標(biāo)題: Titlebook: Disability Culture and Community Performance; Find a Strange and T Petra Kuppers Book 2011 Palgrave Macmillan, a division of Macmillan Publ [打印本頁(yè)] 作者: clot-buster 時(shí)間: 2025-3-21 17:57
書目名稱Disability Culture and Community Performance影響因子(影響力)
書目名稱Disability Culture and Community Performance影響因子(影響力)學(xué)科排名
書目名稱Disability Culture and Community Performance網(wǎng)絡(luò)公開度
書目名稱Disability Culture and Community Performance網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Disability Culture and Community Performance被引頻次
書目名稱Disability Culture and Community Performance被引頻次學(xué)科排名
書目名稱Disability Culture and Community Performance年度引用
書目名稱Disability Culture and Community Performance年度引用學(xué)科排名
書目名稱Disability Culture and Community Performance讀者反饋
書目名稱Disability Culture and Community Performance讀者反饋學(xué)科排名
作者: 血統(tǒng) 時(shí)間: 2025-3-21 23:28
Statistical Language and Speech Processinge change, to transform a space in the everyday life world, and to change that space’s mode of meaning production. Three performers went about creating a home for people who do not fit into a space, and do not fit together. The practices under discussion in this chapter attempt to make performance re作者: notice 時(shí)間: 2025-3-22 00:57 作者: 上下連貫 時(shí)間: 2025-3-22 07:30 作者: DECRY 時(shí)間: 2025-3-22 11:14
https://doi.org/10.1007/978-3-319-68456-7h a rhetorical voice from within this culture, disability culture is the difference between being alone, isolated, and individuated with a physical, cognitive, emotional, or sensory difference that in our society invites discrimination and reinforces that isolation – the difference between all that 作者: 澄清 時(shí)間: 2025-3-22 16:47 作者: 澄清 時(shí)間: 2025-3-22 17:48
1. Universal lossless data compression,l again, as in the Chisenhale corridor, with Eurydice, see her receding in the underworld, a limping figure, snake-bit, in limbo. She is the recurring figure in my personal biomythography, to cite Audre Lorde’s term of female-focused reclamation, developed in her book . (1982), which takes its title作者: Nonflammable 時(shí)間: 2025-3-22 22:33 作者: 抒情短詩(shī) 時(shí)間: 2025-3-23 04:53
stem survivors: this book, now in paperback, presents a senior practitioner/critic‘s exploration of arts-based research processes sustained over more than a decade - a subtle engagement with disability culture.978-1-137-31992-0978-0-230-31658-4作者: jealousy 時(shí)間: 2025-3-23 06:32 作者: Conquest 時(shí)間: 2025-3-23 12:51 作者: 現(xiàn)實(shí) 時(shí)間: 2025-3-23 15:31
Towards a Rhizomatic Model of DisabilityWhat is the lived experience of disability? This chapter addresses this question, a central one in disability studies, but shifts the terrain of the question, slants it to point to a concept. What is the lived experience of disability? Between disability and disability, essential identities becomemobile, and words and bodies touch each other.作者: Accomplish 時(shí)間: 2025-3-23 19:24 作者: 相同 時(shí)間: 2025-3-23 23:19 作者: 送秋波 時(shí)間: 2025-3-24 04:55 作者: 江湖騙子 時(shí)間: 2025-3-24 08:51 作者: gratify 時(shí)間: 2025-3-24 14:45 作者: Employee 時(shí)間: 2025-3-24 17:16
Statistical Language and Speech Processinga small Welsh village, and a fellow disabled person, I collaborated with people using the village’s mental health self-help center, and we created communal poetry, dance, performance, traditional music, and video.作者: 指數(shù) 時(shí)間: 2025-3-24 20:44
1. Universal lossless data compression, figure in my personal biomythography, to cite Audre Lorde’s term of female-focused reclamation, developed in her book . (1982), which takes its title from a Caribbean word for women working together, as friends and lovers – a lesbian cultureing.作者: Inertia 時(shí)間: 2025-3-25 00:09
