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標(biāo)題: Titlebook: Devotional Hindu Dance; A Return to the Sacr Sabrina D. MisirHiralall Book 2021 The Author(s), under exclusive license to Springer Nature S [打印本頁(yè)]

作者: foresight    時(shí)間: 2025-3-21 16:25
書目名稱Devotional Hindu Dance影響因子(影響力)




書目名稱Devotional Hindu Dance影響因子(影響力)學(xué)科排名




書目名稱Devotional Hindu Dance網(wǎng)絡(luò)公開度




書目名稱Devotional Hindu Dance網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Devotional Hindu Dance被引頻次




書目名稱Devotional Hindu Dance被引頻次學(xué)科排名




書目名稱Devotional Hindu Dance年度引用




書目名稱Devotional Hindu Dance年度引用學(xué)科排名




書目名稱Devotional Hindu Dance讀者反饋




書目名稱Devotional Hindu Dance讀者反饋學(xué)科排名





作者: 禁止    時(shí)間: 2025-3-21 20:22
Religion and Culture in the History of Hindu Dance Education,based dance institutions adhere to a Western educational system that dismisses the sacred ethic of Hindu dance in a manner that disregards the traditional religious-educational system of Hindu dance. Current Hindu-based dance institutions that claim to maintain a tradition of Hindu dance focus on pe
作者: 聚集    時(shí)間: 2025-3-22 02:44

作者: 樸素    時(shí)間: 2025-3-22 05:08

作者: 使長(zhǎng)胖    時(shí)間: 2025-3-22 09:34

作者: 使長(zhǎng)胖    時(shí)間: 2025-3-22 13:29

作者: 使長(zhǎng)胖    時(shí)間: 2025-3-22 19:42

作者: parallelism    時(shí)間: 2025-3-23 01:04

作者: Eulogy    時(shí)間: 2025-3-23 05:17
Kevin Dew,Supuni Liyanagunawardenaeach about Hinduism through Hindu dance. Ekalavya and Guru Dronaacharya, in the historical . (Chopra and Chopra, 2001; Dharma, 1999), provide an example of the importance of prerequisites. In addition, I discuss how dance students should prepare to learn Hindu dance, whereas viewers ought to prepare
作者: Conspiracy    時(shí)間: 2025-3-23 06:42
https://doi.org/10.1007/978-3-031-25110-8 to learn about Hindu philosophy in a manner that considers the component of devotion. In this self-study project, I explicitly focus my attention on devotion as a part of Hindu dance because I sense that Indian classical Hindu dancers today often dance without devotion. Consequentially, Hindu dance
作者: Diaphragm    時(shí)間: 2025-3-23 13:29

作者: 顯微鏡    時(shí)間: 2025-3-23 14:16
The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
作者: Palate    時(shí)間: 2025-3-23 19:22
Sabrina D. MisirHiralallOffers a clear history of Hindu dance.Explores postcolonialism, Hindu philosophy, religion, and pedagogy.Serves as a case study in dance education
作者: gimmick    時(shí)間: 2025-3-23 22:16
http://image.papertrans.cn/d/image/270355.jpg
作者: SLAY    時(shí)間: 2025-3-24 04:40

作者: Pandemic    時(shí)間: 2025-3-24 06:49
Book 2021as religion and culture do not remain static. MisirHiralall points to a postcolonial return to Hindu dance as a religious and sacred dance form while positioning Hindu dance in the Western culture in which she lives..
作者: Lignans    時(shí)間: 2025-3-24 13:46

作者: Infelicity    時(shí)間: 2025-3-24 16:21
https://doi.org/10.1007/978-3-031-25110-8hapter. It is imperative for devotional Hindu dancers to pay attention to their way of being and interactions before, during, and after the dance. Contemplative dressing is vital as one prepares to dance. Abhinaya develops naturally through bhakti during the dance. Ethical responsibility plays a key role in the life of the dancer after the dance.
作者: 起草    時(shí)間: 2025-3-24 21:58
Kevin Dew,Supuni Liyanagunawardena to view Hindu dances. Following this, I relate an introduction to the ethics of Hindu dance based on the . (BharataMuni, 2000) and introduce the language of Hindu dance as conveyed in the Abhinaya Darpanam (Nandikesvar and Apparao, 1997).?Dancers may ponder upon developing dance choreography with this basic knowledge of Hindu dance in mind.
作者: Cosmopolitan    時(shí)間: 2025-3-24 23:22
https://doi.org/10.1007/978-3-031-25110-8 is repeatedly reduced to a phenomenon of cultural entertainment that denies the dancer and the viewers a devotional experience. In this chapter, I return to my original research questions as I stress the need to consider devotion as a part of Hindu dance.
作者: defeatist    時(shí)間: 2025-3-25 07:11
Handbook of Social Resource Theoryn Hindu dance scriptures. In turn, viewers may perceive the dance as mere cultural entertainment. I consider it necessary to confront this by de-Orientalizing Hindu dance as I dance, especially among Hindus, for this project.
作者: 遷移    時(shí)間: 2025-3-25 10:11

作者: 推崇    時(shí)間: 2025-3-25 12:15

作者: 招惹    時(shí)間: 2025-3-25 19:15
Introduction,ance? How can individuals engage in devotional Hindu dance to enrich worship, whether as dancers or as viewers of the dance? How can I work to develop and teach devotional Hindu dance choreography to individuals who do not have a framework of Hindu dance? These questions arise as a part of my self-study research.
作者: STALE    時(shí)間: 2025-3-25 20:35
Defining Devotional Hindu Dance,hapter. It is imperative for devotional Hindu dancers to pay attention to their way of being and interactions before, during, and after the dance. Contemplative dressing is vital as one prepares to dance. Abhinaya develops naturally through bhakti during the dance. Ethical responsibility plays a key role in the life of the dancer after the dance.
作者: DAFT    時(shí)間: 2025-3-26 02:18
Basics of Learning Devotional Hindu Dance, to view Hindu dances. Following this, I relate an introduction to the ethics of Hindu dance based on the . (BharataMuni, 2000) and introduce the language of Hindu dance as conveyed in the Abhinaya Darpanam (Nandikesvar and Apparao, 1997).?Dancers may ponder upon developing dance choreography with this basic knowledge of Hindu dance in mind.
作者: 改變    時(shí)間: 2025-3-26 04:53

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作者: indenture    時(shí)間: 2025-3-26 17:16
Lipoxinsieved to serve as mediators in both immediate hypersensitivity reactions and inflammation (Samuelsson, 1983). In fact, leukotriene B. serves as a complete secretagogue in human neutrophils, stimulating aggregation, mobilization of Ca., degranulation, and the generation of active oxygen species within seconds of its addition (Serhan .., 1982).
作者: Morbid    時(shí)間: 2025-3-26 21:40

作者: 調(diào)情    時(shí)間: 2025-3-27 02:11

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