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標(biāo)題: Titlebook: Design in the Era of Industry 4.0, Volume 3; Proceedings of ICoRD Amaresh Chakrabarti,Vishal Singh Conference proceedings 2023 The Editor(s [打印本頁]

作者: Curator    時間: 2025-3-21 20:09
書目名稱Design in the Era of Industry 4.0, Volume 3影響因子(影響力)




書目名稱Design in the Era of Industry 4.0, Volume 3影響因子(影響力)學(xué)科排名




書目名稱Design in the Era of Industry 4.0, Volume 3網(wǎng)絡(luò)公開度




書目名稱Design in the Era of Industry 4.0, Volume 3網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Design in the Era of Industry 4.0, Volume 3被引頻次




書目名稱Design in the Era of Industry 4.0, Volume 3被引頻次學(xué)科排名




書目名稱Design in the Era of Industry 4.0, Volume 3年度引用




書目名稱Design in the Era of Industry 4.0, Volume 3年度引用學(xué)科排名




書目名稱Design in the Era of Industry 4.0, Volume 3讀者反饋




書目名稱Design in the Era of Industry 4.0, Volume 3讀者反饋學(xué)科排名





作者: 人類    時間: 2025-3-21 20:26
Smart Innovation, Systems and Technologieshttp://image.papertrans.cn/d/image/268675.jpg
作者: 中國紀(jì)念碑    時間: 2025-3-22 00:56

作者: 手銬    時間: 2025-3-22 07:46

作者: bioavailability    時間: 2025-3-22 12:24

作者: 鐵砧    時間: 2025-3-22 13:54

作者: 鐵砧    時間: 2025-3-22 17:28

作者: venous-leak    時間: 2025-3-23 01:13

作者: 財主    時間: 2025-3-23 02:55

作者: 多產(chǎn)子    時間: 2025-3-23 09:15
The Southwest Economy: What the Future Holdsreating opportunities to design efficient and emotionally charged experiences. Using the accelerating digitalism, artists and designers have been exploring the correlation between one’s identity and the digital realm, and how it will evolve in the future. The study in this paper examines how the vis
作者: Wordlist    時間: 2025-3-23 10:13
The Southwest Economy: What the Future Holds such as UP-DOWN, CONTAINER, SOURCE-PATH-GOAL, or primary metaphors such as GOOD IS UP and GOOD IS LIGHT. Recent research in this domain establishes the connection between abstract target domains and concrete source domains like camera movement, composition, sound, light, and colour to show the use
作者: Tincture    時間: 2025-3-23 14:13

作者: BILK    時間: 2025-3-23 19:10
Ambivalent Freedom: Kant and the Problem of s and publications. Gond art has evolved a long way from the floor ‘.’ paintings in tribal settlements to paper and canvas paintings in books and galleries. In recent times, contemporary artists have been experimenting with different motifs, styles and representations, iconography, mediums and colou
作者: Chauvinistic    時間: 2025-3-24 01:33

作者: 標(biāo)準(zhǔn)    時間: 2025-3-24 04:34
https://doi.org/10.1007/978-1-349-00999-2tage, as their existence is evident. Design, being a visually dominated discipline by education, puts its preference on visuality as a higher sense than the rest. Thus, it sometimes struggles to grasp all things that are not vision major. The tangibility of the goals in design can also be associated
作者: Triglyceride    時間: 2025-3-24 09:33

作者: 膽小懦夫    時間: 2025-3-24 12:03

作者: cliche    時間: 2025-3-24 14:59

作者: Focus-Words    時間: 2025-3-24 22:37

作者: 客觀    時間: 2025-3-24 23:55

作者: CRACK    時間: 2025-3-25 04:20

作者: 芭蕾舞女演員    時間: 2025-3-25 09:49
Design in the Era of Industry 4.0, Volume 3978-981-99-0428-0Series ISSN 2190-3018 Series E-ISSN 2190-3026
作者: 卡死偷電    時間: 2025-3-25 12:20

