標(biāo)題: Titlebook: Digital Convergence: The Information Revolution; John Vince,Rae Earnshaw Book 1999 Springer-Verlag London Limited 1999 Broadcast.Computer. [打印本頁(yè)] 作者: 投降 時(shí)間: 2025-3-21 16:38
書(shū)目名稱Digital Convergence: The Information Revolution影響因子(影響力)
書(shū)目名稱Digital Convergence: The Information Revolution影響因子(影響力)學(xué)科排名
書(shū)目名稱Digital Convergence: The Information Revolution網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Digital Convergence: The Information Revolution網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Digital Convergence: The Information Revolution被引頻次
書(shū)目名稱Digital Convergence: The Information Revolution被引頻次學(xué)科排名
書(shū)目名稱Digital Convergence: The Information Revolution年度引用
書(shū)目名稱Digital Convergence: The Information Revolution年度引用學(xué)科排名
書(shū)目名稱Digital Convergence: The Information Revolution讀者反饋
書(shū)目名稱Digital Convergence: The Information Revolution讀者反饋學(xué)科排名
作者: 手銬 時(shí)間: 2025-3-21 21:42 作者: 憤怒事實(shí) 時(shí)間: 2025-3-22 03:28 作者: 誘騙 時(shí)間: 2025-3-22 08:20
Book 1999is still difficult to comprehend. This digital convergence is shaping society, technology and the media for the next millennium. Areas as diverse as home banking and shopping over the Internet; WWW access over mobile phone networks; and television systems such as Web TV which combine on-line service作者: Mingle 時(shí)間: 2025-3-22 09:38 作者: 呼吸 時(shí)間: 2025-3-22 15:23 作者: 呼吸 時(shí)間: 2025-3-22 20:57 作者: evince 時(shí)間: 2025-3-22 22:55
Palgrave Macmillan Memory Studiesmethods based on publication in a static medium. We also give an account of some of the shortcomings that we presently perceive in VRML 97, and indicate ways in which the language could usefully (from a visualization perspective) evolve in the future.作者: 高歌 時(shí)間: 2025-3-23 03:18 作者: Granular 時(shí)間: 2025-3-23 09:00
Live Internet Broadcasting: Some Unique Experiencesotential of Internet live broadcasting, - and the findings are discussed here..The main body of this chapter, and its conclusions, would be of interest to those planning similar events, and/or those interested in video conferencing and Internet broadcasting research.作者: uveitis 時(shí)間: 2025-3-23 12:11 作者: 朦朧 時(shí)間: 2025-3-23 15:24
Multi-User Visualization: a CORBA/Web-Based Approach experiment with the information and the visualization the visualization must be adaptable. To meet these requirements, the framework decouples the generation and presentation of information by means of an intermediate derived model, allowing users to adapt the visualization to their information needs.作者: Indolent 時(shí)間: 2025-3-23 19:44
Scene Capture and Modeling for Three-Dimensional Interactive Stereo Television Broadcastingnding digital display technology into the TV industry. Digital television already exists, based on the digital frame store which by itself permits some integration between the synthesized and the captured, using common hardware and common algorithms. However, more seems to be on offer.作者: Contracture 時(shí)間: 2025-3-24 01:49 作者: 圍巾 時(shí)間: 2025-3-24 04:51 作者: Contort 時(shí)間: 2025-3-24 07:11 作者: Horizon 時(shí)間: 2025-3-24 12:01
An Example of a Remediation Programe are fundamental constraints on the number and mixture of communications channels that can be handled by the human users of the future Global Information Infrastructure..We have been identifying the constraints at the micro level through ethnographic studies and at the macro level by drawing on the作者: aesthetic 時(shí)間: 2025-3-24 14:58
Tahlia Spector,Cha-Chi Fung,Ronald Olsonntional workplace operates in a subtler manner than these systems. While at work. it is our colleagues that we can access most easily, and the relationships of offices and studios act to bring people of related interest within the same region of a building. But we also have chance encounters with ot作者: Lipoprotein(A) 時(shí)間: 2025-3-24 21:43 作者: addition 時(shí)間: 2025-3-25 01:37 作者: STRIA 時(shí)間: 2025-3-25 04:46 作者: NAVEN 時(shí)間: 2025-3-25 08:46 作者: Limpid 時(shí)間: 2025-3-25 13:45
Palgrave Macmillan Memory Studiesisplay. Experience of implementing a CORBA-based photorealistic rendering application on a network of workstations is presented, and extensions are made to a WWW-based renderer, suitable for implementation on corporate networks (intranets and extra nets) and the Internet.作者: 檔案 時(shí)間: 2025-3-25 18:02
Digital Convergence at the User Interfacee are fundamental constraints on the number and mixture of communications channels that can be handled by the human users of the future Global Information Infrastructure..We have been identifying the constraints at the micro level through ethnographic studies and at the macro level by drawing on the作者: Temporal-Lobe 時(shí)間: 2025-3-25 21:46
The Role of 3D Shared Worlds in Support of Chance Encounters in CSCWntional workplace operates in a subtler manner than these systems. While at work. it is our colleagues that we can access most easily, and the relationships of offices and studios act to bring people of related interest within the same region of a building. But we also have chance encounters with ot作者: 過(guò)濾 時(shí)間: 2025-3-26 01:37
