作者: Minikin 時(shí)間: 2025-3-21 23:52
Rules of the Father in The Last of Usussing shifts on the level of small markets in Europe and by addressing the challenges and concerns in other small media markets. The chapter investigates media companies’ strategic responses to specific challenges from 2016 to 2019. Evidence is derived from observations, interviews with the media m作者: Amnesty 時(shí)間: 2025-3-22 01:52 作者: APEX 時(shí)間: 2025-3-22 05:14 作者: 碎石 時(shí)間: 2025-3-22 09:48 作者: 輕快來(lái)事 時(shí)間: 2025-3-22 13:29 作者: 輕快來(lái)事 時(shí)間: 2025-3-22 18:21
Book‘‘‘‘‘‘‘‘ 2020Europe, and the multinational giants, this book approaches these industry trends and policy questions from the perspective of relatively small and peripheral (in terms of their population, language, cross-border cultural flows, and financial and/or symbolic capital) media markets.?.作者: 混雜人 時(shí)間: 2025-3-22 21:35 作者: 生命層 時(shí)間: 2025-3-23 03:26 作者: 強(qiáng)化 時(shí)間: 2025-3-23 06:51
Television Distribution in Flanders: Who Takes the Lead and Is Content Always King?ussing shifts on the level of small markets in Europe and by addressing the challenges and concerns in other small media markets. The chapter investigates media companies’ strategic responses to specific challenges from 2016 to 2019. Evidence is derived from observations, interviews with the media m作者: Hirsutism 時(shí)間: 2025-3-23 10:09
Industry Divide: The Interdependence of Traditional Cinematic Distribution and VOD in Polandn the interest of their own and their superior corporate structures, unwilling to share it with outside content providers. Therefore, the traditional cinematic market players—distributors and, indirectly, producers—are largely cut off from the stream of VOD revenue and are looking for alternative de作者: 平躺 時(shí)間: 2025-3-23 14:03
Channels and Barriers of Cross-Border Online Circulation: Central and Eastern Europe as a Digital Pess-border online distribution to distinguish different strategies and tactics employed by key players when approaching foreign markets. Thus, it calls for a more nuanced perspective on the position of “digital peripheries” in cross-border cultural networks and flows.作者: Fibrin 時(shí)間: 2025-3-23 20:19
Configurable Culture in Wealthy and Developing Markets: A Comparative Cross-National Perspectivere. In fact, the data show that user age and national wealth are far greater factors in personal use of digital culture than the size of individual markets, the prevailing copyright law, or the overall level of engagement with digital media among the population at large.作者: OMIT 時(shí)間: 2025-3-23 23:35
Uses Genres and Media Ensembles: A Conceptual Roadmap for Research of Convergent Audiencesh typical everyday situations, and they enable us to analyze consumption explicitly within the contexts of the spatiotemporal and social organization of everyday life. Secondly, in cases of small- and peripheral-market audiences, the concepts enable us to identify specifics in audiences’ practices l作者: Dysplasia 時(shí)間: 2025-3-24 05:25
Introduction: Theorizing Digital Peripheries,a market is now fully integrated. This book argues contrariwise that the global digital market is far from united and that national borders, center-periphery hierarchies and differences in scale still matter, and perhaps they matter even more than in the analog broadcast era.作者: 橡子 時(shí)間: 2025-3-24 09:31
Small, Middle, Test: Rescaling Peripheral Media Marketsets. It suggests that many studies of media-related markets—particularly in countries identified as “small”—are often understood in generic terms. Using Canada’s experience with Netflix as a case study, this chapter explores how the study of VOD would change according to three different conceptions 作者: FLEET 時(shí)間: 2025-3-24 13:25
On the Boundaries of Digital Marketsrecent work in sociology, geography and political theory to explain how market boundaries are drawn—politically, discursively and institutionally. A vital insight from the social science of markets is to always consider the messiness and friction built into markets. In other words, we must think of 作者: cultivated 時(shí)間: 2025-3-24 17:07
