標(biāo)題: Titlebook: Dante and Italy in British Romanticism; Frederick Burwick,Paul Douglass Book 2011 Frederick Burwick and Paul Douglass 2011 English literat [打印本頁(yè)] 作者: SPIR 時(shí)間: 2025-3-21 16:56
書(shū)目名稱Dante and Italy in British Romanticism影響因子(影響力)
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書(shū)目名稱Dante and Italy in British Romanticism讀者反饋學(xué)科排名
作者: Gudgeon 時(shí)間: 2025-3-21 20:22
Re-Visioning Rimini: Dante in the Cockney School, of traditional culture met .’s publication with a rousing chorus of jeers. . assailed Hunt’s “vanity, vulgarity, ignorance, and coarseness” (14 [January 1816]:481); . called . “indecent and immoral,” and attacked not only its subject but its style:作者: 空氣 時(shí)間: 2025-3-22 04:17 作者: Pamphlet 時(shí)間: 2025-3-22 05:00 作者: 套索 時(shí)間: 2025-3-22 11:02 作者: fringe 時(shí)間: 2025-3-22 13:05 作者: fringe 時(shí)間: 2025-3-22 20:02 作者: Spangle 時(shí)間: 2025-3-22 22:48 作者: 間接 時(shí)間: 2025-3-23 02:28 作者: 輕率的你 時(shí)間: 2025-3-23 07:33
Ercan Karacaoglu,Richard J. Zienowiczternational mobility, the influence of this performance genre became surprisingly widespread across Europe, with eyewitness accounts, commentaries, and literary representations appearing in hundreds of English, French, German, Scandinavian, and Russian texts.作者: notice 時(shí)間: 2025-3-23 13:39
,The Poetry of Philology: Burckhardt’s , and Mary Shelley’s ,ts (69–71, 79, 98). Its wars constantly disintegrated what its art—in the broad sense— had produced. For war, as Jacqueline Rose argues, marks a “l(fā)imit” to claims of “absolute knowledge,” even as such claims are “offered as one cause—if not . cause—of war” (16–18).作者: indices 時(shí)間: 2025-3-23 15:10
,Germaine de Sta?l’s , (1807) and the Performance of Romanticism(s),ce from the ages of ten to fifteen, and who returns to spend her final exile before dying there in 1803. Corinne becomes the embodiment of Sta?l’s vision of prospects for a feminine Romanticism that is doomed to the chill of death even as it struggles to be born.作者: 使人煩燥 時(shí)間: 2025-3-23 19:16
Coleridge, Sgricci, and the Shows of London: Improvising in Print and Performance,ternational mobility, the influence of this performance genre became surprisingly widespread across Europe, with eyewitness accounts, commentaries, and literary representations appearing in hundreds of English, French, German, Scandinavian, and Russian texts.作者: 注意力集中 時(shí)間: 2025-3-24 00:50
Introduction,ler and his entourage through France to Venice, Florence, and Rome to wander amidst the ruins of classical antiquity and behold the great treasures of the Renaissance.. The nature of the traditional tour was altered by the French Revolution, not simply because the route to Italy was shifted through 作者: 檢查 時(shí)間: 2025-3-24 03:32 作者: lattice 時(shí)間: 2025-3-24 08:01 作者: 偽證 時(shí)間: 2025-3-24 13:17 作者: 都相信我的話 時(shí)間: 2025-3-24 18:55 作者: CHOKE 時(shí)間: 2025-3-24 22:58 作者: MEAN 時(shí)間: 2025-3-25 01:37 作者: 熟練 時(shí)間: 2025-3-25 07:10
, Dante, and the Renewable Life,iquely among his contemporary readers, the master poet who codified for medieval Europe a dramatic, totalized Christian mythology and a moral universe centered on the transformative power of love. Since this is a poetic discipleship that, like a lodestone, has attracted my concerted attention on sev作者: 不朽中國(guó) 時(shí)間: 2025-3-25 07:48
,The Poetry of Philology: Burckhardt’s , and Mary Shelley’s , through its multiplicity of competing despotisms and republics. Paradoxically, the very fragmentation of Italy allowed for the birth of individualism, “personality,” and political experimentation—an experimentation marked by Burckhardt’s use of the term “art” to describe both the Italian states and作者: 人類 時(shí)間: 2025-3-25 12:03
