標(biāo)題: Titlebook: Dickens, Europe and the New Worlds; Anny Sadrin (Professor of English) Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Li [打印本頁] 作者: 貧血 時間: 2025-3-21 17:33
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作者: formula 時間: 2025-3-21 20:30
Spectacle and Speculation: the Victorian Economy of Vision in itting at it in the dead of the night… and of other places and of other scenes associated with those different times. And then she would lean upon her balcony, and look over at the water, as though they all lay underneath it’ (. 520).作者: myelography 時間: 2025-3-22 02:23 作者: 圓錐 時間: 2025-3-22 05:41 作者: 枕墊 時間: 2025-3-22 12:19
Despatched to the Periphery: the Changing Play of Centre and Periphery in Dickens’s Worksays grandly of the ‘fatal shore’ to which he is bound, unwittingly pronouncing on the 20,000 aborigines killed in clashes, the denizens of the forest cannot… expect to participate in the refinements of the land of the Free’ (57.876)..作者: Gyrate 時間: 2025-3-22 15:49
‘Anywhere’s Nowhere’: Dickens on the Move impersonal narrator and Esther Summerson as a kind of hypertrophied specimen of the novel’s intrinsic relationship between narrator and character, third-person and first-, and thus as a nineteenth-century representation of novelistic form, this essay will argue that . defines the novel for its era 作者: Gyrate 時間: 2025-3-22 19:36
Foreign Bodies: Acceptance and Rejection of the Alien in the Dickensian Text visibility is poor. We are taken as far as Greenwich and even onto the ships and barges in the Thames estuary, but the fog affords no view of the Channel, let alone the continent, and we are quickly turned back inland to the ‘spongey fields’,. which like everything else in the novel are saturated, 作者: visceral-fat 時間: 2025-3-23 01:17 作者: 溺愛 時間: 2025-3-23 02:54
https://doi.org/10.1007/978-3-319-15455-8 and dreary, with nothing to relieve the monotony of its general aspect…’), but the writer is able to imagine its very absence of significant features as pregnant with significance, for it is a place ‘where no witness might see the trembling mother deposit her new-born child.’作者: AWRY 時間: 2025-3-23 06:13
Humanitarian Logistics and Sustainabilityitting at it in the dead of the night… and of other places and of other scenes associated with those different times. And then she would lean upon her balcony, and look over at the water, as though they all lay underneath it’ (. 520).作者: Defraud 時間: 2025-3-23 13:33
Humanitarian Logistics and Sustainabilitytory: the ruined walls are part of the ramparts of a palace or a treasure-house; the fragments of columns can be filled out into a temple; the numerous inscriptions, which, by good luck, may be bilingual, reveal an alphabet and a language, and, when they have been deciphered and translated, yield un作者: Observe 時間: 2025-3-23 15:28 作者: 歹徒 時間: 2025-3-23 21:52
Walter Reichman,Mary O’Neill Berrysays grandly of the ‘fatal shore’ to which he is bound, unwittingly pronouncing on the 20,000 aborigines killed in clashes, the denizens of the forest cannot… expect to participate in the refinements of the land of the Free’ (57.876)..作者: 天真 時間: 2025-3-23 23:33 作者: adj憂郁的 時間: 2025-3-24 05:17 作者: 帽子 時間: 2025-3-24 07:35
Die Geschichte der Geisteswissenschaftenn its cryptic revelations of Dickens’s unsettled emotions at this period of his life. While I agree that the biographical interest is genuine, in the present essay I would like to suggest that ‘A Lazy Tour’ is also worth notice for its literary value. In drawing attention to this neglected piece of 作者: 貪婪性 時間: 2025-3-24 14:04
Book 1999 The ‘uncommercial traveller‘ emerges as an ecumenical John Bull, chary of the alien but greedy of novelty, a man whose incursions on well-trodden or unfamiliar ground are always journeys into the uncanny. Besides dealing with the geography of the novelist‘s imagination, the book explores numerous ‘作者: NIB 時間: 2025-3-24 18:50 作者: 水汽 時間: 2025-3-24 19:28 作者: NEX 時間: 2025-3-25 01:35 作者: muster 時間: 2025-3-25 05:43
https://doi.org/10.1007/978-3-319-20702-5e, Dickens seems to point out that understanding means adapting what one hears to one’s personal experience and familiar linguistic patterns. Nicholas is asked by Mr Lillyvick whether he considers French a ‘cheerful language’:作者: Resection 時間: 2025-3-25 09:34 作者: ADAGE 時間: 2025-3-25 12:28 作者: 斥責(zé) 時間: 2025-3-25 17:50 作者: abracadabra 時間: 2025-3-25 22:37 作者: 在駕駛 時間: 2025-3-26 01:11 作者: Formidable 時間: 2025-3-26 05:21