Territoriality of Copyright Lawscope of jurisdiction of a particular sovereign is traditionally delimited in law on a territorial basis. On the Internet, however, territory plays a significantly different role than in the offline environment, and this difference represents an evolving challenge for legal scholars as well as for p作者: 縮短 時(shí)間: 2025-3-24 20:11 作者: Thyroid-Gland 時(shí)間: 2025-3-25 01:22
The Czech and Slovak Audiovisual Market as a Laboratory Experiment for the Digital Single Market in form measures proposed by the European Commission for the introduction of a Digital Single Market in Europe and explains the basic operating mechanisms of the business model for audiovisual content in small markets. Based on the lessons learned, the chapter offers a reflection on the sustainability 作者: Jacket 時(shí)間: 2025-3-25 03:59
Television Distribution in Flanders: Who Takes the Lead and Is Content Always King? well as original content production, are challenged by new business models. The advent of innovative platforms and shifting business models has not only instigated new forms of competition but has also forced media players to explore different forms of collaboration and co-option. In this chapter, 作者: BARGE 時(shí)間: 2025-3-25 10:57 作者: 時(shí)代 時(shí)間: 2025-3-25 13:19 作者: AXIS 時(shí)間: 2025-3-25 19:52 作者: 邊緣 時(shí)間: 2025-3-25 23:38
Finding Larger Transnational Media Markets: Media Practices of the Vietnamese Diasporic Communityfferent Vietnamese populations in the Czech Republic (CR) and then discusses how they have generally lacked participation in the Czech media landscape because of their adoption of transnational media practices. This study also demonstrates how the diasporic community has failed to establish a conven作者: RECUR 時(shí)間: 2025-3-26 01:01 作者: etidronate 時(shí)間: 2025-3-26 04:56
Structured Film-Viewing Preferences and Practices: A Quantitative Analysis of Hierarchies in Screen windowing, programming and broadcast schedules. This chapter goes into the question whether this increased accessibility has resulted in different film-consuming practices and preferences, through a survey of contemporary film audiences and their individual feature film preferences and consumption p作者: Melatonin 時(shí)間: 2025-3-26 10:07
Uses Genres and Media Ensembles: A Conceptual Roadmap for Research of Convergent Audienceseption. The use of digital and networked media and the consequent multiplication of screens, distribution channels and content sources have further complicated the notion of “watching television” and, along with that, academic and applied audience research. The chapter reintroduces Maria Bakardjieva作者: synovium 時(shí)間: 2025-3-26 14:04
Petr Szczepanik,Pavel Zahrádka,Paul StepanOpen access book focusing on the European Commission‘s Digital Single Market (DSM) strategy.Highlights the increasing relevance of national borders, center-periphery hierarchies and differences in sca作者: Soliloquy 時(shí)間: 2025-3-26 18:31 作者: 的闡明 時(shí)間: 2025-3-27 00:15 作者: Offbeat 時(shí)間: 2025-3-27 02:10 作者: Bravado 時(shí)間: 2025-3-27 05:58
Introduction: Theorizing Digital Peripheries,a market is now fully integrated. This book argues contrariwise that the global digital market is far from united and that national borders, center-periphery hierarchies and differences in scale still matter, and perhaps they matter even more than in the analog broadcast era.作者: GLIDE 時(shí)間: 2025-3-27 10:20 作者: ENACT 時(shí)間: 2025-3-27 16:59 作者: BLUSH 時(shí)間: 2025-3-27 19:32
Lecture Notes in Computer Sciencea market is now fully integrated. This book argues contrariwise that the global digital market is far from united and that national borders, center-periphery hierarchies and differences in scale still matter, and perhaps they matter even more than in the analog broadcast era.作者: Frisky 時(shí)間: 2025-3-27 23:42
Stanley Y. W. Su,Hsin-Hsing M. Chenets. It suggests that many studies of media-related markets—particularly in countries identified as “small”—are often understood in generic terms. Using Canada’s experience with Netflix as a case study, this chapter explores how the study of VOD would change according to three different conceptions 作者: 去掉 時(shí)間: 2025-3-28 03:23
Data Driven and Temporal Rules in PARDESrecent work in sociology, geography and political theory to explain how market boundaries are drawn—politically, discursively and institutionally. A vital insight from the social science of markets is to always consider the messiness and friction built into markets. In other words, we must think of 作者: 通便 時(shí)間: 2025-3-28 07:22 作者: 征兵 時(shí)間: 2025-3-28 10:26
