標(biāo)題: Titlebook: Daniil Kharms and the Poetics of the Absurd; Essays and Materials Neil Cornwell (Senior Lecturer in Russian Studies) Book 1991 Palgrave Mac [打印本頁] 作者: ACE313 時間: 2025-3-21 19:31
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書目名稱Daniil Kharms and the Poetics of the Absurd讀者反饋學(xué)科排名
作者: SPALL 時間: 2025-3-21 22:17 作者: 不成比例 時間: 2025-3-22 03:50 作者: Type-1-Diabetes 時間: 2025-3-22 07:42
Andrew W. El Bardissi MD,Lawrence H. Cohn MDs paved the way to a study of the structure and poetics of the absurd, the philosophy of ., or, to use Kharms’s own precise though cunning definition, the system of ‘third cis-finitum logic’ i.e. logic which is finite in this world.作者: oblique 時間: 2025-3-22 12:21 作者: Bother 時間: 2025-3-22 14:08
Towards an Interpretation of Kharms’s Sluchaif a large compositional unit, in effect a book: the texts were written out in a special notebook, with a title page, dedication and table of contents (see ., 528), and, furthermore, the composition as a whole reveals an order which makes it far more than a collection of pieces.作者: Bother 時間: 2025-3-22 20:50
Daniil Kharms’s Poetic System: Text, Context, Intertexts paved the way to a study of the structure and poetics of the absurd, the philosophy of ., or, to use Kharms’s own precise though cunning definition, the system of ‘third cis-finitum logic’ i.e. logic which is finite in this world.作者: 斜坡 時間: 2025-3-22 21:53
Wolfgang Leistenschneider,Reinhard Nageld to say that the most important thing for him had always been not art, but life: to make his life into art. This is not aestheticism since ‘making life into art’ was not an aesthetic category for Kharms, but, as we now say, an existential one.作者: moribund 時間: 2025-3-23 02:47
Preparation for Endoscopic Examination, are the three main points of this study — have produced, in the twentieth century, works which resemble each other in a striking manner, even when their authors could not have known or read one another, whether for reasons of language or of temporal distance.作者: 心胸開闊 時間: 2025-3-23 08:35
https://doi.org/10.1007/978-1-4471-6332-9ot from the birth of Christ (the new year was to be observed on 7 November; this system was abolished in June 1931; for details, see Fleishman, above; Seleshnikov, 1977, pp. 169–71). As Fleishman has shown, this calendar system in particular entered the structure of ‘1st Destruction’.作者: cylinder 時間: 2025-3-23 13:14
Robotic Transhiatal Esophagectomyons in costume around the streets; provoking scandals, they would appear at their evening performances in outlandish garb. The Imaginists attracted attention to themselves by shock tactics: sticking up notices declaring total war on other literary groups, and renaming Moscow streets in their own honour.作者: investigate 時間: 2025-3-23 15:51
Daniil Kharms in the Context of Russian and European Literature of the Absurd are the three main points of this study — have produced, in the twentieth century, works which resemble each other in a striking manner, even when their authors could not have known or read one another, whether for reasons of language or of temporal distance.作者: 吞噬 時間: 2025-3-23 18:36 作者: orthodox 時間: 2025-3-23 23:21 作者: expound 時間: 2025-3-24 05:01 作者: Bother 時間: 2025-3-24 06:31
On Daniil Kharmsof the distinction. At the end of the 1920s, Vvedensky said that Kharms was not creating art, but was himself art. At the end of the 1930s, Kharms used to say that the most important thing for him had always been not art, but life: to make his life into art. This is not aestheticism since ‘making li作者: Carcinogen 時間: 2025-3-24 14:28
Daniil Kharms in the Context of Russian and European Literature of the Absurdhich we have decided to call, for reasons of convenience and usage, ., a term which will require further definition. What can be said without any more ado is that Kharms’s . is not a chance phenomenon and that it may be approached in the Russian or European literary contexts. In fact, a certain visi作者: giggle 時間: 2025-3-24 17:35
The Anti-World of Daniil Kharms: On the Significance of the Absurdches in particular have proven especially influential. The first approach may be called international in that it locates the ‘key’ to Kharms’s prose in its parallels to twentieth-century European literature of the absurd. While George Gibian was careful to describe the OBERIU’s Russian context as we作者: 咽下 時間: 2025-3-24 19:57
Towards an Interpretation of Kharms’s Sluchaiprose and indeed in his work as a whole. . certainly provides a central focus for much of Kharms’s prose, so that many other texts can be related to it, but among the great number of short prose pieces that make up a major part of his later work it also represents a unique approach to the creation o作者: N防腐劑 時間: 2025-3-25 02:43 作者: 頂點(diǎn) 時間: 2025-3-25 06:59 作者: amorphous 時間: 2025-3-25 07:56
Kharms’s ‘1st Destruction’s article of 1987 [translated and reprinted above, Ed.]. Without such a reconstruction, much in this poem would have remained not entirely comprehensible. First and foremost at least an elementary knowledge of the history of the Soviet calendar is called for here; namely, the fact that from October 作者: 消息靈通 時間: 2025-3-25 13:53
Daniil Kharms’s Poetic System: Text, Context, Intertextkov, Vaginov, Zabolotsky, Kharms and their writings, we have come to realise that it is fruitless to approach their literature by reducing . to mere nonsense and by denying that there is a system of aesthetically organised poetics in the intentional alogicality of their writings.. Recent research ha作者: Harpoon 時間: 2025-3-25 18:01 作者: 打火石 時間: 2025-3-25 20:29