The Use of Dynamic Behaviors in a Network-Based Animation Systemsm is located it replaces its currently active one with the new behavior. The provision of behavior descriptions in a standard database format offers great opportunities for reuse of classes within both Intranet and Internet environments..The use of Java and VRML for the implementation provides a me作者: 錫箔紙 時(shí)間: 2025-3-26 05:51 作者: 不自然 時(shí)間: 2025-3-26 09:24
“Thin” vs. “Fat” Visualization Clientsation engine while the client perform very simple display and querying functions..Web components and plug-ins are now being used to overcome some of these limitations. Java allows the creation of “applets” and “JavaBeans” and we have Windows/COM components. These components, together with data reduc作者: 網(wǎng)絡(luò)添麻煩 時(shí)間: 2025-3-26 14:24
How to Build a Pan-European Multilingual Information Distribution Systeml database. The way in which information is presented is determined by the form design, a separate step from the design of the data..A design based on a data model will also facilitate a multilingual keyword catalogue to assist browsing in different languages. Keywords and multi-language support sho作者: LAPSE 時(shí)間: 2025-3-26 18:36 作者: 象形文字 時(shí)間: 2025-3-26 23:10 作者: Painstaking 時(shí)間: 2025-3-27 02:57
Cultural Objects in Digital Convergencends in digital media, we discuss the nature of cultural objects within different paradigms of interactivity. Taking as a starting point the opposition between interactive experience and document-based cultural objects, we introduce a possible alternative scenario based on the development of intellig作者: 用樹(shù)皮 時(shí)間: 2025-3-27 08:16 作者: 機(jī)制 時(shí)間: 2025-3-27 12:24
Agent-Based Facial Animationcribe a real-time facial animation algorithm based on an agent-like approach. The algorithm is part of a model-based video coding system intended for videoconferencing on the Internet. The paper describes how remotely downloaded scripts in the Tcl programming language, termed “Animation Agents” cont作者: chapel 時(shí)間: 2025-3-27 14:25 作者: 原來(lái) 時(shí)間: 2025-3-27 21:30
Virtual Rehearsal Over Networks time. With the advent of new technology, the rehearsal process can be more flexible. The system described in this chapter acts as a complement to existing rehearsal methods. More often than not, rehearsals take place without a constructed set. In a virtual rehearsal environment, the set can exist f作者: ALLAY 時(shí)間: 2025-3-27 22:51 作者: 合并 時(shí)間: 2025-3-28 02:06 作者: Paradox 時(shí)間: 2025-3-28 07:19
Jogging the Memory: Dynamic Visualization Over the Webber of popular visualization packages. Following the rise in popularity of the World Wide Web (WWW), traditional explanatory uses of visualization have been complemented by . Here, the ability to publish 3D scenes using the Virtual Reality Modeling Language (VRML) has led to an increase in shared un作者: 音樂(lè)學(xué)者 時(shí)間: 2025-3-28 13:46
“Thin” vs. “Fat” Visualization Clientsand raises the issue of client vs. server data visualization rendering. Real-time visual data manipulation does not translate well into a “thin” client. While the VRML file format allows distribution of visualization scenes to the Web, the user has no interactive control of the underlying raw data s作者: 知識(shí) 時(shí)間: 2025-3-28 16:31
How to Build a Pan-European Multilingual Information Distribution System from across Europe has many requirements, including the need to present the information in several natural languages, to have local variants of some parts of the data and to maintain a consistent style despite multiple sources of information..When asked to solve such an information dissemination pr作者: 新義 時(shí)間: 2025-3-28 21:55 作者: nautical 時(shí)間: 2025-3-29 01:48 作者: 分發(fā) 時(shí)間: 2025-3-29 07:00
Scene Capture and Modeling for Three-Dimensional Interactive Stereo Television Broadcastingred by TV cameras is presented. Taking advantage of the good points of each method increases the capabilities of the whole broadcasting system by extending digital display technology into the TV industry. Digital television already exists, based on the digital frame store which by itself permits som作者: 寬宏大量 時(shí)間: 2025-3-29 09:57 作者: Ingratiate 時(shí)間: 2025-3-29 11:45
978-1-4471-1220-4Springer-Verlag London Limited 1999作者: 甜得發(fā)膩 時(shí)間: 2025-3-29 17:20 作者: 松緊帶 時(shí)間: 2025-3-29 21:32
http://image.papertrans.cn/d/image/279193.jpg作者: 他去就結(jié)束 時(shí)間: 2025-3-30 00:22 作者: FLIP 時(shí)間: 2025-3-30 05:37
Remediation in Medical Educationnds in digital media, we discuss the nature of cultural objects within different paradigms of interactivity. Taking as a starting point the opposition between interactive experience and document-based cultural objects, we introduce a possible alternative scenario based on the development of intellig作者: 違抗 時(shí)間: 2025-3-30 09:59 作者: 易于交談 時(shí)間: 2025-3-30 12:31 作者: exhilaration 時(shí)間: 2025-3-30 18:47 作者: endarterectomy 時(shí)間: 2025-3-30 22:43
Starting with the Sun and Edith Müller time. With the advent of new technology, the rehearsal process can be more flexible. The system described in this chapter acts as a complement to existing rehearsal methods. More often than not, rehearsals take place without a constructed set. In a virtual rehearsal environment, the set can exist f
