標題: Titlebook: Dante‘s Modern Afterlife; Reception and Respon Nick Havely (Senior Lecturer) Book 1998 Palgrave Macmillan, a division of Macmillan Publishe [打印本頁] 作者: Annihilate 時間: 2025-3-21 20:05
書目名稱Dante‘s Modern Afterlife影響因子(影響力)
書目名稱Dante‘s Modern Afterlife影響因子(影響力)學科排名
書目名稱Dante‘s Modern Afterlife網(wǎng)絡公開度
書目名稱Dante‘s Modern Afterlife網(wǎng)絡公開度學科排名
書目名稱Dante‘s Modern Afterlife被引頻次
書目名稱Dante‘s Modern Afterlife被引頻次學科排名
書目名稱Dante‘s Modern Afterlife年度引用
書目名稱Dante‘s Modern Afterlife年度引用學科排名
書目名稱Dante‘s Modern Afterlife讀者反饋
書目名稱Dante‘s Modern Afterlife讀者反饋學科排名
作者: Fulsome 時間: 2025-3-21 22:50
978-1-349-26977-8Palgrave Macmillan, a division of Macmillan Publishers Limited 1998作者: 議程 時間: 2025-3-22 00:29
http://image.papertrans.cn/d/image/260422.jpg作者: 粗俗人 時間: 2025-3-22 05:23 作者: insincerity 時間: 2025-3-22 10:34 作者: 錯事 時間: 2025-3-22 13:09
Figuration in Shelley and DanteI begin with this two-part proposition: that Dante exerted the greatest influence on Shelley of any Italian writer, and that Shelley in turn was the best, because the deepest, reader of Dante among major English poets..作者: 錯事 時間: 2025-3-22 20:15 作者: 周興旺 時間: 2025-3-23 01:16
Introduction: Dante’s Afterlife, 1321–1997ty of influence in a letter to Boccaccio, where he cannot bring himself to mention Dante’s name, even as he acknowledges his poetry’s dangerous status as a possible model for imitation; whilst Joyce also shows a twitch of such apprehension in his ironic characterisation of ‘the divine comic Denti Alligator’.作者: 擔憂 時間: 2025-3-23 04:59 作者: Tartar 時間: 2025-3-23 05:58
https://doi.org/10.1007/978-3-662-54835-6ary grand tour. He began learning Italian in 1737 while at Cambridge and refers in a letter of that year to his enthusiasm for Tasso, whom he apparently always preferred over Ariosto.. In 1739 he left for France and Italy in the company of Horace Walpole, who was to prove unfortunately a less than i作者: Blasphemy 時間: 2025-3-23 10:28
J. Plath,S. Vogt,S. Reuter,A. Lenich. of interpretation or translation following it — but Keats implies that events are allegorical already: which means that events are figural because they are figured: they cannot be thought of outside a prior textualization. Allegory can be a writing that binds the reader to a this-equals-that inter作者: 不利 時間: 2025-3-23 17:34
W. Gentner,H. Maier-Leibnitz,W. Bothers in Canto 28 of the ., Percy Shelley’s unfinished translation of Dante’s episode, and Mary Shelley’s unpublished novella . Entangled in the tripartite configuration with which I am mainly concerned is a more extensive intertextual web that includes Book 4 of Milton’s ., Alfieri’s 1785 drama ., Wol作者: Herbivorous 時間: 2025-3-23 21:30
Atlas typischer Nebelkammerbilderic: the story of Francesca da Rimini in Dante’s fifth canto of the . Although Dante’s whole poem is design-ated by him a . (for its middle status, mixed style, and junior relation to the . rather than its happy ending), the . contains many narratives of great men brought low, such as Count Ugolino w作者: depreciate 時間: 2025-3-24 00:52 作者: 悄悄移動 時間: 2025-3-24 03:29
,Notfallma?nahmen bei Bronchialasthma,ante. Dante is, however, present both near the beginning and at the end of MacNeice’s literary biography: at the time of his death he was starting to arrange a sequence of translations from the . for radio broadcast, and in . he tells how he sought a refuge in books in his early years at Marlborough作者: 種屬關系 時間: 2025-3-24 06:32 作者: machination 時間: 2025-3-24 10:39
Andreas Philippopoulos-Mihalopoulosmotional and imaginative centre. Her beauty and vitality, overshadowed as they are by the reader’s foreknowledge of her terrible and anonymous death, together with the false glamour lent her by her family’s retreat into aristocratic seclusion, make it all too easy to see her as a purely symbolic, ev作者: Crepitus 時間: 2025-3-24 17:56
Tonino Griffero,Marco Tedeschini in Italy; poets who have inherited Dante’s ‘vulgar tongue’ have also been bequeathed a body of cultural and verbal allusions. Writing to Attilio Bertolucci on 20 December 1970, Vittorio Sereni remarked ‘lo sono in questi giorni, ma non solo, una specie di cane rabbioso —’ e in me medesmo mi volgo c作者: BRIBE 時間: 2025-3-24 19:33 作者: 群島 時間: 2025-3-25 00:58 作者: Graves’-disease 時間: 2025-3-25 06:22 作者: 和平主義者 時間: 2025-3-25 08:06 作者: 使痛苦 時間: 2025-3-25 11:47 作者: 伙伴 時間: 2025-3-25 18:25 作者: 吞下 時間: 2025-3-25 22:08
