveness of this phenomenon in news reports about “near miss作者: instate 時間: 2025-3-23 04:42 作者: 拖網(wǎng) 時間: 2025-3-23 08:10 作者: 有花 時間: 2025-3-23 10:26 作者: 指令 時間: 2025-3-23 14:13 作者: indubitable 時間: 2025-3-23 19:04 作者: Transfusion 時間: 2025-3-23 22:15
Dietmar Gross,Werner Hauger,Wolfgang A. Wall for their linguistic form and purpose. There are also insights into how characters, through their own volition, trigger counterfactual scenarios to show that in their storyworld they are able to make choices when presented with a network of plot options.作者: 腐蝕 時間: 2025-3-24 04:21 作者: 撫育 時間: 2025-3-24 08:26 作者: 大喘氣 時間: 2025-3-24 12:04 作者: 愚蠢人 時間: 2025-3-24 16:35 作者: allude 時間: 2025-3-24 22:37 作者: Vital-Signs 時間: 2025-3-25 02:46
Conclusion,lity of the narrator and author. . confirms our continuing ‘fascination of what doesn’t happen’ (Dannenberg 2014) in a discussion that explores the roads not taken in these unconventional and tellable dimensions of stories.作者: 清楚說話 時間: 2025-3-25 07:18 作者: 稀釋前 時間: 2025-3-25 10:16
Disnarration and the Unmentioned in Fact and Fiction978-1-137-50778-5作者: 丑惡 時間: 2025-3-25 13:10
follow alternative, forked paths with fascinating unexpected consequences. This engaging work offers original insights to anyone interested in storytelling and will appeal in particular to scholars of language and literature, stylistics, narratology, media, film and journalism..978-1-137-50778-5作者: insipid 時間: 2025-3-25 18:23 作者: 蹣跚 時間: 2025-3-25 20:19 作者: 博識 時間: 2025-3-26 03:32 作者: prolate 時間: 2025-3-26 04:47 作者: CHAR 時間: 2025-3-26 11:11 作者: Gossamer 時間: 2025-3-26 15:10
Dietmar Gross,Werner Hauger,Wolfgang A. Wallsights of . and .. The three fictional texts presented for analysis are two literary works of fiction: John Fowles’s novel .; Tobias Wolff’s (1996) short story .; and the 2016 film . directed by Damien Chazelle. The texts are analysed for their innovative narratological, literary and stylistic strat作者: 失眠癥 時間: 2025-3-26 17:48
Walter Schnell,Dietmar Gross,Werner Haugernge of factual and fictional texts and understand why disnarrated modes of storytelling are so pervasive in all genres of storytelling. Analysis of experiential, personal stories, news and fictional narratives suggests there is a discourse of disnarration, while counterfactual divergence triggered b作者: oxidize 時間: 2025-3-26 22:03 作者: 正式演說 時間: 2025-3-27 03:44 作者: conflate 時間: 2025-3-27 07:19 作者: craven 時間: 2025-3-27 09:39
The Editor(s) (if applicable) and The Author(s) 2019作者: Aspiration 時間: 2025-3-27 17:01
10樓作者: tendinitis 時間: 2025-3-27 19:03
10樓作者: Exclaim 時間: 2025-3-27 22:17
10樓作者: Accede 時間: 2025-3-28 05:33
10樓
