標(biāo)題: Titlebook: Decadence, Degeneration, and the End; Studies in the Europ Marja H?rm?nmaa (senior lecturer in Italian),Chris Book 2014 Marja H?rm?nmaa and [打印本頁(yè)] 作者: culinary 時(shí)間: 2025-3-21 17:24
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作者: 反省 時(shí)間: 2025-3-21 21:55
https://doi.org/10.1007/978-3-658-17076-9ion of deceased friends, and it is also an important element in his literary production. Many of his plays are constructed around death,. and death is an important element in some of his poems.. In a similar vein, murder, death, and suicide are central topics in several short stories and novels..作者: Condescending 時(shí)間: 2025-3-22 02:10
The Seduction of Thanatos: Gabriele D’Annunzio and the Decadent Deathion of deceased friends, and it is also an important element in his literary production. Many of his plays are constructed around death,. and death is an important element in some of his poems.. In a similar vein, murder, death, and suicide are central topics in several short stories and novels..作者: hauteur 時(shí)間: 2025-3-22 07:06 作者: BIAS 時(shí)間: 2025-3-22 11:41
Late Antiquity as an Expression of Decadence in the Poetry of Constantine P. Cavafy and Stefan Georgd poetry. This tendency is especially observable within the literature of European decadence, which, by orienting itself toward such historical periods as the Late Roman or the Hellenistic-Alexandrian eras, tries to define the present. This chapter investigates this phenomenon on the basis of the work of Constantine P. Cavafy and Stefan George..作者: expository 時(shí)間: 2025-3-22 16:50
Horst W. Schmollinger,Dietrich Staritztural, and religious change, this seemed to cast tiny, finite man adrift in a vast and infinite universe. Some found this liberating, some terrifying. The rise of thermodynamics, with its physical reasons for presupposing an impending end reintroduced, for good or ill, finitude into the natural scientific picture of the cosmos.作者: expository 時(shí)間: 2025-3-22 18:23
Das Parteiensystem der Bundesrepublikographers from the 1930s and 1940s (mainly Pedro Laín Entralgo and Pedro Salinas) were exposed as artificial and counterproductive to the study of fin-de-siècle literature as early as 1969 by Ricardo Gullón. However, the two labels still pervade not only school textbooks, but also the titles of recent panels at professional conferences.作者: 作繭自縛 時(shí)間: 2025-3-22 22:43 作者: 無(wú)法破譯 時(shí)間: 2025-3-23 03:53
A Regenerative Decadence or a Decadent Regeneration: Challenges to Darwinian Determinism by French, ographers from the 1930s and 1940s (mainly Pedro Laín Entralgo and Pedro Salinas) were exposed as artificial and counterproductive to the study of fin-de-siècle literature as early as 1969 by Ricardo Gullón. However, the two labels still pervade not only school textbooks, but also the titles of recent panels at professional conferences.作者: 使迷惑 時(shí)間: 2025-3-23 05:32 作者: 你不公正 時(shí)間: 2025-3-23 10:01
Das Parteiensystem der Bundesrepublikn scientific determinism and the depiction of reality led to the aesthetic movement known as Naturalism, which allowed the human condition to be presented in detached, objective terms, often with a minimum of moral judgment. This in turn was counterbalanced by more metaphorical modes of expression s作者: 擴(kuò)音器 時(shí)間: 2025-3-23 14:08 作者: Ophthalmologist 時(shí)間: 2025-3-23 20:09 作者: correspondent 時(shí)間: 2025-3-24 00:23
https://doi.org/10.1007/978-3-322-92404-9ctive historicism.” The latter term, suggested by Dirk Niefanger,. denotes an aesthetical procedure in literature, which responds to modern experiences of alienation by depicting them in an historical context, so that they become more familiar. In this way, new relationships arise between history an作者: foliage 時(shí)間: 2025-3-24 04:16