,Hemans’s Record of Dante: “The Maremma” and the Intertextual Poetics of Plenitude,he popular poet at the request of Alaric Watts, the editor of the .. One of them, later to be used as a frontispiece engraving in the 1839 . of the poet by her sister, represents a woman with elegantly curled hair covered by a white veil, a high-waisted dress with puffed upper sleeves and gauze lowe作者: nocturnal 時(shí)間: 2025-3-25 19:06
,Germaine de Sta?l’s , (1807) and the Performance of Romanticism(s), of 1804. She expected it to be warm, but found instead that it was bitter cold, and she wrote dejectedly to a friend, “Winter displeases more there [in Florence] than anywhere else, because the imagination is not prepared for it” (qtd. in Moers 210). That mixed sense of disappointed expectation, gr作者: Infelicity 時(shí)間: 2025-3-25 20:20 作者: 難聽(tīng)的聲音 時(shí)間: 2025-3-26 01:07
Masaniello on the London Stage,e too many candidates jostling for public attention: “Every year and month sends forth a new one.” After reviewing some thirty-two such candidates with political and military credentials in British and French history, Byron observed that none of these heroes or would-be heroes could serve the presen作者: 生氣地 時(shí)間: 2025-3-26 08:09
Re-Visioning Rimini: Dante in the Cockney School,g Edgecombe, writing one of the few full critical studies of Hunt, speaks of the poem’s “structural and linguistic flaws” (52). Romantic era defenders of traditional culture met .’s publication with a rousing chorus of jeers. . assailed Hunt’s “vanity, vulgarity, ignorance, and coarseness” (14 [Janu作者: 壓倒性勝利 時(shí)間: 2025-3-26 11:24 作者: eulogize 時(shí)間: 2025-3-26 13:22
Subtotal Esophagectomy: Transhiatal Approachnd letters, in critical essays, source studies, and biographies, scholars such as Alan Hill, Stephen Gill, W. J. B. Owen, Duncan Wu, and others have identified many of the textual echoes and influences from Italian literature. His relation to Dante, Italy, Italian culture, and language, however, is 作者: 灰姑娘 時(shí)間: 2025-3-26 17:18
History-Taking in Uveitis Patientsrge marble stone, called “il Sasso di Dante;” according to local legend, it was the place where Dante, before his exile, loved to sit.. And Robinson induced Wordsworth to try it out: “I remember the pleasure he expressed,” Robinson recalled, “when I said to him ‘You are now seated in Dante’s chair’“作者: Licentious 時(shí)間: 2025-3-27 00:45 作者: 花費(fèi) 時(shí)間: 2025-3-27 02:36 作者: 噱頭 時(shí)間: 2025-3-27 06:29
Michael Macari,Abraham H. Dachmanh as ., recognizes that “Our destiny, our nature, and our home, / Is with infinitude, and only there” (11. 538–539). The moment is at once sublime and full of an affecting trust in “hope that can never die” (1. 540; see Jonathan Wordsworth 187–188).作者: TOXIN 時(shí)間: 2025-3-27 10:20
Kenji Suzuki,Abraham H. Dachmanmans’s attire follows contemporary fashion, but, in keeping with the eclecticism of Regency style, it also sports an exotic air that partly distances her from a specifically English or British figurative canon. Presenting her as visually and culturally ambiguous, the engraved portrait posits Hemans 作者: 形上升才刺激 時(shí)間: 2025-3-27 17:00
James D. Namnoum,Justin K. Williams current needs of the 1820s required. The defeat of Napoleon, the Bourbon restoration, and the age of Metternich brought about a repression of liberal reform on the Continent. And in Britain, because theater censorship prohibited satirical or polemical drama directed against the government, there wa作者: CURB 時(shí)間: 2025-3-27 18:06 作者: LAITY 時(shí)間: 2025-3-27 22:57 作者: MERIT 時(shí)間: 2025-3-28 05:21 作者: 和平主義者 時(shí)間: 2025-3-28 06:40 作者: 鋼筆記下懲罰 時(shí)間: 2025-3-28 13:40
,Picturing Byron’s Italy and Italians: Finden’s Illustrations to Byron’s Life and Works,about Italy (Luzzi 54), and my essay grapples with this charge against Byron. In some ways his work was twisted by Finden and Brockedon, who elided Byron’s strong engagement with the politics and daily life of Italy while exaggerating the superfeminine aspects of his women protagonists.作者: 我沒(méi)有強(qiáng)迫 時(shí)間: 2025-3-28 14:52
