標題: Titlebook: Digressions in European Literature; From Cervantes to Se Alexis Grohmann (Senior Lecturer in Hispanic Studi Book 2011 Palgrave Macmillan, a [打印本頁] 作者: nourish 時間: 2025-3-21 16:44
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書目名稱Digressions in European Literature讀者反饋
書目名稱Digressions in European Literature讀者反饋學科排名
作者: 聽覺 時間: 2025-3-21 23:20
https://doi.org/10.1007/978-3-642-47460-6rrancy. Its eponymous heroes travel as brother and sister under the names of Periandro and Auristela from the frozen islands of northern Europe to the Mediterranean in fulfilment of a vow to go to Rome, their true identities and actual relationship not being fully revealed until the novel’s fourth a作者: 東西 時間: 2025-3-22 00:40 作者: Pandemic 時間: 2025-3-22 08:20 作者: Motilin 時間: 2025-3-22 10:43 作者: DUCE 時間: 2025-3-22 15:59 作者: DUCE 時間: 2025-3-22 19:40 作者: bile648 時間: 2025-3-23 01:12
Helmut Bremer,Andrea Lange-Vesterme Lost’ and ‘Time Regained’, one might provocatively argue that the 3000-page, seven-volume novel into which these initial two volumes organically evolved in the period until Proust’s death in 1922 is largely composed of digressions from this teleological frame.. As the sampling of critical evaluat作者: ACTIN 時間: 2025-3-23 05:18
Ungleichheit – Bildung – Herrschaft.des of the first two novels, . (1915) and .y (1919), to the experiments with the novel form, the search for ‘new names’, as she wrote in her 1927 essay ‘Poetry, Fiction and the Future’ (Woolf 1994: 435), and new shapes for the novel, inaugurated in her third novel . (1922). Her early short stories p作者: Endoscope 時間: 2025-3-23 09:14
https://doi.org/10.1007/978-3-531-19947-4 his choice, the short prose piece, ultimately amounted to nothing more than ‘one long, plotless, realistic story’ (1986b: 322). This statement is in its seeming contradictoriness extremely revealing. For, on the one hand, most of Walser’s prose work is indeed conspicuously lacking the dynamics and 作者: 館長 時間: 2025-3-23 10:02
Soziale Mobilisierung und Demokratiesystematically digressive tales. The question, therefore, is not whether Flann O’Brien’s writing is digressive, but rather, how digression as a theme and structural device contributes to his ambivalence towards tradition and authority through his complex representation of language and discourse.作者: 先鋒派 時間: 2025-3-23 16:25 作者: 膽汁 時間: 2025-3-23 21:28
III.4 Soziales Kapital und Nachbarschafteaffirmed by the writer himself: his temperament, as he confessed in ., prompted him to ‘keep it short’ (Calvino 1988: 120) and his stories tended to ‘go down straight as a plumb-line’ (1991: 133). And yet, no other writer in Italian literature has given so much thought to the elaboration of the str作者: 英寸 時間: 2025-3-24 00:14
III.4 Soziales Kapital und Nachbarschaftnovelists: on the one hand, those who form a more or less clear plan of their novels in advance of their writing them and then execute their plan in the course of it; and, on the other hand, those who devise no such plan and work not on the basis of any great number of preconceived ideas, but, rathe作者: Vasodilation 時間: 2025-3-24 02:50
Die Relevanz sozialer Nachhaltigkeit,y and self-conscious fictionality. Generically, the discourses of history, biography, novel, essay, autobiography and travel writing combine to create hybrid forms. Typographically, a lack of paragraph breaks facilitates a free-flowing discourse unconstrained by the discipline of the paragraph, whil作者: Anticlimax 時間: 2025-3-24 07:28
,Negotiating Tradition: Flann O’Brien’s Tales of Digression and Subversion,systematically digressive tales. The question, therefore, is not whether Flann O’Brien’s writing is digressive, but rather, how digression as a theme and structural device contributes to his ambivalence towards tradition and authority through his complex representation of language and discourse.作者: 消滅 時間: 2025-3-24 11:40
is a unique and wide-ranging exploration and celebration of the many forms of digression in major works by fifteen of the finest European writers from the early modern period to the present day.978-1-349-32029-5978-0-230-29252-9作者: 高談闊論 時間: 2025-3-24 17:22
Soziale Mobilisierung und Demokratiesystematically digressive tales. The question, therefore, is not whether Flann O’Brien’s writing is digressive, but rather, how digression as a theme and structural device contributes to his ambivalence towards tradition and authority through his complex representation of language and discourse.作者: Bouquet 時間: 2025-3-24 21:35
