標(biāo)題: Titlebook: Digital Oratory as Discursive Practice; From the Podium to t Fiona Rossette-Crake Book 2022 The Editor(s) (if applicable) and The Author(s) [打印本頁] 作者: deflate 時間: 2025-3-21 20:00
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書目名稱Digital Oratory as Discursive Practice讀者反饋學(xué)科排名
作者: Arrhythmia 時間: 2025-3-21 23:17
https://doi.org/10.1007/978-3-540-70801-8out a “discursive space” for the delivery. The second part of the chapter looks more closely at . and the ways the speaker physically occupies the space that is the stage, be it the material stage, or, in cases of fully digitalised oratory, the metaphorical stage that is provided by the digital inte作者: miracle 時間: 2025-3-22 00:48 作者: cocoon 時間: 2025-3-22 07:10 作者: DOTE 時間: 2025-3-22 12:44 作者: chisel 時間: 2025-3-22 12:55
Oratory as Rhetorical Practice: The Renewal of , and ,out a “discursive space” for the delivery. The second part of the chapter looks more closely at . and the ways the speaker physically occupies the space that is the stage, be it the material stage, or, in cases of fully digitalised oratory, the metaphorical stage that is provided by the digital inte作者: chisel 時間: 2025-3-22 17:42
Oratory as Social Practice (I): Discursive Genre, Culture, and Power,the Anglo-American context, reflect Anglo-American communication norms, as informed notably by corporate, neoliberal trends. These practices therefore leave little room for variation depending on language and/or culture.作者: 光亮 時間: 2025-3-23 00:22
Approaching Oratory in the Twenty-First Century, Johnson, Volodymyr Zelensky, Charli D’Amelio). These are placed within the wider landscape of digital forms of public address that have developed over the first quarter of the new century (e.g. TED talks, keynote addresses, three-minute thesis presentations), which, collectively, mark a renewal of 作者: predict 時間: 2025-3-23 04:25 作者: Projection 時間: 2025-3-23 06:49 作者: cardiac-arrest 時間: 2025-3-23 13:43
Multimodality and Technology,ole in the construal of meaning. They also introduce new challenges in terms of the additional potential discursive divides that they incur. For instance, the slideshow construes meanings at a number of levels (ideational, textual, interpersonal), but raises questions in terms of polyfocality and th作者: Pcos971 時間: 2025-3-23 17:26
Oratory as Social Practice (I): Discursive Genre, Culture, and Power, classical rhetoric and public speaking pedagogy, before being addressed within a discourse-analytical framework. The framework proposes to account for various speaking practices according to the social actors and social purposes by which they are informed. For some formats, it is not easy to identi作者: 我們的面粉 時間: 2025-3-23 18:18 作者: 令人發(fā)膩 時間: 2025-3-24 01:42
Ethos, or the Discursive Enactment of the Presentation of the Self,s between pre-discursive, discursive, and interdiscursive ethos, it defines a number of characteristics that underscore the generic ethos of the digital speaker, namely an ethos that is personal, ethical, informal, and friendly. These characteristics are illustrated by various examples that belong t作者: Daily-Value 時間: 2025-3-24 02:36
The Move from Rhetorical to Dialogic Staging,relation and the discursive divide that is intrinsic to oratory. According to this setup, the distance between participants is amplified, and the speaker is invested with the role of quasi mediator in order to bring together a community. The setup, which, at the formal level, depends notably upon th作者: Gudgeon 時間: 2025-3-24 09:16
TED Talks: A Case Study,gical issues that are brought forth by digital public speaking practice. For instance, in terms of branding, TED is construed as a brand, and TED talks are used by speakers as instruments of personal branding. Two TED talks, which were performed a decade apart, are compared, before TED is examined u作者: Formidable 時間: 2025-3-24 11:26 作者: 錢財 時間: 2025-3-24 16:18
https://doi.org/10.1007/978-3-031-18984-5discourse analysis; rhetoric; business communication; digital studies; digital humanities; multimodality; 作者: pulmonary-edema 時間: 2025-3-24 21:17
978-3-031-18986-9The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl作者: 沙漠 時間: 2025-3-25 00:12 作者: 等待 時間: 2025-3-25 04:48 作者: 期滿 時間: 2025-3-25 09:33
Postdisciplinary Studies in Discoursehttp://image.papertrans.cn/d/image/279578.jpg作者: SPER 時間: 2025-3-25 12:24 作者: 索賠 時間: 2025-3-25 16:20
