標(biāo)題: Titlebook: Deleuze and Beckett; S. E. Wilmer,Audron? ?ukauskait? Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Deleuze.Beckett.twent [打印本頁] 作者: 帳簿 時間: 2025-3-21 19:42
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作者: Parabola 時間: 2025-3-21 20:17 作者: –scent 時間: 2025-3-22 04:21
Creative Involution: Bergson, Beckett, Deleuzethodology and ideology of psychoanalysis, which they see as ‘a(chǎn) mixed semiotic: a despotic regime of significance and interpretation’ (Deleuze and Guattari, 1987, p. 125), and so, the regime of Modernism itself. For Deleuze and Guattari, Freud misreads the Wolf-Man’s narrative, imposing nominalist, p作者: 有常識 時間: 2025-3-22 08:03
Deleuze and Beckett Towards Becoming-Imperceptibleexts.. Deleuze often refers to Beckett’s characters, rethinking them in terms of desiring-production, schizophrenia, the body without organs, becoming and becoming-imperceptible. The Beckettian characters, wandering in the schizophrenic promenades and obsessed with the combinatorial exercises of exh作者: 緊張過度 時間: 2025-3-22 08:50
Breakdown or Breakthrough? Deleuzoguattarian Schizophrenia and Beckett’s Gallery of Moribundsfar been greater critical focus on the critical/clinical conjunction between Beckett’s writings and those of Deleuze and Deleuze/Guattari. Specifically, Deleuzoguattarian conceptions of nomad subjectivity, embodied in ‘the schizo’ or ‘schizophrenic process’ in ., are famously cross-referenced with B作者: 暴發(fā)戶 時間: 2025-3-22 15:57
‘Till ooze again and on’: Textual Desire and the Subject’s Presence (Beckett, Deleuze, Lacan)ionally scatological. On the contrary, sexual desire, sometimes lewd, sometimes inhibited, does not just show on the surface in an allusive manner in his writing, but is often described in terms that are either verging on the obscene or of great technical precision, as if the neutrality of the writi作者: 暴發(fā)戶 時間: 2025-3-22 20:20
The Test is Company: A Deleuzian Speculation on Beckett’s Molloy and Moran, Watt and Knott, Mercier and Camier, but also Vladimir and Estragon, Hamm and Clov, Winnie and Willie) to the near-isolation and near-silence of the ‘closed space’ prose texts and many of the late plays. The reduction in intersubjective interaction parallels the reduction in linguis作者: libertine 時間: 2025-3-23 00:59 作者: magnate 時間: 2025-3-23 04:45
The Problem of the Any-Space-Whatever between Deleuze’s Cinema and Beckett’s Proseical (as opposed to the historical) any-space-whatever, as it is exemplified in . and ., facilitates the extenuation of the potentialities of space. In the course of his discussion of what he describes as the non-determined spaces of the two television plays, Deleuze at one point turns to Beckett’s 作者: 保留 時間: 2025-3-23 05:55
Erecting Monuments to Analogueter television works such as . (1966), where the main character is also haunted by the memory of past events through a displaced inner voice, and . (1977), where Beethoven’s music — emitted from the central figure’s cassette machine — tears holes in the surface fabric of the narrative, . can be seen作者: 打包 時間: 2025-3-23 13:33 作者: 或者發(fā)神韻 時間: 2025-3-23 16:17
A Crystal-Theatre: Beckett, Deleuze and Theatre’s Crystalline Potentialore comic his performance becomes. The more frantically his warnings sound, the louder an audience will applaud his apparent virtuosity. And Kierkegaard tells us that this is how the world will end. We might consider the root of the word ‘a(chǎn)pocalypse’ in the Greek ., signifying an unveiling or uncove作者: 無王時期, 時間: 2025-3-23 18:15 作者: 的’ 時間: 2025-3-24 01:49 作者: 過去分詞 時間: 2025-3-24 03:06 作者: Initiative 時間: 2025-3-24 07:31
Breakdown or Breakthrough? Deleuzoguattarian Schizophrenia and Beckett’s Gallery of Moribundsy, Deleuzoguattarian conceptions of nomad subjectivity, embodied in ‘the schizo’ or ‘schizophrenic process’ in ., are famously cross-referenced with Beckett’s work even on the first two pages of this co-authored volume:作者: Retrieval 時間: 2025-3-24 13:41 作者: 放逐某人 時間: 2025-3-24 17:48 作者: Ambulatory 時間: 2025-3-24 22:23
Anerkennung des Heliozentrismus, sullied by the taint of mere illusion. For his audience at least, the clown’s fire belongs to an imaginary world divided from their own. Even as the theatre’s costumes, masks and machinery burn backstage, the theatrical spectacle simmers at a fatal remove.作者: Pericarditis 時間: 2025-3-24 23:42
A Crystal-Theatre: Beckett, Deleuze and Theatre’s Crystalline Potential sullied by the taint of mere illusion. For his audience at least, the clown’s fire belongs to an imaginary world divided from their own. Even as the theatre’s costumes, masks and machinery burn backstage, the theatrical spectacle simmers at a fatal remove.作者: 暫時中止 時間: 2025-3-25 05:33
https://doi.org/10.1007/978-3-322-93256-3y, Deleuzoguattarian conceptions of nomad subjectivity, embodied in ‘the schizo’ or ‘schizophrenic process’ in ., are famously cross-referenced with Beckett’s work even on the first two pages of this co-authored volume:作者: Resistance 時間: 2025-3-25 09:15 作者: DEFER 時間: 2025-3-25 12:18 作者: defile 時間: 2025-3-25 18:13 作者: arousal 時間: 2025-3-25 20:05