http://image.papertrans.cn/e/image/280435.jpg作者: pineal-gland 時間: 2025-3-24 23:46 作者: Facet-Joints 時間: 2025-3-25 04:08
978-1-349-32029-5Palgrave Macmillan, a division of Macmillan Publishers Limited 2011作者: RADE 時間: 2025-3-25 08:35
Helmut Bremer,Andrea Lange-Vester is an important form of digression, encouraging a new voice ‘in his use of colloquialisms, and in a more extravagant play of fancy, a greater indulgence in expanding metaphors, and great proliferating similes’ (Edel 1977, 2: 231).作者: 心神不寧 時間: 2025-3-25 14:16
Helmut Bremer,Andrea Lange-Vester . when the narrator apologizes for embarking on a passage which may not have a bearing on the business in hand:.The narrator is conscious of the need to be relevant, to be thematically consistent. But to obey this requirement would entail a choice he feels ill-equipped to make.作者: 教唆 時間: 2025-3-25 19:44 作者: 消散 時間: 2025-3-25 21:14 作者: 嚴峻考驗 時間: 2025-3-26 00:25
Henry James, in Parenthesis, is an important form of digression, encouraging a new voice ‘in his use of colloquialisms, and in a more extravagant play of fancy, a greater indulgence in expanding metaphors, and great proliferating similes’ (Edel 1977, 2: 231).作者: 表皮 時間: 2025-3-26 07:39 作者: Modify 時間: 2025-3-26 10:23 作者: 抑制 時間: 2025-3-26 15:27
,Roving with a Compass: Digression, the Novel and the Creative Imagination in Javier Marías,p by step with delight, knowing what they drive at. Execution is all they have to concern themselves about’ (quoted in Allott 1959: 144). The latter, with whom Richardson aligned himself, have no such plan, know not (or not entirely) what they drive at and proceed rather errantly, feeling about in the darkness that envelops them, so to speak.作者: 方便 時間: 2025-3-26 17:31 作者: 水槽 時間: 2025-3-27 00:10 作者: Cumbersome 時間: 2025-3-27 01:43
https://doi.org/10.1007/978-3-531-90281-4naccessible ‘ideal’, producing an illusion of their identity — a quasi-identity, if you will. Which is to say that desire, as it exists in culture, is necessarily fetishistic in character, but also that a fetish is a figure that combines the effects of digression with those of metaphor. It is also to say that fetish is not a perversion but a norm.作者: Occipital-Lobe 時間: 2025-3-27 08:18 作者: palliative-care 時間: 2025-3-27 13:31
Helmut Bremer,Andrea Lange-Vesterolved in the period until Proust’s death in 1922 is largely composed of digressions from this teleological frame.. As the sampling of critical evaluations above suggests, readers have often condemned Proust’s narrative and stylistic wanderings: errancy has been perceived as error.作者: Ophthalmologist 時間: 2025-3-27 14:42
Introduction,ture, since, as Peter Brooks has intimated and Ross Chambers has confirmed, all narratives can only come into existence as narratives . by not following the straight line, the shortest path, that leads from their beginning to their end, that is, they can only take shape as narratives by distancing t作者: nautical 時間: 2025-3-27 18:27
,The Twists and Turns of Life: Cervantes’s ,rrancy. Its eponymous heroes travel as brother and sister under the names of Periandro and Auristela from the frozen islands of northern Europe to the Mediterranean in fulfilment of a vow to go to Rome, their true identities and actual relationship not being fully revealed until the novel’s fourth a作者: 自由職業(yè)者 時間: 2025-3-28 01:07
Digressive and Progressive Movements: Sympathy and Sexuality in ,; or, Plain Stories,heorizes about the significance of digression, . has become a useful illustration of narrative principles for a range of critics and theorists. His squiggly experiments provide material for studies of the nature of the novel and of narrative beginnings, middles and levels (Shklovsky 1965; Said 1975;作者: 男生如果明白 時間: 2025-3-28 03:07
: Dickens, Circumlocution, Unconscious Thought,y so much, in comparison with attacks on the novels as — despite, or because of their popularity — vulgar, exaggerating and uneducated. That criticism is most associated with G. H. Lewes’s essay, ‘Dickens in Relation to Criticism’, discussing, in the . in 1872, the first two volumes of John Forster’作者: CLOWN 時間: 2025-3-28 07:02
