標(biāo)題: Titlebook: Discovering Shakespeare; A New Guide to the P John Russell Brown Textbook 1981Latest edition John Russell Brown 1981 Britain.history of lit [打印本頁] 作者: commotion 時間: 2025-3-21 18:25
書目名稱Discovering Shakespeare影響因子(影響力)
作者: 根除 時間: 2025-3-21 21:24
John Russell Brown 1981作者: rheumatology 時間: 2025-3-22 01:42
Srdjan Redzepagic,Xavier Richet in performance. In one important sense they are: an actor’s language is alive and not dead; and the moment of speech has no leisure for compromise or indecision. We do not go to the theatre to recognise the meanings of words; we react to performances, to total embodiments of a play’s text.作者: DAMN 時間: 2025-3-22 08:34
Multiple-Sulphur Isotope Biosignatures,ors, designers, directors, musicians and managers collaborate in the endless quest for productions that will engage their audiences. But, in our minds, as we respond to performances, there is a still more various and intimate life. All theatrical realities and limitations may be forgotten, as the pl作者: 農(nóng)學(xué) 時間: 2025-3-22 10:52 作者: 中世紀(jì) 時間: 2025-3-22 15:38 作者: 中世紀(jì) 時間: 2025-3-22 18:45
Chris King-Chi Chan,Elaine Sio-Ieng Hui editors present them to us. All our study and enjoyment must start from this evidence and any opinions we form have to be brought back to the same source for assessment. But I decided later to place discussion of Shakespeare’s text at the half-way mark because, until a reader has developed a sense 作者: 王得到 時間: 2025-3-23 00:19 作者: Radiation 時間: 2025-3-23 05:17 作者: Militia 時間: 2025-3-23 06:26
MNE Strategies in the Czech Republicabout text because everything derives from that source, and I have considered the response of individual actors because that is where all the action starts. But now I want to establish an opposite and complementary point of view. Plays are written to be enjoyed by audiences, and this means that more作者: 水汽 時間: 2025-3-23 09:51 作者: Excise 時間: 2025-3-23 16:04 作者: 憤怒歷史 時間: 2025-3-23 22:00 作者: 令人苦惱 時間: 2025-3-23 22:38
Strategies of Economic DevelopmentOur response to Shakespeare’s plays has been changing slowly, and with difficulty, during the last twenty years, but now the time has come for a decisive revolution.作者: 宇宙你 時間: 2025-3-24 02:38
https://doi.org/10.1007/978-3-7091-6932-2One prime difficulty of reading or performing Shakespeare’s plays has not so far been mentioned. As a man born in 1564, his mind, environment and expectations, were all different from ours. The language he spoke was in some respects different too, and the ways in which men wrote it. Time has put barriers between then and now.作者: delegate 時間: 2025-3-24 06:39 作者: Formidable 時間: 2025-3-24 14:32
https://doi.org/10.1057/9780230250956To discover what a play shows an audience as all its action unfolds, a student should put himself in the place of a theatre director and ask what work is needed to stage the action and how the scenes will work together, draw interest forward and lead to a satisfying conclusion.作者: 作嘔 時間: 2025-3-24 18:32
Shmuel Brenner,Clive Lipchin,Allyson AmsterBen Jonson’s words touch on a sense of theatre that is implicit in Shakespeare’s plays. Our involvement with the plays is both intimate and strange; we lose ordinary bearings and find ourselves drawn into unfamiliar worlds where ‘everything seems double’.作者: 網(wǎng)絡(luò)添麻煩 時間: 2025-3-24 22:57 作者: overwrought 時間: 2025-3-24 23:19 作者: 含鐵 時間: 2025-3-25 06:17 作者: Acquired 時間: 2025-3-25 07:55 作者: boisterous 時間: 2025-3-25 12:37 作者: TRACE 時間: 2025-3-25 19:30 作者: Misnomer 時間: 2025-3-25 21:12 作者: 隱士 時間: 2025-3-26 01:51