Moral Luck in the Second Circle: Dante and the Victorian Fate of Tragedyic: the story of Francesca da Rimini in Dante’s fifth canto of the . Although Dante’s whole poem is design-ated by him a . (for its middle status, mixed style, and junior relation to the . rather than its happy ending), the . contains many narratives of great men brought low, such as Count Ugolino w作者: 使熄滅 時間: 2025-3-26 01:05 作者: PANIC 時間: 2025-3-26 04:51
Dante and Louis MacNeice: A Sequel to the Commediaante. Dante is, however, present both near the beginning and at the end of MacNeice’s literary biography: at the time of his death he was starting to arrange a sequence of translations from the . for radio broadcast, and in . he tells how he sought a refuge in books in his early years at Marlborough作者: 英寸 時間: 2025-3-26 10:34
Purgatory Regained? Dante and Late Beckettpart remains, of one’s classics, to help one through the day’.. Among the smatterings of shattered classics that she quotes, Winnie makes a reference to ‘the sweet old style’, unmistakably alluding in Beckett’s newer, sourer style, to Dante’s . Of all ‘the classics , Dante is the one most alive in t作者: Bombast 時間: 2025-3-26 12:56
Micòl(fā) and Beatrice: Echoes of the , in Giorgio Bassani’s motional and imaginative centre. Her beauty and vitality, overshadowed as they are by the reader’s foreknowledge of her terrible and anonymous death, together with the false glamour lent her by her family’s retreat into aristocratic seclusion, make it all too easy to see her as a purely symbolic, ev作者: 無思維能力 時間: 2025-3-26 19:27 作者: Ovulation 時間: 2025-3-26 21:33 作者: 我不死扛 時間: 2025-3-27 04:53
of essays by an international group of scholars emphasizes that presence in the work of major British and Irish writers (such as Blake, Shelley, Joyce and Heaney). It also focuses on responses in America, the Caribbean and Italy and deals with appropriations of Dante‘s work by poets (from Gray to W作者: 自愛 時間: 2025-3-27 06:45 作者: carotid-bruit 時間: 2025-3-27 10:01 作者: 為寵愛 時間: 2025-3-27 15:32
Dante and Louis MacNeice: A Sequel to the Commedia, being ‘particularly fond of a large edition of Dante with illustrations by Gustave Doré. . It is true that he then talks more about his interest in Doré than in Dante, and in an account of his reading tastes published in . in 1961 he does indeed set limits on this latter interest:作者: 挑剔小責 時間: 2025-3-27 21:26
Purgatory Regained? Dante and Late Becketthe shadowy modern afterworld in which Beckett’s characters live.. In Beckett’s work Dante’s ‘sweet new style’ has become the ‘old style’ against which Beckett’s speakers unconsciously and consciously model themselves.作者: 試驗 時間: 2025-3-27 23:45
‘Prosperous People’ and ‘The Real Hell’ in Gloria Naylor’s Linden Hillsare drawing upon non-European or partially European cultural traditions. Approaches and responses to Dante on the part of such writers are significantly different from what Heaney calls the ‘envies and identifications’ of European male poets.作者: 奴才 時間: 2025-3-28 04:22 作者: FUSE 時間: 2025-3-28 09:56 作者: overreach 時間: 2025-3-28 12:31
e and Heaney). It also focuses on responses in America, the Caribbean and Italy and deals with appropriations of Dante‘s work by poets (from Gray to Walcott) and novelists (such as Mary Shelley and Giorgio Bassani, and Gloria Naylor).978-1-349-26977-8978-1-349-26975-4作者: 血友病 時間: 2025-3-28 15:36 作者: Countermand 時間: 2025-3-28 19:15 作者: 捏造 時間: 2025-3-29 02:22 作者: 換話題 時間: 2025-3-29 04:53
https://doi.org/10.1007/3-540-34121-8are drawing upon non-European or partially European cultural traditions. Approaches and responses to Dante on the part of such writers are significantly different from what Heaney calls the ‘envies and identifications’ of European male poets.作者: abolish 時間: 2025-3-29 07:24
Book 1998 by an international group of scholars emphasizes that presence in the work of major British and Irish writers (such as Blake, Shelley, Joyce and Heaney). It also focuses on responses in America, the Caribbean and Italy and deals with appropriations of Dante‘s work by poets (from Gray to Walcott) an作者: minaret 時間: 2025-3-29 14:43 作者: Bouquet 時間: 2025-3-29 15:41 作者: 外科醫(yī)生 時間: 2025-3-29 21:14
The Shelleys and Dante’s MatildaRobinson’s Mary ., which made it feasible for me to discuss . in a seminar at Brown University with graduate students whose questions and responses have been invaluable spurs to subsequent thinking. I cannot claim that this thinking has yet shaped itself into anything like a definitive argument abou作者: Accrue 時間: 2025-3-30 00:49
