標(biāo)題: Titlebook: Digital Participatory Culture and the TV Audience; Everyone’s a Critic Sandra M. Falero Book 2016 The Editor(s) (if applicable) and The Aut [打印本頁(yè)] 作者: monster 時(shí)間: 2025-3-21 16:20
書目名稱Digital Participatory Culture and the TV Audience影響因子(影響力)
書目名稱Digital Participatory Culture and the TV Audience影響因子(影響力)學(xué)科排名
書目名稱Digital Participatory Culture and the TV Audience網(wǎng)絡(luò)公開度
書目名稱Digital Participatory Culture and the TV Audience網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Digital Participatory Culture and the TV Audience被引頻次
書目名稱Digital Participatory Culture and the TV Audience被引頻次學(xué)科排名
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書目名稱Digital Participatory Culture and the TV Audience年度引用學(xué)科排名
書目名稱Digital Participatory Culture and the TV Audience讀者反饋
書目名稱Digital Participatory Culture and the TV Audience讀者反饋學(xué)科排名
作者: Harness 時(shí)間: 2025-3-21 22:49 作者: conscribe 時(shí)間: 2025-3-22 02:30 作者: Awning 時(shí)間: 2025-3-22 05:02 作者: agglomerate 時(shí)間: 2025-3-22 09:45
Grundlegende Ordnungshilfen beim Gestaltenth of rules that developed as the membership grew served to stifle discussion, particularly political speech. A study of the fringe spaces of . shows how vulnerable political discussion can be in online social platforms.作者: Flustered 時(shí)間: 2025-3-22 13:39
,Seven Years’ Hard: Kipling in India,al media were fast becoming more popular ways to discuss television programs online. Falero chronicles the discussion of the site’s cultural relevance as this pronouncement resulted in a bit of eulogizing from journalists and former fans of the site.作者: Flustered 時(shí)間: 2025-3-22 21:07
,“Meet Market”: The Attraction of a Place Without Pity,cular fandom, the television industry, and traditional television journalism allowed for everyday television viewers to feel comfortable joining discussion. The author also explores how the study was constructed and discusses ways digital communities require a rethinking traditional ethnographic models.作者: BRIBE 時(shí)間: 2025-3-22 23:18
,“The Industry”: A Brief History of Audiences In and Out of Control, concept. Through a discussion of the professionalization of media in the nineteenth century, she documents the end of “audience sovereignty” and the creation of an idea about audiences as passive, and about popular media as simplistic and unworthy of real critical analysis.作者: 致詞 時(shí)間: 2025-3-23 01:41 作者: Frequency-Range 時(shí)間: 2025-3-23 08:11
,“Permanent Hiatus”: The Death of ,,al media were fast becoming more popular ways to discuss television programs online. Falero chronicles the discussion of the site’s cultural relevance as this pronouncement resulted in a bit of eulogizing from journalists and former fans of the site.作者: floodgate 時(shí)間: 2025-3-23 12:43
Berlin und das Pathologische Institut, taught each other the tools of cultural television analysis. Falero also explores the ways members created community spaces where they could talk about their everyday lives, as well as meet up at real world events like . Conventions or group viewing activities.作者: chandel 時(shí)間: 2025-3-23 15:35 作者: 禁止 時(shí)間: 2025-3-23 21:07 作者: BOGUS 時(shí)間: 2025-3-24 00:47
,“The Industry”: A Brief History of Audiences In and Out of Control,ience criticism with older models that date back to the sixteenth century, namely theater audiences and the development of “audience sovereignty” as a concept. Through a discussion of the professionalization of media in the nineteenth century, she documents the end of “audience sovereignty” and the 作者: 微不足道 時(shí)間: 2025-3-24 02:36 作者: 癡呆 時(shí)間: 2025-3-24 07:08
,“Network Interference”: Policing Conversation and Political Discourse, to own the site. The technology used by the site, and the management of “infractions” through it, created real limitations on discussion. The labyrinth of rules that developed as the membership grew served to stifle discussion, particularly political speech. A study of the fringe spaces of . shows 作者: 鄙視讀作 時(shí)間: 2025-3-24 11:59