https://doi.org/10.1007/978-3-7091-6932-2aried experience and imaginative reach, would all be somewhere in his consciousness as he wrote, and would mingle, from time to time, with the imaginary men and women whom he created for the fictions of his plays.作者: Judicious 時間: 2025-3-26 07:08 作者: Servile 時間: 2025-3-26 10:53 作者: Motilin 時間: 2025-3-26 15:16
Parts for Actors,iled and precise. If he has had a hand in casting, production or management, he may envisage, at some stage in composition, the whole process of rehearsal and something of the final test of performance. Shakespeare, who was both actor and manager, must have experienced all this very keenly. He knew 作者: 無禮回復(fù) 時間: 2025-3-26 19:57 作者: 少量 時間: 2025-3-26 23:01 作者: Delude 時間: 2025-3-27 03:51 作者: 使閉塞 時間: 2025-3-27 06:11 作者: 向宇宙 時間: 2025-3-27 12:20
Shows for Audiences,about text because everything derives from that source, and I have considered the response of individual actors because that is where all the action starts. But now I want to establish an opposite and complementary point of view. Plays are written to be enjoyed by audiences, and this means that more作者: Yag-Capsulotomy 時間: 2025-3-27 14:16
Context,guage so that we could recognise meanings that are now lost. In the same way, Elizabethan stage-practice and the shape of early theatres informed our discussion of the plays in action before an audience. This historical perspective is appropriate for every aspect of these studies. No matter how easi作者: 熟練 時間: 2025-3-27 20:44
https://doi.org/10.1007/978-3-642-41369-8personal way with a single part and following it right through, a reader can discover at least the size of the actor’s task and something of its shape. By concentrating on what happens around the chosen role, a reader encounters the developing action as an actor does and so will begin to hear and see the play afresh.作者: 媒介 時間: 2025-3-27 22:10
https://doi.org/10.1057/9780230250956eaning, allusion, reference, repetition, double meanings, syntax, metre, verse-lining, rhetorical structure, exchange of lead, interruption, silence, description of speech or action are among the obvious cues we have noticed already. Others are more hidden, and a reader, like an actor, has to be aware of them.作者: 苦澀 時間: 2025-3-28 05:13 作者: Barrister 時間: 2025-3-28 09:38 作者: 女歌星 時間: 2025-3-28 14:19
Motivation and Subtext,eaning, allusion, reference, repetition, double meanings, syntax, metre, verse-lining, rhetorical structure, exchange of lead, interruption, silence, description of speech or action are among the obvious cues we have noticed already. Others are more hidden, and a reader, like an actor, has to be aware of them.作者: 大雨 時間: 2025-3-28 18:36
Shows for Audiences,tarts. But now I want to establish an opposite and complementary point of view. Plays are written to be enjoyed by audiences, and this means that more than an actor’s knowledge is required to understand them: a reader must also respond like an audience.作者: agnostic 時間: 2025-3-28 20:19 作者: 容易生皺紋 時間: 2025-3-29 02:07 作者: 后退 時間: 2025-3-29 06:25
Shakespeare Dead and Alive,etween these elements-Shakespeare’s text, its theatrical enactment and our own thoughts and feelings—can transport us into a fabulous world, full of surprises and deep pleasures. This book is about that process.作者: Orchiectomy 時間: 2025-3-29 07:54 作者: 設(shè)施 時間: 2025-3-29 13:10
9樓作者: 很是迷惑 時間: 2025-3-29 18:07
9樓作者: 空氣 時間: 2025-3-29 21:35
9樓作者: 嘴唇可修剪 時間: 2025-3-30 01:50
10樓作者: Mercurial 時間: 2025-3-30 06:07
10樓作者: epinephrine 時間: 2025-3-30 10:54
10樓作者: 使殘廢 時間: 2025-3-30 15:21
10樓
