標(biāo)題: Titlebook: Decadent Poetics; Literature and Form Jason David Hall (Lecturer in English),Alex Murray Book 2013 Palgrave Macmillan, a division of Macmi [打印本頁(yè)] 作者: Daguerreotype 時(shí)間: 2025-3-21 17:17
書目名稱Decadent Poetics影響因子(影響力)
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書目名稱Decadent Poetics網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Decadent Poetics被引頻次
書目名稱Decadent Poetics被引頻次學(xué)科排名
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書目名稱Decadent Poetics讀者反饋
書目名稱Decadent Poetics讀者反饋學(xué)科排名
作者: Malaise 時(shí)間: 2025-3-21 21:02
How Decadent Poems Die, .decadence. This era remains more or less synonymous with the ostensibly dissipated careers of Ernest Dowson, Lionel Johnson, and Oscar Wilde: three undeniably gifted writers whose premature demises at the turn of the century prompted their most distinguished contemporary, W. B. Yeats, to character作者: nonradioactive 時(shí)間: 2025-3-22 01:13
Did a Decadent Metre Exist at the ,?, of the twentieth century, and it is no coincidence that these attempts to codify a national metre were concurrent with the decadent or symbolist ‘movements’ that tended towards the perceived ‘foreignness’ of French or Classical metres. A number of factors brought about the desire for a stable narra作者: Between 時(shí)間: 2025-3-22 05:30 作者: Parley 時(shí)間: 2025-3-22 12:27
,The Harem of Words’: Attenuation and Excess in Decadent Poetry,n others, but he neglected none.’. Although this comment targets a particular aspect of Swinburne’s work and ignores poetry that does not fit with it—his Villon translations, for instance, or imitations of Border ballads—even his admirers find it difficult to dispute where much of his oeuvre is conc作者: Systemic 時(shí)間: 2025-3-22 13:38
In Praise of Decadence: The Epideictic Mode from Baudelaire to Wilde,y, society femininity nature, morality, public life, and so forth. In his celebrated essay on Charles Baudelaire, Paul Bourget describes decadent style as a falling away from social cohesion. Healthy societies subordinate the individual ‘cells’ to the larger organism, but a decadent society puts the作者: Systemic 時(shí)間: 2025-3-22 18:11 作者: 無(wú)法治愈 時(shí)間: 2025-3-23 00:27
Salome, Simile, ,vention of the lyre. The song is ominous in its marriage of murder and music, and so it may also be a fine point of departure for a discussion of Oscar Wilde’s tragedy .as a murderous and musi- cal keynote for Symbolist aesthetics. In Homer, we are thrown together with this term ., which is derived 作者: 傳染 時(shí)間: 2025-3-23 02:57 作者: 謊言 時(shí)間: 2025-3-23 09:16
,‘A Disembodied Voice’: The Posthuman Formlessness of Decadence,ers. Some authors, such as Walter Pater and Vernon Lee, were never interested in being connected with the term ‘decadent’, while others, such as Oscar Wilde, presented themselves or their works as deca- dent only to turn around and contradict their claims. Indeed, it is rare to find a piece of Briti作者: NAVEN 時(shí)間: 2025-3-23 09:54 作者: 諂媚于性 時(shí)間: 2025-3-23 14:43 作者: Facilities 時(shí)間: 2025-3-23 19:27 作者: Rotator-Cuff 時(shí)間: 2025-3-24 00:17
Decadent Forms: Parnassus in the Age of Mechanical Reproduction,later Ford Madox Ford) writes that in 1914 the Modernists ‘plotted the blowing of Parnassus to the moon’.. And for all the recent scholarly attention devoted to re- evaluating Decadence, there is still a lingering unease about its forms. While much of the scholarship in recent years has explored the作者: 運(yùn)動(dòng)吧 時(shí)間: 2025-3-24 03:45 作者: outer-ear 時(shí)間: 2025-3-24 07:28
In Praise of Decadence: The Epideictic Mode from Baudelaire to Wilde,he contrary.’. Twentieth-century critics such as Jonathan Dollimore have revised this judgment, casting decadent deviation as a subver- sive counter-cultural strategy. Oscar Wilde’s epigrammatic inversions of received wisdom, for example, anticipate deconstructive rewritings of binary oppositions: ‘作者: 鐵砧 時(shí)間: 2025-3-24 10:46
Another Renaissance: The Decadent Poetic Drama of A. C. Swinburne and Michael Field,nt on, ‘we lose our hold on the present; but so far as there was any dramatic tradition in Shelley’s day there was nothing worth keeping. There is all the difference between preservation and restoration.’. The essay then moved on to discuss the reasons why Elizabethan poetic drama had been and still作者: 沉著 時(shí)間: 2025-3-24 14:59 作者: Constant 時(shí)間: 2025-3-24 21:21 作者: Immortal 時(shí)間: 2025-3-25 02:55 作者: 夸張 時(shí)間: 2025-3-25 04:48 作者: obsolete 時(shí)間: 2025-3-25 09:47 作者: 不要不誠(chéng)實(shí) 時(shí)間: 2025-3-25 14:39
Heinz Penzlin Professor i. R. Dr. Dr. h. c. emerged as a result of Romantic-era philology, stimulating anxiety and insecurity about English literature’s role in promoting English culture. The rise of comparative philology and its neogrammarian programme also inspired the need to define English prosody—its pronunciation but also versifi- cati作者: Contracture 時(shí)間: 2025-3-25 16:47