https://doi.org/10.1007/978-1-4615-6087-6wing from my experience as a Member of the European Parliament involved with legislative initiatives to address geoblocking from 2014 to 2019, I find that the European Commission’s proposals to abolish geoblocking that were announced by Commission Vice-President Ansip at the beginning of the mandate作者: 折磨 時(shí)間: 2025-3-28 15:56 作者: 通情達(dá)理 時(shí)間: 2025-3-28 21:37 作者: 吸氣 時(shí)間: 2025-3-29 00:46
Rules of the Father in The Last of Usish market. The main topic is the separateness of both fields in the aspects of business logic and corporate control. According to these factors, the VOD market is much closer to traditional TV and cinematic distributors are cut off from the main flow of revenues from VOD. They are selling rights at作者: 變形詞 時(shí)間: 2025-3-29 04:47
Quarantine Zone: American Dystopiaution from a peripheral, small-market perspective, using the example of export from the Czech Republic. Its key research question is: How have transnational VOD services integrated into the local industry ecosystem and to what extent have they changed the circulation trajectories of Czech films and 作者: Nerve-Block 時(shí)間: 2025-3-29 09:03
Conclusion: Good Riddance, Joel!holders engaged in delivering professional audiovisual content online and highlights some of the ways in which residual and emerging screen media have intersected in creating the contemporary digital landscape in the country. The chapter positions distribution in the broader context of the audiovisu作者: 溫和女孩 時(shí)間: 2025-3-29 12:19
Procyclicality of Financial Systems in Asiafferent Vietnamese populations in the Czech Republic (CR) and then discusses how they have generally lacked participation in the Czech media landscape because of their adoption of transnational media practices. This study also demonstrates how the diasporic community has failed to establish a conven作者: 參考書(shū)目 時(shí)間: 2025-3-29 16:17 作者: FACT 時(shí)間: 2025-3-29 20:21
https://doi.org/10.1007/978-94-010-3499-9windowing, programming and broadcast schedules. This chapter goes into the question whether this increased accessibility has resulted in different film-consuming practices and preferences, through a survey of contemporary film audiences and their individual feature film preferences and consumption p作者: Confirm 時(shí)間: 2025-3-30 03:14 作者: Arbitrary 時(shí)間: 2025-3-30 06:16 作者: 消瘦 時(shí)間: 2025-3-30 11:44
https://doi.org/10.1007/978-94-010-3499-9tional in terms of screen size choices and preferences for local and global media products. In our assessment of these results, we discuss the importance of a political–economic perspective on audiences’ structured practices and preferences.作者: motor-unit 時(shí)間: 2025-3-30 14:52
Small, Middle, Test: Rescaling Peripheral Media Marketsstions of sovereignty, and if considering media markets as “middles” encourages ideas of circulation and brokerage, then understanding media markets as testing grounds can encourage ideas of experimentation and adaptation.作者: 空洞 時(shí)間: 2025-3-30 20:33
Structured Film-Viewing Preferences and Practices: A Quantitative Analysis of Hierarchies in Screen tional in terms of screen size choices and preferences for local and global media products. In our assessment of these results, we discuss the importance of a political–economic perspective on audiences’ structured practices and preferences.作者: Nibble 時(shí)間: 2025-3-30 21:09
Book‘‘‘‘‘‘‘‘ 2020ean markets. This open access book addresses the specific qualities of smaller media markets, highlighting their vulnerability to global digital competition and outlining survival strategies for them. New online distribution models and new trends in the consumption of audiovisual content are limited作者: 神經(jīng) 時(shí)間: 2025-3-31 01:02
The Czech and Slovak Audiovisual Market as a Laboratory Experiment for the Digital Single Market in s of the business model for audiovisual content in small markets. Based on the lessons learned, the chapter offers a reflection on the sustainability of the online business model of the film industry in the EU with respect to consumer demand and European Union competition law.作者: 廣告 時(shí)間: 2025-3-31 08:13
