標(biāo)題: Titlebook: Dementia, Narrative and Performance; Staging Reality, Rei Janet Gibson Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Peopl [打印本頁] 作者: 你太謙虛 時間: 2025-3-21 17:11
書目名稱Dementia, Narrative and Performance影響因子(影響力)
書目名稱Dementia, Narrative and Performance影響因子(影響力)學(xué)科排名
書目名稱Dementia, Narrative and Performance網(wǎng)絡(luò)公開度
書目名稱Dementia, Narrative and Performance網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Dementia, Narrative and Performance被引頻次
書目名稱Dementia, Narrative and Performance被引頻次學(xué)科排名
書目名稱Dementia, Narrative and Performance年度引用
書目名稱Dementia, Narrative and Performance年度引用學(xué)科排名
書目名稱Dementia, Narrative and Performance讀者反饋
書目名稱Dementia, Narrative and Performance讀者反饋學(xué)科排名
作者: 刺耳 時間: 2025-3-21 20:16 作者: ATOPY 時間: 2025-3-22 01:57 作者: BLAND 時間: 2025-3-22 07:58 作者: 涂掉 時間: 2025-3-22 09:57
https://doi.org/10.1007/978-3-663-13512-8heatre of the real’, as dementia draws attention to the nature of the ‘truth’ of any story, whether from someone with dementia or not. No one can tell an unchanging and true life story which can then be represented on stage in a direct and unmediated fashion.作者: CAMP 時間: 2025-3-22 15:32 作者: CAMP 時間: 2025-3-22 19:06 作者: amplitude 時間: 2025-3-22 23:22
,My Mother’s Story, My Story,thical, political, and aesthetic issues arising from the paradox of theatres that rely on narratives from ‘real’ people being coupled with people not deemed to be ‘real’ (or ‘people’), in most Western cultures.作者: TAP 時間: 2025-3-23 04:40 作者: Collar 時間: 2025-3-23 08:47 作者: 裝入膠囊 時間: 2025-3-23 12:42 作者: assail 時間: 2025-3-23 17:37
Rehearsing a Theory of Dementia as Performanceand/or as creative adaptations to corporeal and neurological changes, rather than just as signs of vanishing self-identity in the progress of incurable and disabling illnesses. She also examines dementia activism as a form of cultural performance.作者: 窗簾等 時間: 2025-3-23 22:03 作者: Uncultured 時間: 2025-3-23 23:25 作者: 阻撓 時間: 2025-3-24 04:20 作者: 蹣跚 時間: 2025-3-24 09:22
Einleitung und thematische Abgrenzung,ture research possibilities, arguing that there is clearly more work to be done at the intersection of theatre, performance, and dementia studies. She contends that theatre and performance studies scholars should be guided by the question: where do theatre and performance appear within dementia studies, and what work are they being asked to do?作者: FELON 時間: 2025-3-24 14:13
field of dementia and the arts as well as in ageing and hea.Focusing mainly on case studies from? Australia and the United States of America, this book considers how people with dementia represent themselves and are represented in ‘theatre of the real’ productions and care home interventions, asses作者: Cursory 時間: 2025-3-24 18:05 作者: 按時間順序 時間: 2025-3-24 18:59 作者: chastise 時間: 2025-3-24 23:32
“I Don’t Want to Disappear”: Dementia and Public Autobiographical Performance (TWIMC?), both a play and a therapy, operating both virtually and as a live theatre piece, Gibson galvanises numerous?issues in the autobiographical performance literature, reframing well-worn issues as complex and fresh: none more so than the construction of the self and its relationship to narrative, identity, and representation.作者: Optic-Disk 時間: 2025-3-25 04:07 作者: 承認(rèn) 時間: 2025-3-25 07:53
Book 2020nd are represented in ‘theatre of the real’ productions and care home interventions, assessing the extent to which the ‘right kind’ of dementia story is being affirmed or challenged. It argues that this type of story — one of tragedy, loss of personhood, biomedical deficit, and socio-economic ‘crisi作者: absolve 時間: 2025-3-25 14:39