作者: 彈藥    時間: 2025-3-25 19:36

作者: 聯(lián)想記憶    時間: 2025-3-25 21:16
Aristotle and the Discovery of Determinism online survey, ranking method, card sorting and digital flexible modelling, the study reveals that most of the young users preferred formal and minimal designs which had less buttons and more features such as call answering, messaging and better health tracking. Choosing minimal colours such as shades of black and grey.
作者: Myelin    時間: 2025-3-26 02:57
Conference proceedings 2023this area – written by eminent researchers from across the world on design processes, technologies, methods and tools, and their impact on innovation, for supporting design for a connected world. The theme of ICoRD’23?has been ‘Design in the Era of Industry 4.0’. Industry 4.0 signifies the fourth in
作者: 領(lǐng)帶    時間: 2025-3-26 05:46
Superoxide Generation by Clastogenic Factorsbols was poor among participants. While familiarity, compatibility and standardisation of washcare symbols mostly ranged between 1 and 7 on a scale of 1 to 10. 80% of participants agreed that washcare instructions written in English language would be better to follow and care for textile products.
作者: nocturnal    時間: 2025-3-26 10:51
Ambivalent Freedom: Kant and the Problem of o incorporate contemporary subjects. The purpose of this paper is to review and analyse the Gond aesthetics of five such graphic novels and publications to get an idea of the changes and experimentations that occurred in relation to the traditional Gond painting.
作者: 蒸發(fā)    時間: 2025-3-26 16:23

作者: Ostrich    時間: 2025-3-26 19:33
Pavel Koukal,Matěj My?ka,Jaromír ?avelkaheir ideas. We see it as the application of a language to the area of potential design concept generation. In a study of furniture design, we have observed that novice designers communicate with each other about new designs, styles, and moods, largely by reference to the sources of analogy especially symbol analogy.
作者: Texture    時間: 2025-3-26 21:46
Relevance of Textile Washcare Symbols in Context of Indiabols was poor among participants. While familiarity, compatibility and standardisation of washcare symbols mostly ranged between 1 and 7 on a scale of 1 to 10. 80% of participants agreed that washcare instructions written in English language would be better to follow and care for textile products.
作者: PLAYS    時間: 2025-3-27 03:32

作者: 蘑菇    時間: 2025-3-27 05:26
The , of Aesthetics in the Contemporary Sculptural Practices in Indiasation, modernisation and technology. Through a critical study focusing on contemporary Indian sculptural practices, a sincere effort is taken to locate the changing notion of aesthetics and expressions in the current Indian sculptural trends.
作者: freight    時間: 2025-3-27 11:59

作者: Jargon    時間: 2025-3-27 14:56
R. T. Dean,S. P. Gieseg,J. A. Simpsoncraft products to develop contemporary forms in copper craft under copper craft research through design (Cu Rtd) methodology. The perception constitutes the characteristic attribution to adjectives associated with the form of the product. This paper aims to apply Osgood‘s semantic differential scale
作者: Congregate    時間: 2025-3-27 20:17

作者: expdient    時間: 2025-3-27 23:14
Important Issues for the Southwest drew heavily on expert interviews. Six automotive CMF experts from various OEMs were interviewed online to understand the color trend forecasting strategies followed by their OEM to develop a futuristic concept vehicle. Thematic analysis revealed a gap and requirement for a framework that can be ob
作者: Asperity    時間: 2025-3-28 02:37
https://doi.org/10.1007/978-1-4615-3128-9s toward the valorization of cultural heritage. The method is based on qualitative semiotic analysis, which could present the inherent complexity of calligraphy in terms of meaning trajectories, connecting the visible sign (pure graphic composition), the trace as related to the body of the calligrap
作者: ANTI    時間: 2025-3-28 07:31

作者: PAEAN    時間: 2025-3-28 14:12

作者: achlorhydria    時間: 2025-3-28 15:07
Aristotle and the Discovery of Determinismare following from the generations. Artworks are documented here using photogrammetry, and then their shapes are studied by simplifying them into abstract form to understand the characteristics which were followed in creating them. Photogrammetry helped to cross-check and do the volumetric analysis.
作者: 蓋他為秘密    時間: 2025-3-28 22:27
https://doi.org/10.1007/978-1-349-00999-2onceptual basis which is reflected in metaphorical language. As the folk culture of a place is the bearer of shared cultural memory and interaction history between the corporeal and incorporeal, metaphors used in folk literature can be used as a source in design anthropology, and this review paper s
作者: 喊叫    時間: 2025-3-28 23:03