100 Basic Programming Solutionsme, but it is my thesis that Dickens had both a critical attitude towards his own people regarding national identity and — for an Englishman at the time — a rather unusual openness to what Europe represented. This essay attempts to illuminate aspects of Dickens’s relationship to Italy as it is reflected in his letters, . and ..作者: 恭維 時間: 2025-3-26 10:21 作者: Vaginismus 時間: 2025-3-26 13:42
and John Bullme, but it is my thesis that Dickens had both a critical attitude towards his own people regarding national identity and — for an Englishman at the time — a rather unusual openness to what Europe represented. This essay attempts to illuminate aspects of Dickens’s relationship to Italy as it is reflected in his letters, . and ..作者: 新奇 時間: 2025-3-26 19:38
Charles Dickens and his Performing Selvesblic reader. And I want to examine this under two headings: the first is the polyphonic voice that is exercised in his fiction and in his reading performances, and the second (related to this) has to do with attitudes within Victorian culture towards the constitution of the self.作者: MEEK 時間: 2025-3-26 21:09
Why D.I.J.O.N.? Crossing Forbidden Boundaries in .N.’, with this unusual spelling, does sound like a cryptic abbreviation, a message to be decoded. Yet I did not have the slightest intention to hide any formula of my own behind these signs. I was very ingenuously trying to answer a question raised in the novel.作者: discord 時間: 2025-3-27 04:18 作者: QUAIL 時間: 2025-3-27 08:56 作者: Vertebra 時間: 2025-3-27 13:28 作者: MORPH 時間: 2025-3-27 14:12 作者: 使絕緣 時間: 2025-3-27 20:29 作者: Intend 時間: 2025-3-28 01:53
From Interactions to Integrationsand dislocation which Dickens associates with crossing the English Channel (as we British presumptuously call it), and, on the other, the feelings of comfort, normality and balance which tend to supervene as soon as he begins to write about actually being in France.作者: Receive 時間: 2025-3-28 02:30
Rolando Tomasini,Luk Van Wassenhove those suspect full stops between each letter, was taken by some as a joke or a riddle. I had a few phone calls from friends who hazarded guesses, at least on the first letter: ‘Of course, it is “D” for Dickens,’ one said; ‘Of course, it is “D” for Dombey,’ asserted another. And, of course, ‘D.I.J.O作者: 最低點 時間: 2025-3-28 09:13
https://doi.org/10.1007/978-3-319-15455-8he left shoulder; no other mark.’ This is how Dudley Costello, at the end of his impressive . article ‘Blank Babies in Paris’ (HW, VIII, 379–82; 17 December 1853), translates the registry entry for a new arrival at the Foundling Hospital in Paris in the Rue d’Enfer. Costello, responding to Dickens’s作者: 的闡明 時間: 2025-3-28 13:44
Humanitarian Logistics and Sustainabilitypalazzo in Venice, a strange spectacle looms before her as she gazes down at the ancient canals that flow outside her window: Venice disappears, and London rises into view. Dickens describes how Amy would stand on her balcony and, ‘watch the sunset, in its long low lines of purple and red, and its b作者: SLAG 時間: 2025-3-28 16:29
Humanitarian Logistics and Sustainabilitylumns, and tablets with half-effaced and unreadable inscriptions. He may content himself with inspecting what lies exposed to view, with questioning the inhabitants — perhaps semi-barbaric people — who live in the vicinity, about what tradition tells them of the history and meaning of these archaeol作者: gangrene 時間: 2025-3-28 20:06
https://doi.org/10.1007/978-3-030-90877-5 for an answer.’ Victorians rarely jested about such matters, Charles Dickens among them. When the accuracy of what he had written was questioned, he was wont to insist that it was the truth. Today in dealing with large matters, we sense that the truth, the whole truth, and nothing but the truth rar作者: Charade 時間: 2025-3-28 23:21
https://doi.org/10.1007/978-3-030-90877-5ial of his American travels into art. Stone emphasised the importance of observation, experience and memory in Dickens’s composing process — the relationship between ‘fact and fiction’ (464–78). The view of the novel which has become dominant in recent years, while it acknowledges the influence on D作者: Ballad 時間: 2025-3-29 04:21 作者: 貝雷帽 時間: 2025-3-29 08:43
