作者: 包裹 時間: 2025-3-21 22:24 作者: nonplus 時間: 2025-3-22 03:19 作者: 不能逃避 時間: 2025-3-22 06:51 作者: 類型 時間: 2025-3-22 10:46 作者: Sad570 時間: 2025-3-22 13:34 作者: Sad570 時間: 2025-3-22 18:20 作者: 偶然 時間: 2025-3-22 21:17
Choosing the Right Fluorescent Probeased design objects. Radcliffe and Harrison (1994) noted that physical artefacts, including existing products and prototypes, are an important part of the design environment in a small manufacturing company. Product development involves numerous movements across the boundary between physical artefac作者: TRUST 時間: 2025-3-23 01:27 作者: ALIBI 時間: 2025-3-23 05:43 作者: Neolithic 時間: 2025-3-23 09:56
https://doi.org/10.1007/978-3-642-56067-5book is a collection of short articles about issues that pertain to architecture and to the architect’s activities and concerns. We would like to adopt a similar strategy. At the outset we should be asking: what (if anything) is design representation? Instead, we shall briefly outline some of the un作者: Antigen 時間: 2025-3-23 14:50
Gabriela Goldschmidt,William L. PorterAn interdisciplinary approach with varied, innovative methods of treating design.Focussed around the research activities of many people rather than being an expansion of a single author’s ideas.Approa作者: SOW 時間: 2025-3-23 19:36 作者: Serenity 時間: 2025-3-24 01:01 作者: PSA-velocity 時間: 2025-3-24 05:25 作者: 暴露他抗議 時間: 2025-3-24 08:55
Design Representation: Private Process, Public Imaget a similar strategy. At the outset we should be asking: what (if anything) is design representation? Instead, we shall briefly outline some of the underlying dimensions that we think are of importance when considering design representation, architectural or otherwise.作者: BILIO 時間: 2025-3-24 14:31
Fluorescence Spectroscopy and Microscopywn sense of the world and identity in the world. Buildings tell stories about themselves, their materials, their methods of assembly, their relationship to their locale; and they provide opportunities for contemplation, enjoyment, and inspiration that is independent of cultural or personal reference.作者: 擺動 時間: 2025-3-24 16:42
https://doi.org/10.1007/978-3-642-56067-5ches to help them get ideas (Lawson 1994). Designers commonly speak of “holding a conversation with a drawing.” My colleagues and I had similar responses when as part of a UK government-funded team research project, we interviewed 35 fashion designers about their use of sketches (Makirinne-Crofts et al. 1992).作者: Keshan-disease 時間: 2025-3-24 20:55
Designers’ Objectswn sense of the world and identity in the world. Buildings tell stories about themselves, their materials, their methods of assembly, their relationship to their locale; and they provide opportunities for contemplation, enjoyment, and inspiration that is independent of cultural or personal reference.作者: painkillers 時間: 2025-3-25 02:02 作者: indecipherable 時間: 2025-3-25 04:43 作者: NEXUS 時間: 2025-3-25 09:22 作者: stress-response 時間: 2025-3-25 13:43 作者: buoyant 時間: 2025-3-25 17:27 作者: 售穴 時間: 2025-3-25 23:21 作者: 合乎習(xí)俗 時間: 2025-3-26 00:42
Choosing the Right Fluorescent Probethe promise of virtual design tools (e.g., Krovi et al. 1997; Furlong 1997), physical objects continue to have a place in the contemporary design office. However, relatively few empirical studies have focused on the role of artefacts in engineering design.作者: 走路左晃右晃 時間: 2025-3-26 08:16
Distance and Depthupportable tension between the local and the remote. In other words, as the church is approached, the site which had initially seemed so innocent in its behaviour becomes a space rifted and ploughed up into almost unbridgable chasms… It is possible, but it is not probable, that all this is uncontrived.作者: BLAZE 時間: 2025-3-26 10:43 作者: 星星 時間: 2025-3-26 14:26 作者: Rotator-Cuff 時間: 2025-3-26 17:14 作者: 制定 時間: 2025-3-26 21:14 作者: MUT 時間: 2025-3-27 04:52 作者: 不持續(xù)就爆 時間: 2025-3-27 06:14 作者: Permanent 時間: 2025-3-27 09:50 作者: 廣告 時間: 2025-3-27 14:41 作者: intimate 時間: 2025-3-27 17:56 作者: Countermand 時間: 2025-3-28 01:43 作者: Mindfulness 時間: 2025-3-28 06:04 作者: 壯麗的去 時間: 2025-3-28 06:15 作者: 一加就噴出 時間: 2025-3-28 10:55
Cognitive Catalysis: Sketches for a Time-lagged Brainport the user’s brain as he or she imagines possible objects. Repeatedly, designers emphasize the extent to which drawing mediates and facilitates their thought. When Bryan Lawson interviewed 11 well-known architects about their working methods, he found that they nearly all used rough freehand sket作者: RAGE 時間: 2025-3-28 15:03
The Thoughtful Mark Maker — Representational Design Skills in the Post-information Age. A common misperception is that emerging technologies automatically replace traditional skills, making many specialist skills redundant, effectively deskilling expertise. This chapter explores deskilling in the context of design representation and discusses the potential of new technologies as both作者: 離開就切除 時間: 2025-3-28 20:32