https://doi.org/10.1007/978-3-658-34802-1exts.. Deleuze often refers to Beckett’s characters, rethinking them in terms of desiring-production, schizophrenia, the body without organs, becoming and becoming-imperceptible. The Beckettian characters, wandering in the schizophrenic promenades and obsessed with the combinatorial exercises of exh作者: galley 時間: 2025-3-26 03:58 作者: Amendment 時間: 2025-3-26 05:40
Der UNHCR und die Weltflüchtlingsproblematikionally scatological. On the contrary, sexual desire, sometimes lewd, sometimes inhibited, does not just show on the surface in an allusive manner in his writing, but is often described in terms that are either verging on the obscene or of great technical precision, as if the neutrality of the writi作者: corn732 時間: 2025-3-26 11:57 作者: 上釉彩 時間: 2025-3-26 16:27 作者: 暫時中止 時間: 2025-3-26 18:15
Die systemanalytische Betrachtungical (as opposed to the historical) any-space-whatever, as it is exemplified in . and ., facilitates the extenuation of the potentialities of space. In the course of his discussion of what he describes as the non-determined spaces of the two television plays, Deleuze at one point turns to Beckett’s 作者: fender 時間: 2025-3-26 21:51 作者: 不合 時間: 2025-3-27 02:06
Umstrittenes heliozentrisches System,n it be that the Northern philosopher says the same thing: that he should be Hamletian because he is Oedipal?’ (Deleuze, 1994, p. 88); by the same token, can it be that Beckett’s writing is Deleuzian because it is mock-Oedipal?作者: 災(zāi)難 時間: 2025-3-27 08:56
Anerkennung des Heliozentrismus,ore comic his performance becomes. The more frantically his warnings sound, the louder an audience will applaud his apparent virtuosity. And Kierkegaard tells us that this is how the world will end. We might consider the root of the word ‘a(chǎn)pocalypse’ in the Greek ., signifying an unveiling or uncove作者: Dendritic-Cells 時間: 2025-3-27 11:55 作者: 震驚 時間: 2025-3-27 15:43 作者: 浮雕寶石 時間: 2025-3-27 19:22
http://image.papertrans.cn/d/image/264951.jpg作者: Acetaminophen 時間: 2025-3-27 22:35
Book 2015Deleuze and Beckett is a collection of essays on specific aspects of the Deleuze and Beckett interface. Some of the world‘s leading Beckett and Deleuze specialists apply different concepts of Deleuzian philosophy to a wide range of Beckett‘s oeuvre, including his novels, short stories, and stage, film and television work.作者: 預(yù)知 時間: 2025-3-28 02:11 作者: 裹住 時間: 2025-3-28 07:34
The Editor(s) (if applicable) and The Author(s) 2015作者: 皺痕 時間: 2025-3-28 14:27 作者: 方便 時間: 2025-3-28 15:19
https://doi.org/10.57088/978-3-7329-8987-4nt mode of expression in cinema (see Deleuze, 1986; 1989). Experimental theatre also struggles to survive, with the more popular forms dominating to the extent that the momentum of avant-garde theatre is difficult to discern and exists (like time image cinema), very much at the margins. So too, the 作者: CRACK 時間: 2025-3-28 22:31 作者: encyclopedia 時間: 2025-3-29 00:37
https://doi.org/10.1007/978-3-658-34802-1ion and self-perception? To answer these questions we have to define the new immanent ontology and to discuss, in Rosi Braidotti’s terms, ‘the ethics of becoming-imperceptible’ (Braidotti, 2006). The new understanding of life as a nonpersonal and nonorganic power requires the theory of immanent ethi作者: 急急忙忙 時間: 2025-3-29 06:52 作者: 吹氣 時間: 2025-3-29 11:02 作者: Esophagitis 時間: 2025-3-29 13:07
Die systemanalytische Betrachtungn space: ‘space seemed to him to be less and less reducible to a fiction separating us from psychological reality, rather, it was itself grounded in being’ (Deleuze, 2011, p. 34). That is, Deleuze points out, from . onwards, Bergson came to see that ‘while the idea of a homogeneous space implies a s作者: 策略 時間: 2025-3-29 16:12 作者: 終點(diǎn) 時間: 2025-3-29 23:17
Die Gesundheitspolitik der Gro?en Koalitiont representation, the former makes a complex argument about a constitutive relation between the event and language while the latter argues in favour of a schism between the two. Placing these philosophical questions in the arena of theatrical performance, I would argue that instead of inverting the 作者: Sad570 時間: 2025-3-30 02:03 作者: Cabinet 時間: 2025-3-30 07:55 作者: angiography 時間: 2025-3-30 12:18 作者: Flinch 時間: 2025-3-30 15:07
‘Till ooze again and on’: Textual Desire and the Subject’s Presence (Beckett, Deleuze, Lacan)etrical problems have to be solved. In fact, it is in the first half of Beckett’s oeuvre that the themes and motifs of sexuality are most present. As the years went by, these themes gradually disappeared: the less the writing centres on a personified subject, the less sexuality, not to mention pleas作者: Consensus 時間: 2025-3-30 18:59 作者: 愛了嗎 時間: 2025-3-30 21:05 作者: 慢慢流出 時間: 2025-3-31 01:00