,Realms without a Name: Shelley and Italy’s Intenser Day,h as ., recognizes that “Our destiny, our nature, and our home, / Is with infinitude, and only there” (11. 538–539). The moment is at once sublime and full of an affecting trust in “hope that can never die” (1. 540; see Jonathan Wordsworth 187–188).作者: 腐敗 時(shí)間: 2025-3-28 19:56 作者: 乏味 時(shí)間: 2025-3-29 00:37 作者: excrete 時(shí)間: 2025-3-29 06:10
Nineteenth-Century Major Lives and Lettershttp://image.papertrans.cn/d/image/260418.jpg作者: 揮舞 時(shí)間: 2025-3-29 09:43 作者: Incumbent 時(shí)間: 2025-3-29 13:18
G. Bernardini,M. Prati,E. Bonetti,G. Scarìor most people, the experience of traveling abroad, and particularly of engaging with foreign culture, resulted not so much in feelings of superiority as in confusion. Take, for example, the well-travelled William Coxe writing in a book published in 1789:作者: 花費(fèi) 時(shí)間: 2025-3-29 18:29 作者: Corporeal 時(shí)間: 2025-3-29 20:32 作者: conception 時(shí)間: 2025-3-30 01:47
Wolfram T. Knoefel,Rainer Schmelzleler and his entourage through France to Venice, Florence, and Rome to wander amidst the ruins of classical antiquity and behold the great treasures of the Renaissance.. The nature of the traditional tour was altered by the French Revolution, not simply because the route to Italy was shifted through 作者: Muscularis 時(shí)間: 2025-3-30 08:03
Subtotal Esophagectomy: Transhiatal Approachus, a literary life full of encounter and exchange, Wordsworth acknowledged, among others, Chaucer, Spenser, Shakespeare, Milton, Homer, Virgil, and an array of Italian authors including Metastasio, Petrarch, Ariosto, Michael Angelo, Chiabrera, Machiavelli, and Dante. He worried about them: “We are 作者: 機(jī)制 時(shí)間: 2025-3-30 08:46
History-Taking in Uveitis Patientsarreled with his travel companion, Henry Crabb Robinson,. fell asleep in the Tribuna of the Uffizi, oblivious to the attractions of the Venus de Medici and the snickers of other English visitors,. and repeatedly said that his tour of Italy had come “too late.”. Robinson’s visit was not much better: 作者: Ondines-curse 時(shí)間: 2025-3-30 12:30
History-Taking in Uveitis Patients0).. I too hope not to need the Sphinx, but I shall not be able to explain myself without elaborating on the implied promise to situate Byron between Ariosto and Tasso—and not merely alphabetically. The question to be addressed here is this: in what relation does ., as a poetic project, stand to Ari作者: Adherent 時(shí)間: 2025-3-30 20:04 作者: pulmonary 時(shí)間: 2025-3-30 20:47
Complications and Their Management34), with a text by collaborator William Brockedon. The Findens published around the same time their . (1836) and a periodical called . (1834–1840). The latter work promotes British chauvinistic attitudes to the Middle East, to southern Europe in general, and to Italy in particular. Thus, it is unsu作者: 欲望小妹 時(shí)間: 2025-3-31 03:13
Michael Macari,Abraham H. Dachmaness. Such homelessness in its positive guise occurs at the climax of Book Six of Wordsworth’s ... The book makes much mention of houses real and metaphorical. Wordsworth speaks of how he only wished at Cambridge “to be a lodger in that house / Of Letters, and no more” (11. 32–33); he plays with thou作者: 捐助 時(shí)間: 2025-3-31 05:30 作者: Coeval 時(shí)間: 2025-3-31 09:22
Cesare Hassan,Gabriel D. Lang,David T. Rubin through its multiplicity of competing despotisms and republics. Paradoxically, the very fragmentation of Italy allowed for the birth of individualism, “personality,” and political experimentation—an experimentation marked by Burckhardt’s use of the term “art” to describe both the Italian states and作者: Scleroderma 時(shí)間: 2025-3-31 15:37 作者: Confess 時(shí)間: 2025-3-31 20:42