,My Mother’s Story, My Story,d socioeconomic crisis, is being affirmed or resisted in a select number of ‘theatre of the real’ productions and applied performance practices, mainly from Australia and the USA. Making a critical contribution to theatre and performance studies, Gibson uncovers the scarcely explored relationship be作者: Innocence 時間: 2025-3-25 16:55 作者: FANG 時間: 2025-3-25 23:57
Narrative Regimestions for people with dementia. Critiquing the concept of the ‘Narrative Self’, Gibson first establishes the link between narrative and selfhood in Western societies and then argues that reminiscence narratives play a hegemonic role in dementia ‘cultures’, keeping people with dementia, elders in par作者: 古文字學(xué) 時間: 2025-3-26 02:28
Staging the ‘Reality’ of Dementiast in verbatim theatre. She argues that any reality being framed on stage will inevitably cite the already mediated frames of reference underpinning and bolstering this reality, making it almost impossible to avoid replaying the ‘right kind’ of dementia story and summoning ‘normative age-and-dementi作者: degradation 時間: 2025-3-26 04:49
Staging Dementia Voices in Australia: ,, Theatre Kantanka, and ,, KAGE the words and stories of care home residents with dementia, and care?staff. The second is ., a dance theatre piece from KAGE Company, Victoria, devised on the basis of community forums with people with dementia and their care partners. Gibson argues that . disrupts the ‘right kind’ of dementia stor作者: 鐵塔等 時間: 2025-3-26 10:35 作者: 慢慢沖刷 時間: 2025-3-26 16:24 作者: 出生 時間: 2025-3-26 18:27
Rehearsing a Theory of Dementia as Performanceing with dementia that abound in both popular and medical environments. Gibson rehearses a theory of dementia as performance, formulating people with dementia as ‘performers’ and their care partners as ‘spectators’. Through the application of ‘performance consciousness’, Gibson argues that incoheren作者: reject 時間: 2025-3-27 00:23 作者: 豪華 時間: 2025-3-27 03:37
https://doi.org/10.1007/978-3-030-46547-6People with dementia; Applied theatre; Dementia and performance; Representing dementia; Public theatre; A作者: 廣大 時間: 2025-3-27 08:53
978-3-030-46549-0The Editor(s) (if applicable) and The Author(s) 2020作者: SAGE 時間: 2025-3-27 11:42 作者: PRE 時間: 2025-3-27 17:04
http://image.papertrans.cn/d/image/265081.jpg作者: 盡責(zé) 時間: 2025-3-27 18:24 作者: 騷動 時間: 2025-3-28 01:44 作者: milligram 時間: 2025-3-28 05:35
Paralysis agitans und verwandte Syndrome,tions for people with dementia. Critiquing the concept of the ‘Narrative Self’, Gibson first establishes the link between narrative and selfhood in Western societies and then argues that reminiscence narratives play a hegemonic role in dementia ‘cultures’, keeping people with dementia, elders in par作者: initiate 時間: 2025-3-28 10:19 作者: 叢林 時間: 2025-3-28 11:15
https://doi.org/10.1007/978-3-7091-2100-9 the words and stories of care home residents with dementia, and care?staff. The second is ., a dance theatre piece from KAGE Company, Victoria, devised on the basis of community forums with people with dementia and their care partners. Gibson argues that . disrupts the ‘right kind’ of dementia stor作者: 政府 時間: 2025-3-28 16:54 作者: Asperity 時間: 2025-3-28 20:33
Erweiterungen des statistischen Modellsrses about dementia and the capacities of those living with it, which both create and control the situations, perceptions, and worlds in which these people can perform their narratives and audiences listen to them. Probing one specific autobiographical performance modality by people with dementia, .作者: GEM 時間: 2025-3-29 00:35 作者: 休戰(zhàn) 時間: 2025-3-29 05:54