,“Permanent Hiatus”: The Death of ,,were just part of the reason the site declined. By the end of the study in 2010, the rise of Twitter and other short-form discussion platforms on social media were fast becoming more popular ways to discuss television programs online. Falero chronicles the discussion of the site’s cultural relevance作者: 完全 時(shí)間: 2025-3-24 17:08 作者: Permanent 時(shí)間: 2025-3-24 21:56 作者: In-Situ 時(shí)間: 2025-3-25 00:35
,“Sorkin Situations”: The Television Auteur Meets the Digital Age,作者: faculty 時(shí)間: 2025-3-25 05:43 作者: 六個(gè)才偏離 時(shí)間: 2025-3-25 10:48 作者: 暫時(shí)休息 時(shí)間: 2025-3-25 13:55
U. Hartmann,A. Mader,W. Hollmannience criticism with older models that date back to the sixteenth century, namely theater audiences and the development of “audience sovereignty” as a concept. Through a discussion of the professionalization of media in the nineteenth century, she documents the end of “audience sovereignty” and the 作者: 切碎 時(shí)間: 2025-3-25 17:59
Berlin und das Pathologische Institut, had rapport and connected despite the critical nature of the site. These discussions resulted in what some members regarded as positive changes in their television programs. In particular Falero discusses the . message boards, and site members’ continued quest to get more screen time and a better s作者: 正式演說(shuō) 時(shí)間: 2025-3-25 20:07
Grundlegende Ordnungshilfen beim Gestalten to own the site. The technology used by the site, and the management of “infractions” through it, created real limitations on discussion. The labyrinth of rules that developed as the membership grew served to stifle discussion, particularly political speech. A study of the fringe spaces of . shows 作者: affluent 時(shí)間: 2025-3-26 02:54 作者: 聯(lián)邦 時(shí)間: 2025-3-26 08:13
https://doi.org/10.1057/978-1-137-50000-7Digital culture; message board communities; television critics; television criticism; participatory cult作者: 大氣層 時(shí)間: 2025-3-26 10:34 作者: eulogize 時(shí)間: 2025-3-26 15:31
http://image.papertrans.cn/d/image/279582.jpg作者: 浪蕩子 時(shí)間: 2025-3-26 18:50 作者: mechanical 時(shí)間: 2025-3-26 21:09 作者: CROAK 時(shí)間: 2025-3-27 02:36
,?Der Garten, wo die Gedanken wachsen“: das Milton-Modell,emacht, und Sie wissen auch heute noch, dass Erfolg dem Handeln folgt, sonst ist es Glück, kein Erfolg … Und dann g?nnen Sie sich einen kurzen Ausflug in das Reich der Entspannung. Vielleicht wollen Sie an einen Ort denken, der bei Ihnen mit Entspannung verbunden ist, oder an einen Zeitpunkt, an dem Sie besonders entspannt waren.作者: 越自我 時(shí)間: 2025-3-27 07:17 作者: 陰險(xiǎn) 時(shí)間: 2025-3-27 12:10
Adaptation in Simple and Complex Fitness Landscapesnning to produce a wealth of data, on the phenotypic as well as on the genotypic level, which make it meaningful to ask precise questions about the timing and size of adaptive events, and what they can tell us about the structure of the underlying adaptive landscape.作者: delta-waves 時(shí)間: 2025-3-27 14:17
Jan Posthumusensions depict their shape and qualitative features and flesh out the reader’s familiarity with the functions. In many instances, the chapter concludes with a concise exposition on a topic in applied mathematics associated with the particular function or function family..Features that make the Atlas作者: 整頓 時(shí)間: 2025-3-27 18:06
Beat P. Kneubuehltprinzipien, die jetzt im Geiste der europ?ischen Aufkl?rung auf die Staatsphilosophie einstr?men, erweist sich die praktische Umsetzung in konkrete Modellvorstellungen als weitaus schwieriger. Die Vorstellungen zum Ausma? politischer Herrschaft werden daher von einer merkwürdigen, demokratietheoret作者: Sputum 時(shí)間: 2025-3-27 22:26 作者: 粘連 時(shí)間: 2025-3-28 05:16 作者: Muscularis 時(shí)間: 2025-3-28 08:38
0302-9743 systemsareableto reactto unexpected stimuli. Themechanismsareallthe morefascinatingwhensystemsarecomposed of small, simple units, and the ability of the system to self-stabilize emerges out of its components. Faithful computer simulations of such physical systems exhibit the self-stabilizing propert作者: Cytology 時(shí)間: 2025-3-28 14:00
https://doi.org/10.1007/978-3-030-99288-0Organ Transplantation; Tissue and Organ Procurement; Organ Procurement System; Social Medicine; Public H