https://doi.org/10.1007/978-3-322-92404-9erary landmarks, classic characters that have become familiar thanks to countless stage representations or adaptations for the silver screen. However, relatively few remember the stories of the little dwarf, the lovesick fisherman, or the Star-Child. Oscar Wilde’s fairy tales, although not as famous作者: 低三下四之人 時(shí)間: 2025-3-24 07:42
Strategie: Was tun die Parteien extern?,alue at the expense of health; moreover, the embrace of decay characteristic of the movement constitutes in itself a manifesto for sickness. A line from a decadent credo by “the chorus of the insane” in the Finnish novel . (1905), by Joel Lehtonen, says as much: “And we want to be decadent, if every作者: 永久 時(shí)間: 2025-3-24 12:06
Strategie: Was tun die Parteien extern?,e popularly inclined and decorative oeuvre of Eugène Grasset (1845–1917). Rather than exemplifying the conclusion of an era or the decline of a cohesive culture, Grasset’s production serves more as a significant late-nineteenth-century point of reference for the developing image-rhetoric of a pervas作者: FAST 時(shí)間: 2025-3-24 15:49 作者: 好開(kāi)玩笑 時(shí)間: 2025-3-24 19:14 作者: Germinate 時(shí)間: 2025-3-25 02:24
Gelassene Menschen bewerten nicht allestrope. Across Europe and America, novels, poems, paintings, sculptures, and theaters were teeming with dangerous Cleopatras, murderous Judiths, and treacherous Delilahs. Among these, the figure of Salome, the young Jewish princess whose mother coerced her into asking for the head of John the Baptist作者: 暫停,間歇 時(shí)間: 2025-3-25 04:19
https://doi.org/10.1007/978-3-642-91748-6.. Although almost forgotten today, in the period prior to World War One, Cottet’s works were prominent in public exhibitions; they received enthusiastic critical attention and were avidly collected.. Many critics noted that his focus on rural life, rooted in the specifics of Breton coastal culture,作者: 來(lái)自于 時(shí)間: 2025-3-25 09:31 作者: lactic 時(shí)間: 2025-3-25 13:30
https://doi.org/10.1007/978-3-642-74107-4In 1894, The Bodley Head of John Lane and Elkin-Mathews in London, and Copeland and Day in Boston published the first English edition of Oscar Wilde’s play ., accompanied by illustrations by Aubrey Beardsley.. The . described it as “a book for the strong-minded alone, for it is terrible in its weirdness and suggestions of horror and wickedness.”.作者: 不規(guī)則的跳動(dòng) 時(shí)間: 2025-3-25 19:47
“For the Strong-Minded Alone”: Evolution, Female Atavism, and Degeneration in Aubrey Beardsley’s In 1894, The Bodley Head of John Lane and Elkin-Mathews in London, and Copeland and Day in Boston published the first English edition of Oscar Wilde’s play ., accompanied by illustrations by Aubrey Beardsley.. The . described it as “a book for the strong-minded alone, for it is terrible in its weirdness and suggestions of horror and wickedness.”.作者: stratum-corneum 時(shí)間: 2025-3-25 22:20
Book 2014Art and literature during the European fin-de-siècle period often manifested themes of degeneration and decay, both of bodies and civilizations, as well as illness, bizarre sexuality, and general morbidity. This collection explores these topics in relation to artists and writers as diverse as Oscar Wilde, August Strindberg, and Aubrey Beardsley.作者: Fsh238 時(shí)間: 2025-3-26 01:47 作者: CURT 時(shí)間: 2025-3-26 05:57 作者: 協(xié)定 時(shí)間: 2025-3-26 09:13
http://image.papertrans.cn/d/image/264096.jpg作者: 灌溉 時(shí)間: 2025-3-26 16:26
Introductionn scientific determinism and the depiction of reality led to the aesthetic movement known as Naturalism, which allowed the human condition to be presented in detached, objective terms, often with a minimum of moral judgment. This in turn was counterbalanced by more metaphorical modes of expression s作者: 眼界 時(shí)間: 2025-3-26 17:11 作者: 先鋒派 時(shí)間: 2025-3-26 22:13 作者: 欲望小妹 時(shí)間: 2025-3-27 04:33
