標(biāo)題: Titlebook: David Lynch; Blurred Boundaries Anne Jerslev Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer [打印本頁(yè)] 作者: 投射技術(shù) 時(shí)間: 2025-3-21 19:51
書目名稱David Lynch影響因子(影響力)
書目名稱David Lynch影響因子(影響力)學(xué)科排名
書目名稱David Lynch網(wǎng)絡(luò)公開度
書目名稱David Lynch網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱David Lynch被引頻次
書目名稱David Lynch被引頻次學(xué)科排名
書目名稱David Lynch年度引用
書目名稱David Lynch年度引用學(xué)科排名
書目名稱David Lynch讀者反饋
書目名稱David Lynch讀者反饋學(xué)科排名
作者: SEMI 時(shí)間: 2025-3-21 21:48
Set Membership Identification: The ,, Casen of every single piece, large or small, that he has made in addition to the films and the . series. I have not been excavating the Internet for hidden gems bearing the Lynch signature, as I am sure devoted Lynch fans would be better informed about this than I am. Yet, this book explores a diversity作者: Optometrist 時(shí)間: 2025-3-22 00:44
https://doi.org/10.1007/978-3-031-01315-7ng room with back exit rooms. Most of this chapter takes the form of a reflection upon . as an intermedial space and what I argue could be called an .. I reflect upon how the visitor is involved and immersed and how a certain atmosphere is created in this space. I argue throughout this book that atm作者: 事與愿違 時(shí)間: 2025-3-22 06:19
Current Trends in Preparatory Proceedingsof sublime imagery in Lynch’s work with a focus on the White Sands atomic bomb explosion in Twin Peaks: The Return. Besides being a mind-blowing, fantastic piece of audio-visual art, it shows the way Lynch creates feelings of fear and awe by aesthetically combining an uncanny sense of claustrophobia作者: 性滿足 時(shí)間: 2025-3-22 09:35 作者: SHRIK 時(shí)間: 2025-3-22 15:28
hich Lynch has worked throughout his career with different art forms and has right from the start experimented with the blurring of boundaries between media and genres. And it discusses ways Lynch creates atmospheres by different audio-visual and visual means..978-3-030-73926-3978-3-030-73924-9作者: SHRIK 時(shí)間: 2025-3-22 18:42
Introduction,n of every single piece, large or small, that he has made in addition to the films and the . series. I have not been excavating the Internet for hidden gems bearing the Lynch signature, as I am sure devoted Lynch fans would be better informed about this than I am. Yet, this book explores a diversity作者: MODE 時(shí)間: 2025-3-22 23:26
Lynchian Atmospheres: About and Around , (2007): An Installational Exhibition,ng room with back exit rooms. Most of this chapter takes the form of a reflection upon . as an intermedial space and what I argue could be called an .. I reflect upon how the visitor is involved and immersed and how a certain atmosphere is created in this space. I argue throughout this book that atm作者: 容易生皺紋 時(shí)間: 2025-3-23 04:23
David Lynch and Fear: The Uncanny and the Sublime,of sublime imagery in Lynch’s work with a focus on the White Sands atomic bomb explosion in Twin Peaks: The Return. Besides being a mind-blowing, fantastic piece of audio-visual art, it shows the way Lynch creates feelings of fear and awe by aesthetically combining an uncanny sense of claustrophobia作者: 天空 時(shí)間: 2025-3-23 05:38
Conclusion,ly against that narrow-minded method that will leave nothing out, it is obeying an epistemological motive” (ibid.: 164), with which he agrees. Instead, he suggests that the essay “must let the totality light up in one of its chosen or haphazard features but without asserting that the whole is presen作者: 破裂 時(shí)間: 2025-3-23 09:53
Anne JerslevProvides a unique and original approach which covers David Lynch’s entire work..Focuses on blurred boundaries as characteristically Lynchian..Explores Lynch from exhibition to videos, from TV series t作者: 威脅你 時(shí)間: 2025-3-23 17:56
http://image.papertrans.cn/d/image/263860.jpg作者: 不可救藥 時(shí)間: 2025-3-23 18:47 作者: Contracture 時(shí)間: 2025-3-23 22:50
https://doi.org/10.1007/978-3-031-01315-7building from 1994 on Boulevard Raspail, Montparnasse, Paris. Housing an exhibition area on the ground and basement floors and offices on the remaining floors, the Fondation Cartier hosted the first comprehensive David Lynch exhibition in Europe, ., from March 3 to May 27, 2007. The chief curator wa作者: 朝圣者 時(shí)間: 2025-3-24 02:57
Scientific Progress and the Search for Truth that time dissolves altogether. However, in this chapter I argue that this is not always the case. David Lynch is in many works occupied with the passing of time; my point, however, is that he never constructs time as simply straight-out linear. I discuss how the close-ups of Alvin’s ageing face in作者: 搖曳的微光 時(shí)間: 2025-3-24 07:54