Mining Knowledge from Complex Dataigital medium engenders its own specific “discursive divide” that is materialised by the screen. When combined with the asymmetrical speaker-addressee relation that is intrinsic to oratory, the divide requires negotiation via a number of strategies. After discussing the new types of setups that resu作者: 轉(zhuǎn)折點 時間: 2025-3-25 21:56
https://doi.org/10.1007/978-3-540-70801-8adition of . and .. With the advent of the “New Oratory” (from the year 2006 onwards), digitalised forms of oratory dispensed with the lectern. This has a number of consequences on delivery. For instance, because there is no longer a lectern upon which to place a written script, orators resort more 作者: Mettle 時間: 2025-3-26 01:22
https://doi.org/10.1007/978-3-540-70801-8ole in the construal of meaning. They also introduce new challenges in terms of the additional potential discursive divides that they incur. For instance, the slideshow construes meanings at a number of levels (ideational, textual, interpersonal), but raises questions in terms of polyfocality and th作者: 易發(fā)怒 時間: 2025-3-26 04:48 作者: Intersect 時間: 2025-3-26 09:51
Masahiro Inuiguchi,Tetsuzo Taninoes emphasis not only on corporate but also on personal branding. It also examines the collapse of the “public”/ “private” divide (accelerated by the COVID-19 pandemic), which has seen public speaking go “private,” and adopt intimate scenographies that place emphasis on the backstage. It concludes wi作者: propose 時間: 2025-3-26 13:18
Sankar K. Pal,Lech Polkowski,Andrzej Skowrons between pre-discursive, discursive, and interdiscursive ethos, it defines a number of characteristics that underscore the generic ethos of the digital speaker, namely an ethos that is personal, ethical, informal, and friendly. These characteristics are illustrated by various examples that belong t作者: Nonthreatening 時間: 2025-3-26 19:42
https://doi.org/10.1007/978-3-8274-2993-3relation and the discursive divide that is intrinsic to oratory. According to this setup, the distance between participants is amplified, and the speaker is invested with the role of quasi mediator in order to bring together a community. The setup, which, at the formal level, depends notably upon th作者: coltish 時間: 2025-3-27 00:35
https://doi.org/10.1007/978-3-8274-2993-3gical issues that are brought forth by digital public speaking practice. For instance, in terms of branding, TED is construed as a brand, and TED talks are used by speakers as instruments of personal branding. Two TED talks, which were performed a decade apart, are compared, before TED is examined u作者: innovation 時間: 2025-3-27 02:24 作者: 愛花花兒憤怒 時間: 2025-3-27 07:06 作者: 思考而得 時間: 2025-3-27 12:21 作者: EWE 時間: 2025-3-27 14:51 作者: 陰謀小團(tuán)體 時間: 2025-3-27 20:01
Oratory as Communication Setup (II): Towards a Typology That Incorporates Technological Mediation,“fully digitalised oratory,” “social media oratory”). It concludes by presenting some characteristic formats (e.g. TED talks, corporate keynotes, three-minute thesis presentations, webinar introductions, social media online video).作者: dictator 時間: 2025-3-28 01:42
Multimodality and Technology,erms of the division of labour between the audio and visual channels. The chapter concludes with a focus on the various modalities that underpin filming, in the specific cases of the New Oratory, on the one hand, and, on the other hand, fully digitalised oratory, including social media oratory.作者: 單獨 時間: 2025-3-28 04:48 作者: Boycott 時間: 2025-3-28 08:26 作者: OTHER 時間: 2025-3-28 13:27 作者: lactic 時間: 2025-3-28 17:57 作者: Infuriate 時間: 2025-3-28 22:14 作者: osculate 時間: 2025-3-28 22:53
Ethos, or the Discursive Enactment of the Presentation of the Self,al speaker, namely an ethos that is personal, ethical, informal, and friendly. These characteristics are illustrated by various examples that belong to the different categories of digital oratory recognised here. At the macro-discursive level, personal ethos is instantiated by the use of personal example and personal storytelling.作者: 看法等 時間: 2025-3-29 03:38
Jan Palúch,Kristián ?ulík,Alica Kala?ová made social media their main activity, and then moving to other types of actors belonging to other professional spheres. The second half of the chapter focuses on political oratory, and discusses some of the digital speaking appearances of Volodymyr Zelensky, who used social media oratory as an instrument to wage war.