作者: BOGUS    時間: 2025-3-29 05:42

作者: DRAFT    時間: 2025-3-29 09:39

作者: 潛伏期    時間: 2025-3-29 14:11

作者: 招待    時間: 2025-3-29 17:04
Conference proceedings 2023le connected intelligence and industrial autonomy. The introduction of Industry 4.0 dramatically changes the landscape of innovation, and the way design, the engine of innovation, is carried out. The theme of ICoRD’23?- ‘Design in the Era of Industry 4.0’ –explores how Industry 4.0 concepts and tech
作者: Peculate    時間: 2025-3-29 19:50
A Study on the Impact of Visual Metaphor in Mascot Across Culture
作者: 不斷的變動    時間: 2025-3-30 00:58

作者: 條街道往前推    時間: 2025-3-30 04:05

作者: dominant    時間: 2025-3-30 09:50
A Qualitative Study on Color Trend Forecasting in the Futuristic Passenger Vehicles for Point-to-Poi drew heavily on expert interviews. Six automotive CMF experts from various OEMs were interviewed online to understand the color trend forecasting strategies followed by their OEM to develop a futuristic concept vehicle. Thematic analysis revealed a gap and requirement for a framework that can be ob
作者: dermatomyositis    時間: 2025-3-30 15:53
Cultural Dynamics of Chinese Calligraphy from a Semiotic Gaze. A Design-Oriented Platform to Valorizs toward the valorization of cultural heritage. The method is based on qualitative semiotic analysis, which could present the inherent complexity of calligraphy in terms of meaning trajectories, connecting the visible sign (pure graphic composition), the trace as related to the body of the calligrap
作者: 記憶法    時間: 2025-3-30 20:06
Designing Blended Environments: Cultural Heritage as a Tool to Create Humane Virtual Spaces and Techybrid environments—modifying the aesthetic of tangible products and spaces to create a sense of tech-inspired seamlessness, while virtual environments can draw from the time-honored cultural heritage, to incorporate nature and humanity in the cyberspace. Cultural heritage can be used to exploit the
作者: Disk199    時間: 2025-3-30 22:48
The TIME IS A CIRCLE/CYCLE Metaphor in Denis Villeneuve’s Film ‘,’ (2016)anguage of an alien species and is able to avert a global threat by reaching out to her future self. Through a breakdown of the film’s innovative and commercially successful narrative design (itself enabled by new industrial editing technology), coupled with an analysis of the resultant visual patte
作者: Phonophobia    時間: 2025-3-31 03:43
Characteristic Development of Art Style and Identifying Proportions in Arju House of Ao Tribe in Nagare following from the generations. Artworks are documented here using photogrammetry, and then their shapes are studied by simplifying them into abstract form to understand the characteristics which were followed in creating them. Photogrammetry helped to cross-check and do the volumetric analysis.
作者: RUPT    時間: 2025-3-31 08:09
When Designing for a Culture: Folk Literary Metaphors in Design Anthropologyonceptual basis which is reflected in metaphorical language. As the folk culture of a place is the bearer of shared cultural memory and interaction history between the corporeal and incorporeal, metaphors used in folk literature can be used as a source in design anthropology, and this review paper s
作者: 勤勉    時間: 2025-3-31 13:13

作者: 去世    時間: 2025-3-31 14:23
Gender-Based Study of Aesthetic Perception on 2D Symmetrical Shapes, and meaningfulness. Then the subjects were given a task on a computer screen to rate the symmetrical shapes based on their aesthetic preference. Stimuli were illustrated on a white background. Horizontal symmetrical 2D shapes were rated based on the scale of aesthetic perception and were deemed th
作者: 諷刺    時間: 2025-3-31 18:08
The Study of Aesthetic Perception of Fractalshe subjects. The presentation was done with a forced choice system between the parallel comparison of stimuli. Then the stimuli were rated by the subjects through questionnaires. The subjective reaction to the aesthetic impression of fractals was recorded during the process. In forced choice experim
作者: 驚惶    時間: 2025-3-31 23:37

作者: 無能力    時間: 2025-4-1 02:47





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