標題: Titlebook: Disability in Comic Books and Graphic Narratives; Chris Foss (Professor of English),Jonathan W. Gray Book 2016 The Editor(s) (if applicabl [打印本頁] 作者: 使無罪 時間: 2025-3-21 18:45
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書目名稱Disability in Comic Books and Graphic Narratives網(wǎng)絡公開度學科排名
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書目名稱Disability in Comic Books and Graphic Narratives讀者反饋
書目名稱Disability in Comic Books and Graphic Narratives讀者反饋學科排名
作者: 不持續(xù)就爆 時間: 2025-3-21 22:01 作者: ARBOR 時間: 2025-3-22 01:39 作者: 博識 時間: 2025-3-22 05:23
,“Why Couldn’t You Let Me Die?”: Cyborg, Social Death, and Narratives of Black Disability, the group who is disabled. Indeed, Cyborg’s status as superhero literally derives from the process of rehabilitation: he must successfully complete physical and occupational therapy in order to (re)master the gross and fine motor skills needed to use the metal limbs and techno-organs grafted into h作者: flourish 時間: 2025-3-22 12:09
,“You Only Need Three Senses for This”: The Disruptive Potentiality of Cyborg Helen Keller,erosexual, young, single and non-disabled” (285). As Rosemarie Garland-Thomson observes, “women are the proper object of the male gaze, while disabled people are the proper object of the stare” (“Reshaping” 9). The “gaze” objectifies, while the “stare” dehumanizes (“Reshaping” 9), and representation作者: 表兩個 時間: 2025-3-22 13:33 作者: 表兩個 時間: 2025-3-22 20:59 作者: 陳列 時間: 2025-3-22 21:26
,Thinking through Thea: Alison Bechdel’s Representations of Disability,ftly untangle and analyze how Bechdel’s queerness inflects the memoir, they sideline the shared identity of disability that plays a key role in the comic’s plot and structure. How might not only this strand of identity, but also Bechdel’s embrace of the intersection between queerness and disability 作者: 連累 時間: 2025-3-23 02:34
Empirische Korrelation und Kovarianz themselves over and over again [and are, thus,] constantly compelled to engage with their physical identities” (. 62). In other words, the necessary continuous repetition of the cartoonist’s avatar on the page is enough to raise issues of embodiment in graphic memoirs in general, and these are even作者: 致詞 時間: 2025-3-23 06:59 作者: 表臉 時間: 2025-3-23 10:24 作者: 培養(yǎng) 時間: 2025-3-23 16:10 作者: nutrients 時間: 2025-3-23 19:27
Eindimensionale H?ufigkeitsverteilungen disability so that Bruce Wayne’s character and activities remain recognizable to readers. Second, I examine ., and note that the narrative is driven by addiction and images reminiscent of monsters and freaks. The use of the addiction device in the narrative is an important step toward the recogniti作者: 恭維 時間: 2025-3-24 01:58 作者: 密碼 時間: 2025-3-24 05:29
https://doi.org/10.1007/978-3-8349-6926-2ftly untangle and analyze how Bechdel’s queerness inflects the memoir, they sideline the shared identity of disability that plays a key role in the comic’s plot and structure. How might not only this strand of identity, but also Bechdel’s embrace of the intersection between queerness and disability 作者: 想象 時間: 2025-3-24 06:42
Introduction: From Feats of Clay to Narrative Prose/thesis, on the interoperation of verbal and visual modalities and the coordination of a refined and specialized vocabulary of panels, word balloons, gutters, and emotive iconography. Via this interplay, comics in their various genres draw on a broad palette of expressive technologies to tell a wide range o作者: BYRE 時間: 2025-3-24 11:22 作者: 圓錐 時間: 2025-3-24 15:16
,“When you have no voice, you don’t exist”?: Envisioning Disability in David Small’s ,illness, disability, or more generally any physical or psychological traits perceived as deviations from the norm. As such, the popular form of “graphic memoir”. is more and more linked to the history of literary illness narratives, and sometimes relabeled “graphic pathography” (Green and Myers). Ia作者: gustation 時間: 2025-3-24 21:17 作者: 揉雜 時間: 2025-3-25 02:35 作者: 驚呼 時間: 2025-3-25 07:17
,Drawing Disability: Superman, Huntington’s, and the Comic Form in , …,ralleled physical and ethical prowess. Neither his heroic progeny nor his creators, however, could fully emulate the ideals he embodies; superheroes have grown darker and more ambiguous, their heroism less straightforward and unproblematic, while the embodied lives involved in Superman’s legacy have作者: 悅耳 時間: 2025-3-25 07:33
Reading in Pictures: Re-visioning Autism and Literature through the Medium of Manga,ntly translated into pictures” (19). While Grandin does grant “not all people with autism are highly visual thinkers” and “people throughout the world are on a continuum of visualization skills” (28), she nonetheless believes most autistics “think in visual images” (25) and rely on “visual thinking 作者: BARGE 時間: 2025-3-25 13:19
Graphic Violence in Word and Image: Reimagining Closure in , Elaine Scarry, for example, identifies an “inexpressibility” and “unsharability” of pain that can make pain difficult to communicate or represent, especially in instances of extreme violence (3–4). However, as Scarry notes, one aspect of language that can make pain more representable is the use of 作者: INERT 時間: 2025-3-25 15:50
,“Why Couldn’t You Let Me Die?”: Cyborg, Social Death, and Narratives of Black Disability, their own team of late-adolescent outcasts, and succeeded with . emerging as one of DC’s top-selling books for most of the 1980s. Wolfman and Pérez created several new characters for the series: the alien warrior princess Starfire, the mystical and tragic Raven, and Victor Stone (also known as Cybo作者: gain631 時間: 2025-3-25 23:48