Concerning Metaphor, Digression and Rhyme (Fetish Aesthetics and the Walking Poem),t is, it becomes a figural formation. It requires an act of displacement (away from the forbidden primal object) and, simultaneously, a certain acquiescence in an act of substitution whereby the alternative object of desire acquires a fragile equivalence, despite its difference, in relation to the i作者: 褲子 時間: 2025-3-28 12:04
Henry James, in Parenthesis, has him as ‘weaving an endless sentence’ in Canto VII (1973: 24), and James’s biographer, Leon Edel, makes the point more expansively in his account of the novelist’s habit of dictating his later works, ‘filled with qualifications and parentheses; he seemed often, in a letter, to begin a sentence w作者: 增強 時間: 2025-3-28 18:04
,‘Let’s Forget All I Have Just Said’: Diversions and Digressions in Gidean Narratives,to ‘navigate for days and days without any land in sight’ (Gide 2009b: 435, 528). Given also his attachment to ‘inconséquence’ in his characters. and adventitious happenings in the development of his narratives (Gide 1966: 56), Gide’s fictions are particularly susceptible to defying the predictable,作者: oblique 時間: 2025-3-28 21:13
,Errant Eyes: Digression, Metaphor and Desire in Marcel Proust’s ,me Lost’ and ‘Time Regained’, one might provocatively argue that the 3000-page, seven-volume novel into which these initial two volumes organically evolved in the period until Proust’s death in 1922 is largely composed of digressions from this teleological frame.. As the sampling of critical evaluat作者: cuticle 時間: 2025-3-29 00:50 作者: CARK 時間: 2025-3-29 05:36
,Stealing the Story: Robert Walser’s ,-Novel, his choice, the short prose piece, ultimately amounted to nothing more than ‘one long, plotless, realistic story’ (1986b: 322). This statement is in its seeming contradictoriness extremely revealing. For, on the one hand, most of Walser’s prose work is indeed conspicuously lacking the dynamics and 作者: Banquet 時間: 2025-3-29 09:37 作者: Nonthreatening 時間: 2025-3-29 14:01 作者: deficiency 時間: 2025-3-29 17:26 作者: Ardent 時間: 2025-3-29 22:57 作者: 有抱負者 時間: 2025-3-30 02:40
,The Sense of Sebald’s Endings … and Beginnings,y and self-conscious fictionality. Generically, the discourses of history, biography, novel, essay, autobiography and travel writing combine to create hybrid forms. Typographically, a lack of paragraph breaks facilitates a free-flowing discourse unconstrained by the discipline of the paragraph, whil作者: CHASM 時間: 2025-3-30 05:18
Introduction,owing this line of reasoning, strictly speaking, no non-digressive works, there are merely narratives that could be said to be more digressive than others (either on the level of story or on that of discourse or both), and some in more ways than one.作者: irreparable 時間: 2025-3-30 11:49
,The Twists and Turns of Life: Cervantes’s ,: 85–111), the interpolated episodes continually thwart both the reader’s narrative progression and the heroes’ actual journey. In books III and IV, which see Auristela and Periandro land in Portugal, travel through Spain and France, and finally reach Rome, there are fewer interpolated stories, but 作者: Visual-Field 時間: 2025-3-30 12:43
Digressive and Progressive Movements: Sympathy and Sexuality in ,; or, Plain Stories,tators queued up to copy him (Bosch 2007: 259; for a selection of early responses, see Howes 1974: esp. 46–8, 119–24, 127, 138–9, 160, 168–9, 180–3). Samuel Johnson and Horace Walpole dismissed his narrative experiments as gimmicks. Two recent critics challenge Johnson’s pronouncement on the oddity 作者: 火海 時間: 2025-3-30 17:34 作者: Flustered 時間: 2025-3-30 22:15 作者: 引水渠 時間: 2025-3-31 03:01 作者: 有助于 時間: 2025-3-31 09:01
,Straight Line or Aimless Wandering? Italo Calvino’s Way to Digression, writing. Here, Calvino deliberately employed digressions to undermine and dismantle the plot — by breaking its linearity and showing its status of artifice — and at the same time to emphasize its irreplaceable function — by restoring the Aristotelian formula of the plot as ‘organization of the even作者: Abjure 時間: 2025-3-31 12:52 作者: Eosinophils 時間: 2025-3-31 15:48 作者: 四牛在彎曲 時間: 2025-3-31 18:20 作者: 歌唱隊 時間: 2025-4-1 00:33 作者: 四溢 時間: 2025-4-1 03:37
Folgen gesellschaftlicher Entsolidarisierunged below. Lewes tended to take the neatness of the drama as a model for thinking about the novel; but . shows that Dickens was not so inclined to be reverent about anything in the drama.. Lewes’s, and others’ charges were implicitly ways of critiquing Dickens’s digressiveness, but to be episodic was作者: Magisterial 時間: 2025-4-1 06:49