Heinz Penzlin Professor i. R. Dr. Dr. h. c.later Ford Madox Ford) writes that in 1914 the Modernists ‘plotted the blowing of Parnassus to the moon’.. And for all the recent scholarly attention devoted to re- evaluating Decadence, there is still a lingering unease about its forms. While much of the scholarship in recent years has explored the作者: 樣式 時(shí)間: 2025-3-25 23:26 作者: habile 時(shí)間: 2025-3-26 01:21 作者: 尖叫 時(shí)間: 2025-3-26 05:36
,Das Ph?nomen der Rückverlagerung,nt on, ‘we lose our hold on the present; but so far as there was any dramatic tradition in Shelley’s day there was nothing worth keeping. There is all the difference between preservation and restoration.’. The essay then moved on to discuss the reasons why Elizabethan poetic drama had been and still作者: 無(wú)意 時(shí)間: 2025-3-26 11:24 作者: Decimate 時(shí)間: 2025-3-26 16:00 作者: DAFT 時(shí)間: 2025-3-26 20:02
,Gezielter Umgang mit Kreativit?t,cadent Movement in Literature’, portrays decadence as ‘a(chǎn)n intense self-consciousness, a restless curiosity in research, an over-subtilizing refinement upon refine- ment, a spiritual and moral perversity’.. In the end, for Symons, there can be no coherent decadent self, only ‘a(chǎn) disembodied voice, and作者: ONYM 時(shí)間: 2025-3-26 21:17
Jason David Hall (Lecturer in English),Alex Murray作者: consent 時(shí)間: 2025-3-27 04:49
2634-6494 ptions around the nature of decadent form. Writers studied include Oscar Wilde, Charles Baudelaire and Algernon Charles Swinburne, as well as A.E. Housman, Arthur Machen and Hubert Crackanthorpe.978-1-349-46762-4978-1-137-34829-6Series ISSN 2634-6494 Series E-ISSN 2634-6508 作者: Factual 時(shí)間: 2025-3-27 08:30 作者: intuition 時(shí)間: 2025-3-27 11:08 作者: 慢跑鞋 時(shí)間: 2025-3-27 15:34
2634-6494 ptions around the nature of decadent form. Writers studied include Oscar Wilde, Charles Baudelaire and Algernon Charles Swinburne, as well as A.E. Housman, Arthur Machen and Hubert Crackanthorpe.978-1-349-46762-4978-1-137-34829-6Series ISSN 2634-6494 Series E-ISSN 2634-6508 作者: REIGN 時(shí)間: 2025-3-27 20:12 作者: LEVER 時(shí)間: 2025-3-27 22:59
Scents and Sensibility: The Fragrance of Decadence,‘It makes everyone nervous smelling’, remarks Luca Turin, ‘because smell is such a strong sense.’ Turin, styled ‘the emperor of scent’, a bio- physicist, fragrance chemist, and co-author of a best-selling perfume guide, notes the squeamish reaction of scientific audiences when he talks to them about smell:作者: fastness 時(shí)間: 2025-3-28 05:52 作者: 隱士 時(shí)間: 2025-3-28 09:03
https://doi.org/10.1057/9781137348296drama; English literature; fashion; metre; naturalism; Oscar Wilde; poem; poetics; poetry; Renaissance; Britis作者: 使饑餓 時(shí)間: 2025-3-28 12:37 作者: 混合物 時(shí)間: 2025-3-28 18:18
Kurzfazit und kritische Reflexionhe Latin ., a ‘falling down’ or ‘falling away’, and the .gives the following definition: ‘The process of falling away or declining (from a prior state of excellence, vitality, prosperity, etc.); decay; impaired or deteriorated condition.’. In .(1985) John R. Reed suggests that we need to avoid using作者: 懦夫 時(shí)間: 2025-3-28 22:14
https://doi.org/10.1007/978-3-663-08339-9 .decadence. This era remains more or less synonymous with the ostensibly dissipated careers of Ernest Dowson, Lionel Johnson, and Oscar Wilde: three undeniably gifted writers whose premature demises at the turn of the century prompted their most distinguished contemporary, W. B. Yeats, to character作者: DEMUR 時(shí)間: 2025-3-28 23:23
Heinz Penzlin Professor i. R. Dr. Dr. h. c. of the twentieth century, and it is no coincidence that these attempts to codify a national metre were concurrent with the decadent or symbolist ‘movements’ that tended towards the perceived ‘foreignness’ of French or Classical metres. A number of factors brought about the desire for a stable narra作者: 大包裹 時(shí)間: 2025-3-29 06:36 作者: Notify 時(shí)間: 2025-3-29 07:39
https://doi.org/10.1007/978-3-662-48128-8n others, but he neglected none.’. Although this comment targets a particular aspect of Swinburne’s work and ignores poetry that does not fit with it—his Villon translations, for instance, or imitations of Border ballads—even his admirers find it difficult to dispute where much of his oeuvre is conc作者: beta-cells 時(shí)間: 2025-3-29 11:44 作者: 簡(jiǎn)略 時(shí)間: 2025-3-29 17:41
,Das Ph?nomen der Rückverlagerung,T. S. Eliot explained that though the question ‘why is there no poetic drama today’ had ‘become insipid, almost academic’, it had to be raised again because poets and audiences wanted verse plays.. Reacting against the legacy of poetic dramas in the nineteenth century, Eliot pro- vocatively suggeste作者: entail 時(shí)間: 2025-3-29 21:35
Verena Geweniger,Alexander Bohlandervention of the lyre. The song is ominous in its marriage of murder and music, and so it may also be a fine point of departure for a discussion of Oscar Wilde’s tragedy .as a murderous and musi- cal keynote for Symbolist aesthetics. In Homer, we are thrown together with this term ., which is derived 作者: d-limonene 時(shí)間: 2025-3-30 03:02
