標(biāo)題: Titlebook: David Bowie and Romanticism; James Rovira Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer N [打印本頁] 作者: Hazardous 時間: 2025-3-21 17:23
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作者: 我沒有命令 時間: 2025-3-21 23:59
Current Perspectives on Sexual Selectionrock music of the late twentieth and early twenty-first centuries on a continuum with Romanticism instead of merely affirming its influence. A survey of Bowie’s life then establishes the origins of his aesthetic commitments and the Romantic themes that appear later in his music and film, including a作者: Traumatic-Grief 時間: 2025-3-22 03:41
Sexual Selection: Is Anything Left?from Plato to the nineteenth century. After comparing androgyny in Milton’s . to its Biblical origins, and then to androgyny in Plato, Ovid, and in Romantic authors such as Percy Shelley, William Blake, and Charlotte Dacre, the chapter discusses androgyny in Bowie’s life and work, demonstrating that作者: dithiolethione 時間: 2025-3-22 06:14 作者: PACK 時間: 2025-3-22 10:51
E. Yartseva,L. Andruhiv,R. Abdulkadirov Samuel Taylor Coleridge and Thomas De Quincey to David Bowie passing through Baudelaire, Victorian pre-Raphaelites, and Aleister Crowley on the way. The chapter focuses on Bowie’s drug references from . (1970) to . (1976), discussing Crowley and the Pre-Raphaelites in relationship to this period of作者: gentle 時間: 2025-3-22 16:48 作者: gentle 時間: 2025-3-22 20:57
Culture of Human Male Germ Cells in Vitro such as Neu!, Kraftwerk, Tangerine Dream, and Manuel G?ttsching. Bowie’s European predecessors are themselves examined in the light of German Romanticism, the concept of “Sehnsucht,” and the Bildungsroman tradition, all of which?inform Bowie’s own negotiations of artistic identity in this period. A作者: Liability 時間: 2025-3-22 22:06
https://doi.org/10.1007/978-3-642-49733-9melancholia expressive of mourning and resilience. This melancholia, per Michael L?wy and Robert Sayre’s study ., is an expression of resistance to capitalist modernity and the alienating effects it has on the subject. This chapter traces expressions of it in select tracks from . and “.,” bringing B作者: 發(fā)起 時間: 2025-3-23 03:12
Histological Changes in NZB/NZW Miceel’: Bowie as Romantic ‘Type’”?explores the ways in which Bowie’s performances of gender exemplify and amplify notions of “the Romantic”?to offer insight into the Romantic figure as a problematically melancholic cultural type, even in its relatively conservative forms.?This chapter draws?from studie作者: 秘方藥 時間: 2025-3-23 07:49 作者: 知識 時間: 2025-3-23 11:25
Anastasia V. Sheveleva,Maxim V. Cherevikconsideration of his artistic oeuvre and a continuation of his engagement with post-World War II fascism. It follows the development of . from its source material in the unreleased . suites and then reviews plot, character, diction, and setting to organize the material in this very non-linear drama.作者: Cocker 時間: 2025-3-23 17:07
https://doi.org/10.1007/978-3-319-64113-3radition. The tradition both prepared the dying for an artful death and directed those left how to mourn. As a modern exemplar of this tradition, Bowie teaches us how to use art to cultivate the type of community necessary to shape a meaningful experience of death. Drawing from Philippe Ariès’s stud作者: remission 時間: 2025-3-23 20:14 作者: exercise 時間: 2025-3-23 23:46
978-3-030-97624-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: Judicious 時間: 2025-3-24 05:25 作者: hyperuricemia 時間: 2025-3-24 07:29
Palgrave Studies in Music and Literaturehttp://image.papertrans.cn/d/image/263848.jpg作者: 凈禮 時間: 2025-3-24 11:37 作者: 他很靈活 時間: 2025-3-24 14:57 作者: 竊喜 時間: 2025-3-24 22:49