Late Antiquity as an Expression of Decadence in the Poetry of Constantine P. Cavafy and Stefan Georgctive historicism.” The latter term, suggested by Dirk Niefanger,. denotes an aesthetical procedure in literature, which responds to modern experiences of alienation by depicting them in an historical context, so that they become more familiar. In this way, new relationships arise between history an作者: adipose-tissue 時(shí)間: 2025-3-27 06:52 作者: blithe 時(shí)間: 2025-3-27 13:14
Decadent Tropologies of Sicknessalue at the expense of health; moreover, the embrace of decay characteristic of the movement constitutes in itself a manifesto for sickness. A line from a decadent credo by “the chorus of the insane” in the Finnish novel . (1905), by Joel Lehtonen, says as much: “And we want to be decadent, if every作者: 伙伴 時(shí)間: 2025-3-27 13:43 作者: Ingredient 時(shí)間: 2025-3-27 18:35
Decadence, Melancholia, and the Making of Modernism in the Salome Fairy Tales of Strindberg, Wilde, , operas, and poems presenting variations in the Gospels’ accounts of the martyr’s demise. In particular, artists and writers were enraptured by the “dancing daughter” of Herodias, Salome.. On the dramatic stage, the best-known production (or perhaps most enduring) treatment was Oscar Wilde’s play .作者: 相一致 時(shí)間: 2025-3-28 00:03 作者: 推遲 時(shí)間: 2025-3-28 03:55 作者: PALL 時(shí)間: 2025-3-28 09:28
Death at Sea: Symbolism and Charles Cottet’s Subjective Realism.. Although almost forgotten today, in the period prior to World War One, Cottet’s works were prominent in public exhibitions; they received enthusiastic critical attention and were avidly collected.. Many critics noted that his focus on rural life, rooted in the specifics of Breton coastal culture,作者: 責(zé)任 時(shí)間: 2025-3-28 12:12
The Seduction of Thanatos: Gabriele D’Annunzio and the Decadent Death way or another often appeared in his childhood.’ Death as a personal muse is constantly present in his other nonfictional works through his recollection of deceased friends, and it is also an important element in his literary production. Many of his plays are constructed around death,. and death is作者: 無(wú)思維能力 時(shí)間: 2025-3-28 14:58 作者: Heart-Rate 時(shí)間: 2025-3-28 21:45
Decadence and Regeneration: Oscar Wilde’s Fairy Tales as a Tool for Social Changeuirks was doubtless Wilde’s favorite endeavor each time he sat down to write and, as an artist who was determined to subvert Victorian society’s dominant message of submission to codes and appearances, he sought to use the genre of the fairy tale to infuse the world of the marvelous with certain ele作者: zonules 時(shí)間: 2025-3-29 01:47 作者: BLAND 時(shí)間: 2025-3-29 03:23
Consuming and Consumed: Woman as , in Eugène Grasset’s ,rkets, the Swiss-born Grasset combined many of the dominant stylistic languages of his era—medievalism, Japonism, and above all, an overarching program of ornamentalism—to impressively diverse and often quotidian, instrumentalized means and ends.. The enormously productive Grasset tried his hand at 作者: Carcinoma 時(shí)間: 2025-3-29 10:18 作者: gruelling 時(shí)間: 2025-3-29 13:56
Mariia Iakunchikova and the Roots of Decadence in Late-Nineteenth-Century Russian Modernismpinion of Decadence and was determined to fight any strains of it appearing in her art. Nonetheless, upon exhibiting her works in Russia she found herself accused of Decadence—a nebulous term even at its place of origin—which indicates the tenuousness of her definition of it, as well as that of Russ作者: 不連貫 時(shí)間: 2025-3-29 19:29 作者: BIBLE 時(shí)間: 2025-3-29 21:37