標(biāo)題: Titlebook: Diagrams of Power in Benjamin and Foucault; The Recluse of Archi Mark Laurence Jackson Book 2022 The Editor(s) (if applicable) and The Auth [打印本頁(yè)] 作者: minutia 時(shí)間: 2025-3-21 19:09
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作者: 異教徒 時(shí)間: 2025-3-21 22:51
Book 2022s with form, particularly in the sense of the question as to what planning and architecture signify with respect to the forms they take, and how their meanings or content (what is “contained”) is considered in relation to form-as-container.? While significant critical work in these disciplines has b作者: 使聲音降低 時(shí)間: 2025-3-22 04:29
https://doi.org/10.1007/978-981-19-4449-9Foucault and Urbanism; Benjamin Urbanism; Architecture and Ontology; Critical Urban Studies; Political T作者: 歡笑 時(shí)間: 2025-3-22 05:27
978-981-19-4451-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor作者: HERTZ 時(shí)間: 2025-3-22 09:44 作者: LURE 時(shí)間: 2025-3-22 13:24
http://image.papertrans.cn/d/image/270835.jpg作者: LURE 時(shí)間: 2025-3-22 18:51 作者: GLEAN 時(shí)間: 2025-3-22 21:53 作者: jocular 時(shí)間: 2025-3-23 02:39 作者: NEEDY 時(shí)間: 2025-3-23 06:32 作者: 晚來的提名 時(shí)間: 2025-3-23 12:23 作者: palette 時(shí)間: 2025-3-23 14:21 作者: 新字 時(shí)間: 2025-3-23 21:15
Empty Links,h critical writers, and how we come to understand how each works with an understanding of power. We recognise that the Parisian arcade, important for Benjamin’s discussion of modernity, appears at about the same time as Jeremy Bentham’s Panopticon, at the end of the eighteenth century. This becomes 作者: NOVA 時(shí)間: 2025-3-23 22:59 作者: 織布機(jī) 時(shí)間: 2025-3-24 03:44 作者: admission 時(shí)間: 2025-3-24 09:32 作者: 異教徒 時(shí)間: 2025-3-24 13:07 作者: 浪蕩子 時(shí)間: 2025-3-24 18:01 作者: 共同確定為確 時(shí)間: 2025-3-24 21:34 作者: 不整齊 時(shí)間: 2025-3-25 01:42
Hochbaukosten -Fl?chen -Rauminhaltenjamin’s . study, commencing with its “Epistemo-critical prologue,” moving then to discussion of allegory and .. The chapter concludes on Benjamin’s discussion of the architectural drawings of Carl Linfert, addressing them from the notion of artistic-will (.) developed by Alois Riegl.作者: 好色 時(shí)間: 2025-3-25 05:49 作者: Legend 時(shí)間: 2025-3-25 10:49 作者: 虛弱的神經(jīng) 時(shí)間: 2025-3-25 14:46 作者: 樂器演奏者 時(shí)間: 2025-3-25 17:16 作者: Eructation 時(shí)間: 2025-3-25 23:59 作者: deface 時(shí)間: 2025-3-26 03:29
Divinity and Violence,njamin’s . study, commencing with its “Epistemo-critical prologue,” moving then to discussion of allegory and .. The chapter concludes on Benjamin’s discussion of the architectural drawings of Carl Linfert, addressing them from the notion of artistic-will (.) developed by Alois Riegl.作者: 真 時(shí)間: 2025-3-26 07:12 作者: Measured 時(shí)間: 2025-3-26 10:37 作者: Cantankerous 時(shí)間: 2025-3-26 13:13
Vanity of the Verb,hose lectures where he introduces Panopticism, though our focus is firstly on the administrative functioning of the technique of confinement, the Lettre de Cachet, that Foucault suggests operated as a transformer of how sovereign power was to be thought in the nineteenth century. Our second focus is作者: Eclampsia 時(shí)間: 2025-3-26 19:39 作者: textile 時(shí)間: 2025-3-26 21:23 作者: 飛行員 時(shí)間: 2025-3-27 03:13 作者: Allergic 時(shí)間: 2025-3-27 06:25 作者: 冷淡一切 時(shí)間: 2025-3-27 10:43 作者: 預(yù)定 時(shí)間: 2025-3-27 14:28 作者: inquisitive 時(shí)間: 2025-3-27 19:16 作者: Rct393 時(shí)間: 2025-3-27 23:57 作者: 變態(tài) 時(shí)間: 2025-3-28 05:17 作者: 意外的成功 時(shí)間: 2025-3-28 09:42 作者: 使痛苦 時(shí)間: 2025-3-28 12:49