David Bowie and Romantic Androgyny, Bowie’s androgyny reflects his existence as a contemporary Romantic. This chapter negotiates conflicting information about Bowie’s sexuality in the 1970s, his 1979 performance on ., “The Width of a Circle” as a homoerotic text, and includes discussion of the reception history of Bowie’s androgynous figures.作者: 外形 時間: 2025-3-25 00:20 作者: moratorium 時間: 2025-3-25 06:16 作者: Dysplasia 時間: 2025-3-25 10:19
,1. Outside as Bowie’s Gothic Technodrama: Fascism and the Irrational Near the Turn of the Millennia Using L?wy and Sayre’s discussion of “fascistic Romanticism” in ., the chapter then explores the significance of Bowie’s combination of the technological and the irrational in a Gothic drama for our understanding of the forms that fascism is taking today.作者: 意外 時間: 2025-3-25 13:47 作者: Induction 時間: 2025-3-25 16:09 作者: Ceramic 時間: 2025-3-25 22:34
Current Perspectives on Sexual Selectionn account of his transformation from David Jones to David Bowie. The chapter describes Bowie’s aesthetic and the meaning of his painterly metaphor, a metaphor also used in E.T.A. Hoffmann’s review of Beethoven’s 5th Symphony, and then goes on to develop Bowie’s relationship to Romanticism. Chapter summaries follow.作者: 血統(tǒng) 時間: 2025-3-26 01:25 作者: Cupidity 時間: 2025-3-26 06:04
Current Perspectives on Sexual Selectionn and space imagery involves him both refusing the certainty of oblivion via Keatsian negative capability and asserting an extension of human experience beyond the seemingly doomed confines of earthly life. Bowie’s androgyny, drug use, and subversion of social norms all fall under the umbrella of his space alien trope.作者: 強壯 時間: 2025-3-26 08:44
Elena G. Popkova,Bruno S. Sergitagonist Sarah Williams (perf. Jennifer Connelly) from socially-determined binaries to prepare her for the responsibilities and nuanced perspectives of adulthood. Bowie’s performance of the Goblin King demonstrates Romanticism’s impact on popular culture from its inception to the 1980s.作者: Rct393 時間: 2025-3-26 16:17
Anastasia V. Sheveleva,Maxim V. Cherevik Using L?wy and Sayre’s discussion of “fascistic Romanticism” in ., the chapter then explores the significance of Bowie’s combination of the technological and the irrational in a Gothic drama for our understanding of the forms that fascism is taking today.作者: 聾子 時間: 2025-3-26 17:49
2946-5133 music.Employs theories of identity, gender, and selfhood.David Bowie and Romanticism?.evaluates Bowie’s music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists.?These chapters?expand our understanding of both the literature studied as well as Bowie作者: occurrence 時間: 2025-3-26 23:40 作者: 他很靈活 時間: 2025-3-27 03:06
E. Yartseva,L. Andruhiv,R. Abdulkadirovenchant the world in the face of encroaching modernity and a desire to enhance creativity and achieve transcendence in a way consistent with his occult readings during this period. Bowie finally gave up in the face of diminishing returns and danger to his own life.作者: 課程 時間: 2025-3-27 08:58
Culture of Human Male Germ Cells in Vitronic Romantic irony to bear on this body of work—and vice-versa, showing us via this?nexus of Bowie and transcontinental Romanticism?how the creative and cultural conditions associated with the postmodern?are also?operative within, and indeed?essential to, what we call the “Romantic.”作者: unstable-angina 時間: 2025-3-27 10:59 作者: Vsd168 時間: 2025-3-27 14:24
https://doi.org/10.1007/978-3-319-64113-3wing attitudes toward death through the twentieth century, Lodine-Chaffey then demonstrates how Bowie’s ★ and the video for “Lazarus” recovers and reinvents the . tradition as a contemporary Romantic artist, teaching us today how to create art out of our own deaths to leave for those around us.作者: Radiation 時間: 2025-3-27 19:47 作者: choroid 時間: 2025-3-28 01:50