,“You Only Need Three Senses for This”: The Disruptive Potentiality of Cyborg Helen Keller,eloved historical figure whose image has been co-opted to deliver a sentimental tale about perseverance over adversity. The pictorial mythology keeps Keller frozen in adolescence, ignores the radical pursuits of her adult life, and renders her into an asexual and a passive participant in her own nar作者: Inveterate 時間: 2025-3-26 00:22 作者: COUCH 時間: 2025-3-26 04:58
Breaking Up [at/with] Illness Narratives,ions that continue to inform writing about illness. Specifically, the genres of autobiographical comics and illness narratives, when brought together, form a subgenre of graphic novels that disrupt several imperatives inherited from ancient rhetoric for confessional writing. Such classical imperativ作者: Hyperplasia 時間: 2025-3-26 12:10
,Thinking through Thea: Alison Bechdel’s Representations of Disability,ulsory Heterosexuality and Lesbian Existence” by developing a parallel concept of compulsory able-bodiedness, McRuer argued that both of these compulsory identities are “contingent” on each other and produce strain on physical bodies (89). By bringing queer theory and disability studies into convers作者: irritation 時間: 2025-3-26 16:33 作者: commodity 時間: 2025-3-26 19:48 作者: 脊椎動物 時間: 2025-3-26 21:25 作者: APRON 時間: 2025-3-27 03:51
2947-7409 studies might suggest, Disability in Comic Books and Graphic Narratives aims through its broad range of approaches and focus points to explore this exciting subject in productive and provocative ways..978-1-349-69898-1978-1-137-50111-0Series ISSN 2947-7409 Series E-ISSN 2947-7417 作者: paroxysm 時間: 2025-3-27 07:36
Der zentrale Grenzwertsatz der Statistik family,” Gordon/Batgirl reflected the evolution in female representation in the genre through the late 1960s and into the 1970s, when she served as a congress-woman and even ran for President (Misiroglu 55).作者: Insufficient 時間: 2025-3-27 10:44
Deskriptive Regressionsrechnungal, narrative shorthand—and to ., an additional tool in making meaning accessible and for intervening in and interrogating disability as what Rosemarie Garland-Thomson calls a “representational system” (19).. In what ways, then, can existing theories of the rhetoric of comics also be (re)framed as disability rhetorics?作者: 無意 時間: 2025-3-27 17:18 作者: BOOM 時間: 2025-3-27 17:51
Mutable Articulations: Disability Rhetorics and the Comics Medium,al, narrative shorthand—and to ., an additional tool in making meaning accessible and for intervening in and interrogating disability as what Rosemarie Garland-Thomson calls a “representational system” (19).. In what ways, then, can existing theories of the rhetoric of comics also be (re)framed as disability rhetorics?作者: troponins 時間: 2025-3-27 23:35 作者: Collar 時間: 2025-3-28 04:31 作者: jeopardize 時間: 2025-3-28 09:07
Graphic Violence in Word and Image: Reimagining Closure in ,native strategy. A main disadvantage is that a visible referent can easily be “spatially separated from the body,” thereby permitting “a break in the identification” between the referent and its effects on bodies (17). In this case, visual representation also becomes problematic.作者: 比目魚 時間: 2025-3-28 10:35
Introduction: From Feats of Clay to Narrative Prose/thesis,f stories, and from the mainstream to the underground, from webcomics to hardbound graphic novels, comics reach an incredibly diverse audience. Artists and readers alike find in comics an opportunity to create graphic narratives of epic heroism and intimate detail, reflecting both the greatest hopes and the smallest challenges of human experience.作者: Albinism 時間: 2025-3-28 17:12
Reading in Pictures: Re-visioning Autism and Literature through the Medium of Manga,as the primary method of processing information” (26). If many autistics think in pictures, why is it that Western culture’s narration of the story of autism has relied so heavily upon the written word?作者: Leisureliness 時間: 2025-3-28 22:13
Empirische Korrelation und Kovarianz on the interoperation of verbal and visual modalities and the coordination of a refined and specialized vocabulary of panels, word balloons, gutters, and emotive iconography. Via this interplay, comics in their various genres draw on a broad palette of expressive technologies to tell a wide range o作者: 密切關系 時間: 2025-3-29 01:44 作者: Acclaim 時間: 2025-3-29 03:39 作者: 解開 時間: 2025-3-29 10:39 作者: configuration 時間: 2025-3-29 13:03
Der zentrale Grenzwertsatz der Statistiktgirl and as the able-bodied librarian daughter of Batman’s ally, Gotham City Police Commissioner James Gordon (Misiroglu 55).. As part of the “Batman family,” Gordon/Batgirl reflected the evolution in female representation in the genre through the late 1960s and into the 1970s, when she served as a作者: farewell 時間: 2025-3-29 16:13 作者: 碌碌之人 時間: 2025-3-29 23:15 作者: Hamper 時間: 2025-3-30 00:10 作者: integrated 時間: 2025-3-30 05:02
Zweidimensionale H?ufigkeitsverteilungen their own team of late-adolescent outcasts, and succeeded with . emerging as one of DC’s top-selling books for most of the 1980s. Wolfman and Pérez created several new characters for the series: the alien warrior princess Starfire, the mystical and tragic Raven, and Victor Stone (also known as Cybo作者: 對待 時間: 2025-3-30 10:52 作者: defuse 時間: 2025-3-30 13:15