Butohand being in community. Naming oneself part of a larger group, a social movement or a subject position in modernity can help to focus energy,1 and to understand that solidarity can be found –precariously, in improvisation, always on the verge of collapse.作者: 不感興趣 時(shí)間: 2025-3-25 06:59 作者: conduct 時(shí)間: 2025-3-25 10:39 作者: 煩躁的女人 時(shí)間: 2025-3-25 15:04
Landscaping a home for people who do not fit into a space, and do not fit together. The practices under discussion in this chapter attempt to make performance relevant to the architectures and practices of our lives by bringing the living body into focus: the living body, alive and making work in a cold damp place.作者: inspiration 時(shí)間: 2025-3-25 17:22 作者: Focus-Words 時(shí)間: 2025-3-25 21:36 作者: 不能仁慈 時(shí)間: 2025-3-26 03:13
Eurydice and Tiresias figure in my personal biomythography, to cite Audre Lorde’s term of female-focused reclamation, developed in her book . (1982), which takes its title from a Caribbean word for women working together, as friends and lovers – a lesbian cultureing.作者: Minuet 時(shí)間: 2025-3-26 05:21
https://doi.org/10.1007/978-3-319-68456-7and being in community. Naming oneself part of a larger group, a social movement or a subject position in modernity can help to focus energy,1 and to understand that solidarity can be found –precariously, in improvisation, always on the verge of collapse.作者: 輕快走過(guò) 時(shí)間: 2025-3-26 10:35 作者: Presbyopia 時(shí)間: 2025-3-26 16:33 作者: monopoly 時(shí)間: 2025-3-26 18:35
Josef V. Psutka,Jan Vaněk,Ale? Pra?ákorks. What does it mean to put ‘twisted’ and ‘strange’ together in a physically accessible dance class? On the ground around me are plenty of people who live in twisted bodies, to whom the twist is not strange, but a deeply familiar way of experiencing their bodies’ everyday frontality, location, or作者: 極深 時(shí)間: 2025-3-27 00:42
Introductionorks. What does it mean to put ‘twisted’ and ‘strange’ together in a physically accessible dance class? On the ground around me are plenty of people who live in twisted bodies, to whom the twist is not strange, but a deeply familiar way of experiencing their bodies’ everyday frontality, location, or作者: FECT 時(shí)間: 2025-3-27 04:48
Introduction. We are in a workshop on physically integrated dance practice, that is, dance practice open to people with different forms of embodiment, including disability. The specific theme of this evening’s workshop is Shape, the shape our bodies can make. We have thrown ourselves into asymmetrical ones, hav作者: Transfusion 時(shí)間: 2025-3-27 08:48
Landscapinge change, to transform a space in the everyday life world, and to change that space’s mode of meaning production. Three performers went about creating a home for people who do not fit into a space, and do not fit together. The practices under discussion in this chapter attempt to make performance re作者: Corroborate 時(shí)間: 2025-3-27 12:51 作者: 革新 時(shí)間: 2025-3-27 15:39 作者: 緩解 時(shí)間: 2025-3-27 20:35
Butohh a rhetorical voice from within this culture, disability culture is the difference between being alone, isolated, and individuated with a physical, cognitive, emotional, or sensory difference that in our society invites discrimination and reinforces that isolation – the difference between all that 作者: Anticoagulants 時(shí)間: 2025-3-28 00:20 作者: 厭倦嗎你 時(shí)間: 2025-3-28 02:55 作者: 黃油沒(méi)有 時(shí)間: 2025-3-28 08:25
Epilogue feel and remember, and I try to assemble something out of exhaust gases and companionship, out of my feminism/embodiment/poetry performance workgroup meetings, out of my thoughts on embodied Here is my score for this epilogue, my instruction to myself: how can I link the experience of feminist prot作者: 手榴彈 時(shí)間: 2025-3-28 13:52
10樓作者: Credence 時(shí)間: 2025-3-28 17:54
10樓作者: archaeology 時(shí)間: 2025-3-28 19:53
10樓作者: Condense 時(shí)間: 2025-3-28 23:50
10樓