Too Late to Be Late Again: David Bowie, the Late 1970s, and Romanticism,nic Romantic irony to bear on this body of work—and vice-versa, showing us via this?nexus of Bowie and transcontinental Romanticism?how the creative and cultural conditions associated with the postmodern?are also?operative within, and indeed?essential to, what we call the “Romantic.”作者: GLUT 時間: 2025-3-28 02:06 作者: Mucosa 時間: 2025-3-28 06:41 作者: HEDGE 時間: 2025-3-28 10:32
Book 2022tists.?These chapters?expand our understanding of both the literature studied as well as Bowie’s music, exploring the boundaries of reason and imagination, and of identity, gender, and genre.?This collection?uses?the conceptual apparata and historical insights provided by the study of Romanticism?to作者: 竊喜 時間: 2025-3-28 16:15 作者: 跟隨 時間: 2025-3-28 20:13
,Capitalist Co-optation, Romantic Resistance, and Bowie’s Allegorical Performance in Nicolas Roeg’s nt to a small circle of human allies who derail his plans. Ultimately, the film’s complex interaction between Bowie’s musical and film personas, and the film’s engagement with Romanticism and capitalism, forces viewers to confront the difficulties of affirming Romantic resistance against modernity while being deeply implicated in it.作者: 惡臭 時間: 2025-3-29 00:08 作者: 捕鯨魚叉 時間: 2025-3-29 06:05 作者: Coronary 時間: 2025-3-29 07:34
Negative Capability in Space: The Romantic Bowieverse,, from 1969’s “Space Oddity” to 2013’s “Dancing Out in Space” in the light of John Keats’s concept of negative capability. Guenther argues that Bowie’s space and alien imagery is developed “in anticipation of the deaths of self, the anthropocene, humanity, and the Earth itself,” so that Bowie’s alie作者: exercise 時間: 2025-3-29 12:58
Drug Use and Drug Literature from the Eighteenth Century to David Bowie, Samuel Taylor Coleridge and Thomas De Quincey to David Bowie passing through Baudelaire, Victorian pre-Raphaelites, and Aleister Crowley on the way. The chapter focuses on Bowie’s drug references from . (1970) to . (1976), discussing Crowley and the Pre-Raphaelites in relationship to this period of作者: Phagocytes 時間: 2025-3-29 16:15
,Capitalist Co-optation, Romantic Resistance, and Bowie’s Allegorical Performance in Nicolas Roeg’s f Romanticism, asking how his character represents the positive, regenerative forces of Romanticism against the forces of modernity. It posits that the film implies a Romantic home world of origin against the capitalist modernity of late twentieth-century Earth, a pastoral community that can be atta作者: 過度 時間: 2025-3-29 21:30
Too Late to Be Late Again: David Bowie, the Late 1970s, and Romanticism, such as Neu!, Kraftwerk, Tangerine Dream, and Manuel G?ttsching. Bowie’s European predecessors are themselves examined in the light of German Romanticism, the concept of “Sehnsucht,” and the Bildungsroman tradition, all of which?inform Bowie’s own negotiations of artistic identity in this period. A作者: formula 時間: 2025-3-30 01:10
,Relics of The Future: The Melancholic Romanticism of Bowie’s Berlin Triptych,melancholia expressive of mourning and resilience. This melancholia, per Michael L?wy and Robert Sayre’s study ., is an expression of resistance to capitalist modernity and the alienating effects it has on the subject. This chapter traces expressions of it in select tracks from . and “.,” bringing B作者: Condyle 時間: 2025-3-30 07:52
,“Rebel Rebel”: Bowie as Romantic “Type”,el’: Bowie as Romantic ‘Type’”?explores the ways in which Bowie’s performances of gender exemplify and amplify notions of “the Romantic”?to offer insight into the Romantic figure as a problematically melancholic cultural type, even in its relatively conservative forms.?This chapter draws?from studie
