派博傳思國際中心

標題: Titlebook: Dante and the Mediterranean Comedy; From Muslim Spain to Andrea Celli Book 2022 The Editor(s) (if applicable) and The Author(s), under excl [打印本頁]

作者: Enkephalin    時間: 2025-3-21 19:00
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書目名稱Dante and the Mediterranean Comedy被引頻次學科排名




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作者: 向外供接觸    時間: 2025-3-21 20:34

作者: 多產(chǎn)子    時間: 2025-3-22 02:06

作者: aneurysm    時間: 2025-3-22 06:31

作者: 正常    時間: 2025-3-22 12:33
Dante and the Mediterranean Comedy978-3-031-07402-8Series ISSN 2945-5936 Series E-ISSN 2945-5944
作者: MONY    時間: 2025-3-22 14:32
Mound Features and Coral Carbonate Mounds would Dante’s . be “Mediterranean”? By virtue of the bounty of references to this sea, its geography and people, its history, cities, myths, literatures, and religions, through the one hundred cantos? What does Mediterranean mean in this context? Is it linked to the Greek-Arabic sources that inform
作者: MONY    時間: 2025-3-22 18:41
https://doi.org/10.1007/978-90-481-9376-9ter World War II. The use of this notion in medieval literature has occurred most significantly in relation to the hendiadys ‘Dante and Islam.’ The chapter focuses on the multifaceted biography of Enrico Cerulli (Napoli, 1898–Roma, 1988), a governor of the Italian colonies and a scholar of Somali an
作者: 小口啜飲    時間: 2025-3-23 00:07
Northernmost Irish Continental Marginmargin of this British newspaper clipping, an anonymous hand—most likely the very same that had cut out the article—added a correction. The first lines of the piece report that “Professor Enrico Cerulli, Italian diplomat and one of the country’s greatest savants and anthropologists, died in Rome on
作者: fatuity    時間: 2025-3-23 02:46

作者: SPURN    時間: 2025-3-23 07:22
https://doi.org/10.1007/978-3-030-94833-7son of the Spanish Inquisition. By considering contextual written references to the . disseminated in graffiti on the same walls, the chapter explores a phenomenon of reception and appropriation of the . in the early-modern Mediterranean. It connects the drawings to medieval and baroque pageants and
作者: dissent    時間: 2025-3-23 13:24

作者: Clumsy    時間: 2025-3-23 17:45
Change of Paradigm: A Modern Programmeanean is primarily viewed as a heuristic tool, that is, as a way of reading the texts. And yet, at this level as well, Dante’s work presents an interesting complication. One might have believed it was merely a question of applying a Mediterranean “filter” to the poem so as to achieve critical result
作者: 流動性    時間: 2025-3-23 18:21

作者: moratorium    時間: 2025-3-24 01:02

作者: 老巫婆    時間: 2025-3-24 06:07

作者: dainty    時間: 2025-3-24 09:22

作者: artless    時間: 2025-3-24 14:31

作者: 厭惡    時間: 2025-3-24 18:16
The City Lament: Mediterranean Microecologies of Courtly LoveArabic treatise “on love and lovers,” . (.), likely written two and a half centuries before by the Andalusian exile and theologian Ibn ?azm of Cordoba. At the core of this chapter is a reflection on the methods and goals of comparative literature when engaging with “Mediterranean” as a concept. Prev
作者: geometrician    時間: 2025-3-24 20:19

作者: AVID    時間: 2025-3-25 00:24
The function of the otolithic organsnce in the prophet’s childhood that shows striking analogies with the punishment suffered by Maometto in Dante’s .. These similarities prompt a critical reflection on the meaning and function of a literary source.
作者: gregarious    時間: 2025-3-25 05:43

作者: debble    時間: 2025-3-25 08:45
Book 2022e presence of Islamic sources in early commentaries of the Comedy, and cross-cultural allusions to Dante’s Hell in some graffiti on the walls of the Spanish Inquisition prison in Palermo. The image of the Mediterranean that seeps through the poem and through the history of its circulation is vivid yet hardly idyllic..
作者: 總    時間: 2025-3-25 11:53

作者: Respond    時間: 2025-3-25 18:25

作者: 俗艷    時間: 2025-3-25 22:12
The City Lament: Mediterranean Microecologies of Courtly Lovere, the parallel has likely been regarded as less convincing. Concepts like “source,” “origin,” “influence,” and “antecedent” have been dominant in this debate. Yet this could precisely be a reason for testing the limits of that approach to literary comparatism and to historicize a century-long debate.
作者: 合唱團    時間: 2025-3-26 01:15
Conclusion: A Sea of Differencesn studies. Rather than being an object of interpretation, it is the poem itself that interprets Mediterranean studies, in part confirming some of the hypotheses formulated by scholarship in the field, and in part contradicting them, calling into question several theoretical assumptions.
作者: Pessary    時間: 2025-3-26 07:11

作者: 營養(yǎng)    時間: 2025-3-26 11:36

作者: judiciousness    時間: 2025-3-26 13:34
Introduction: A Mediterranean Comedy,ems to meet the poem, in its depiction of this world through the harsh lenses of blame, ridicule, and damnation. The image of the Mediterranean that seeps through the poem and through the history of its circulation is vivid yet hardly idyllic.
作者: NAIVE    時間: 2025-3-26 17:04

作者: 確保    時間: 2025-3-26 23:07

作者: 蒙太奇    時間: 2025-3-27 03:23
A Transreligious Hell: Dante in the Prisons of the Inquisition in Palermore and illiterates, between different religious contexts, and among institutional levels—and calls into question the rigid demarcation scholarship sometimes draws between the Middle Ages and modernity.
作者: 集合    時間: 2025-3-27 08:43
Mound Features and Coral Carbonate Moundsems to meet the poem, in its depiction of this world through the harsh lenses of blame, ridicule, and damnation. The image of the Mediterranean that seeps through the poem and through the history of its circulation is vivid yet hardly idyllic.
作者: Peak-Bone-Mass    時間: 2025-3-27 12:00
https://doi.org/10.1007/978-90-481-9376-9d by some archival findings. While Mallette portrays Cerulli as the advocate of a new philology, beyond the paradigms of European Orientalism, I argue that his previous work, in the service of Italian colonialism, should guide our understanding of his subsequent interest in Dante and the Mediterrane
作者: 揮舞    時間: 2025-3-27 16:48
Northernmost Irish Continental Marginrack in a rock that reveals the ideological layers that lay beneath. One wonders: Why did the author of the gloss consider it more accurate to honor the memory of the Italian scholar by defining him as an “orientalist”? And why did the English newspaper—and Cerulli himself—avoid that term?
作者: Amorous    時間: 2025-3-27 20:09

作者: 賞心悅目    時間: 2025-3-28 01:38
2945-5936 n some graffiti on the walls of the Spanish Inquisition prison in Palermo. The image of the Mediterranean that seeps through the poem and through the history of its circulation is vivid yet hardly idyllic..978-3-031-07404-2978-3-031-07402-8Series ISSN 2945-5936 Series E-ISSN 2945-5944
作者: 等待    時間: 2025-3-28 04:17

作者: CYN    時間: 2025-3-28 06:31

作者: Foment    時間: 2025-3-28 13:36





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