Scientific Progress and the Search for Trutheen to experiment with a new form of documentary I call an intermedia documentary. Just like in ., this intermedia documentary deploys a sense of continuous time, but at the same time it constitutes a more discontinuous time by virtue of the website’s interactive affordances. Whereas the . offers im作者: resuscitation 時(shí)間: 2025-3-24 13:48 作者: Customary 時(shí)間: 2025-3-24 16:14
Current Trends in Philosophy of Sciencein particular Friedrich Schlegel, to think through the fragments in Lynch’s work. Starting from a discussion about Schlegel’s seminal late eighteenth-century writing about the fragment as well as some of the more recent discussions of this concept, I delineate four different kinds of fragments in Ly作者: 預(yù)防注射 時(shí)間: 2025-3-24 19:06 作者: 膽汁 時(shí)間: 2025-3-25 01:11
Current Trends in Preparatory Proceedingst be applied to both Lynch’s work and to the scholarly take on his work, which I have presented in this book. Adorno’s main point about the essay is that it is knowledgeable, while it simultaneously refuses exhaustiveness. The essay, says Adorno, “stops where it feels itself complete—not where nothi作者: 推延 時(shí)間: 2025-3-25 06:28
https://doi.org/10.1007/978-3-030-73924-9Media; Communication; Culture; Stories; Films作者: Estimable 時(shí)間: 2025-3-25 09:27 作者: 鞭打 時(shí)間: 2025-3-25 12:11 作者: 表兩個(gè) 時(shí)間: 2025-3-25 18:37
Lynchian Atmospheres: About and Around , (2007): An Installational Exhibition,building from 1994 on Boulevard Raspail, Montparnasse, Paris. Housing an exhibition area on the ground and basement floors and offices on the remaining floors, the Fondation Cartier hosted the first comprehensive David Lynch exhibition in Europe, ., from March 3 to May 27, 2007. The chief curator wa作者: 女歌星 時(shí)間: 2025-3-26 00:02
David Lynch and Time: Textures of Ageing, that time dissolves altogether. However, in this chapter I argue that this is not always the case. David Lynch is in many works occupied with the passing of time; my point, however, is that he never constructs time as simply straight-out linear. I discuss how the close-ups of Alvin’s ageing face in作者: Ingredient 時(shí)間: 2025-3-26 04:09 作者: 全部 時(shí)間: 2025-3-26 05:19
David Lynch and Visual Noise,ich Lynch himself has called experiments, and secondly, I scrutinize the 15-minute commercial entitled . for Dior. Finally, I discuss two of the music videos included in Lynch’s work, . and .. Common to this diversity of works is that they all experiment with both the audio and the visual. Drawing o作者: 亂砍 時(shí)間: 2025-3-26 09:56 作者: insular 時(shí)間: 2025-3-26 14:07
David Lynch and Fear: The Uncanny and the Sublime,into Freud’s predecessor Ernst Jentsch’s discussion about the uncanny, just as it outlines the rich discussion concerning Freud’s reading of E. T. A Hoffmann’s novel “The Sandman” (Der Sandmann). One point is to demonstrate that the theoretical explanations of what brings about the uncanny can usefu作者: 增長(zhǎng) 時(shí)間: 2025-3-26 17:13 作者: sulcus 時(shí)間: 2025-3-26 22:38
..Explores Lynch from exhibition to videos, from TV series t.This book distinguishes itself from earlier books on David Lynch by taking in-depth consideration of his entire oeuvre. Besides his films and the .Twin Peaks .series, .David Lynch: Blurred Boundaries. includes discussions of Lynch’s painti作者: 四目在模仿 時(shí)間: 2025-3-27 02:21 作者: 神圣將軍 時(shí)間: 2025-3-27 08:46 作者: 壕溝 時(shí)間: 2025-3-27 10:40
David Lynch and the Digital,f image projections and their attendant temporalities. Whereas I discuss strategies for procuring a sense of documentary real on the . website, I regard . as a film which creates a contemporary, confusing and disparate mediated real.作者: aphasia 時(shí)間: 2025-3-27 17:40 作者: Subjugate 時(shí)間: 2025-3-27 18:07 作者: 大氣層 時(shí)間: 2025-3-27 23:39 作者: 不透氣 時(shí)間: 2025-3-28 05:03 作者: 群居男女 時(shí)間: 2025-3-28 07:40 作者: Arthropathy 時(shí)間: 2025-3-28 13:29
David Lynch and the Fragment,nch’s fictional works. I argue that one point to take away from this chapter is that using the fragment as an analytical point of departure helps remove the focus from looking for—impossible—coherences and instead to focus on how the fragmented structure contributes to creating the affective atmospheres with which David Lynch’s work is so rich.作者: 配偶 時(shí)間: 2025-3-28 18:38 作者: 魅力 時(shí)間: 2025-3-28 21:45
Transport of Lactate: Characterization of the Transporters Involved in Transport at the Plasma Membflux, various techniques such as in vivo measurements of lactate concentrations by magnetic resonance imaging, determination of lactate-induced proton fluxes in brain slices and cell cultures using fluorescent dyes and pH-sensitive microelectrodes, or uptake studies of radioactively labeled lactate 作者: Dorsal-Kyphosis 時(shí)間: 2025-3-28 23:47 作者: 胎兒 時(shí)間: 2025-3-29 05:16