Walter Reichman,Mary O’Neill Berryntion to the novel’s dual narration, that famous experiment which Steven Marcus called (with much justice) ‘the most audacious and significant act of the novelistic imagination in England in the nineteenth century’.. Miller’s having so little to say about the matter, already remarkable in a chapter 作者: LEER 時間: 2025-3-29 13:20
100 Basic Programming Solutionscopes we use. About that great other, America, Dickens stated: ‘I do not find in America one form of religion with which we in Europe, or even in England, are unacquainted’.. This statement is not quoted here because of its discussion of Dissenters but because of the ‘we in Europe’ and Dickens’s Eur作者: 饑荒 時間: 2025-3-29 17:40 作者: CESS 時間: 2025-3-29 22:33 作者: ungainly 時間: 2025-3-30 02:02 作者: 豐富 時間: 2025-3-30 05:14
https://doi.org/10.1007/978-3-476-04380-1t was billed as a‘Farewell Banquet’ in his honour. The valedictory nature of the title and of the event were prescient, since the novelist’s death followed so soon after his return from America. With more than 450 guests in attendance, and another 100 looking on from the galleries, Charles Kent was 作者: periodontitis 時間: 2025-3-30 10:20 作者: Canyon 時間: 2025-3-30 15:57
https://doi.org/10.1007/978-1-349-27354-6Charles Dickens; novel; Victorian era作者: Culmination 時間: 2025-3-30 16:42 作者: 擴(kuò)張 時間: 2025-3-30 22:00 作者: 敵手 時間: 2025-3-31 03:39 作者: 噱頭 時間: 2025-3-31 06:44
Why D.I.J.O.N.? Crossing Forbidden Boundaries in those suspect full stops between each letter, was taken by some as a joke or a riddle. I had a few phone calls from friends who hazarded guesses, at least on the first letter: ‘Of course, it is “D” for Dickens,’ one said; ‘Of course, it is “D” for Dombey,’ asserted another. And, of course, ‘D.I.J.O作者: Charitable 時間: 2025-3-31 12:39
Dickens, , and the Paris Boulevardshe left shoulder; no other mark.’ This is how Dudley Costello, at the end of his impressive . article ‘Blank Babies in Paris’ (HW, VIII, 379–82; 17 December 1853), translates the registry entry for a new arrival at the Foundling Hospital in Paris in the Rue d’Enfer. Costello, responding to Dickens’s作者: guardianship 時間: 2025-3-31 15:23
Spectacle and Speculation: the Victorian Economy of Vision in palazzo in Venice, a strange spectacle looms before her as she gazes down at the ancient canals that flow outside her window: Venice disappears, and London rises into view. Dickens describes how Amy would stand on her balcony and, ‘watch the sunset, in its long low lines of purple and red, and its b作者: 高談闊論 時間: 2025-3-31 18:51
: Dickens, Rome, and the Eternal City of the Mindlumns, and tablets with half-effaced and unreadable inscriptions. He may content himself with inspecting what lies exposed to view, with questioning the inhabitants — perhaps semi-barbaric people — who live in the vicinity, about what tradition tells them of the history and meaning of these archaeol作者: 彎曲的人 時間: 2025-4-1 00:42 作者: 不怕任性 時間: 2025-4-1 05:30
: Or, America Revisedial of his American travels into art. Stone emphasised the importance of observation, experience and memory in Dickens’s composing process — the relationship between ‘fact and fiction’ (464–78). The view of the novel which has become dominant in recent years, while it acknowledges the influence on D作者: 逢迎白雪 時間: 2025-4-1 09:23
Despatched to the Periphery: the Changing Play of Centre and Periphery in Dickens’s Workuch despondency with the results of his looking about him ‘a(chǎn)s to talk of buying a rifle and going to America with a general purpose of compelling buffaloes to make his fortune’ (34.293).. The moment one’s smile fades at the absurd notion of Pocket as the great white hunter, smudgy implications surfa作者: agnostic 時間: 2025-4-1 11:15
‘Anywhere’s Nowhere’: Dickens on the Movention to the novel’s dual narration, that famous experiment which Steven Marcus called (with much justice) ‘the most audacious and significant act of the novelistic imagination in England in the nineteenth century’.. Miller’s having so little to say about the matter, already remarkable in a chapter