Book 1991This volume of essays and other materials offers an assessment of the short prose, verse and drama of Daniil Kharms, Leningrad absurdist of the 1920s and 1930s, who was one of the last representatives of the Russian literary avante-garde.作者: 使出神 時間: 2025-3-26 00:10
https://doi.org/10.1007/978-1-349-11642-3chronology; drama; English literature; essay; Europe; film; interpret; literature; play; poem; poetics; prose; R作者: 過渡時期 時間: 2025-3-26 05:44 作者: HEED 時間: 2025-3-26 08:47
Studies in Russia and East Europehttp://image.papertrans.cn/d/image/260406.jpg作者: 涂掉 時間: 2025-3-26 13:53 作者: Individual 時間: 2025-3-26 19:06 作者: 牛的細(xì)微差別 時間: 2025-3-27 00:34 作者: 簡略 時間: 2025-3-27 01:22
https://doi.org/10.1007/978-3-030-31113-1‘Slu?aj Harms’, directed and co-written by Slobodan Pe?i? (born in Belgrade in 1956), was the official Yugoslav entry at the 1988 Cannes Film Festival. Despite references in the Yugoslav press to the ‘Caméra d’Or’ prize, it was shown not in competition, but in the Festival’s non-competitive category ‘Un Certain Regard’ on 13 May 1988.作者: Accessible 時間: 2025-3-27 06:02 作者: penance 時間: 2025-3-27 13:08
Slobodan Pe?i?’s film Slu?aj Harms and Kharms’s Sluchai‘Slu?aj Harms’, directed and co-written by Slobodan Pe?i? (born in Belgrade in 1956), was the official Yugoslav entry at the 1988 Cannes Film Festival. Despite references in the Yugoslav press to the ‘Caméra d’Or’ prize, it was shown not in competition, but in the Festival’s non-competitive category ‘Un Certain Regard’ on 13 May 1988.作者: Gleason-score 時間: 2025-3-27 14:14
Elements of the Fantastic in Daniil Kharms’s StarukhaThe long tale . (‘The Old Woman’), which Kharms wrote in mid-1939, represents probably the highest expression of his prose writing. In fact it is here that the concise, incisive motifs of the . (‘Happenings’) collection of mini-stories reappear in a plot of far greater complexity.作者: 確定 時間: 2025-3-27 20:01
Wolfgang Leistenschneider,Reinhard Nagelrom its past — writers with something unexpected to say to the modern reader. Such recently reclaimed writers may have languished in obscurity from some point of the nineteenth century, or have suffered from repression in the twentieth. In some cases, the existence of their main works may have remai作者: 中子 時間: 2025-3-27 22:30 作者: reject 時間: 2025-3-28 05:11
Preparation for Endoscopic Examination,hich we have decided to call, for reasons of convenience and usage, ., a term which will require further definition. What can be said without any more ado is that Kharms’s . is not a chance phenomenon and that it may be approached in the Russian or European literary contexts. In fact, a certain visi作者: 偽造者 時間: 2025-3-28 08:06
https://doi.org/10.1007/978-3-642-32823-7ches in particular have proven especially influential. The first approach may be called international in that it locates the ‘key’ to Kharms’s prose in its parallels to twentieth-century European literature of the absurd. While George Gibian was careful to describe the OBERIU’s Russian context as we作者: cancellous-bone 時間: 2025-3-28 11:14
Atlas of Response to Immunotherapyprose and indeed in his work as a whole. . certainly provides a central focus for much of Kharms’s prose, so that many other texts can be related to it, but among the great number of short prose pieces that make up a major part of his later work it also represents a unique approach to the creation o作者: 阻礙 時間: 2025-3-28 15:38 作者: coagulation 時間: 2025-3-28 21:59
Remission and rheumatoid arthritisrature over the last two decades, caught researchers unawares. On the one hand, they have been confronted by a huge body of newly discovered texts of obvious originality, whose organic kinship with the poetic trends of the Russian avantgarde is plain to see. On the other hand, it was soon obvious th作者: HEED 時間: 2025-3-28 23:53 作者: 致敬 時間: 2025-3-29 03:24
Andrew W. El Bardissi MD,Lawrence H. Cohn MDkov, Vaginov, Zabolotsky, Kharms and their writings, we have come to realise that it is fruitless to approach their literature by reducing . to mere nonsense and by denying that there is a system of aesthetically organised poetics in the intentional alogicality of their writings.. Recent research ha作者: 準(zhǔn)則 時間: 2025-3-29 09:11
Robotic Transhiatal Esophagectomy of life had played an important role in the activities of the avantgarde groups which preceded the Oberiuty — the Futurists and the Imaginists. Thus the Cubo-Futurists, in the first years of their existence, in contrast to the tinted faces of the decadents went in for daubing themselves like savage作者: POLYP 時間: 2025-3-29 14:25
Some Features of the Poetics of Kharms’s Prose: The Story ‘Upadanie’ (‘The Falling’). It is well known that this period saw Kharms’s definitive transition from verse to a prose which retained the best of the features elaborated in the 1930s. In this respect, the story ‘The Falling’ is a particularly important one and for this reason it has been chosen for analysis here.作者: BILK 時間: 2025-3-29 16:26
https://doi.org/10.1007/978-3-642-32823-7nd theatre to the norms of European literature of the absurd.. While parallels with European literature of the absurd can illuminate the general phenomenon of OBERIU literature,. this approach is limited by its ahistoricity and its inability to account for the specific Russian and Soviet cultural tr作者: ARCH 時間: 2025-3-29 21:34 作者: 沒有貧窮 時間: 2025-3-30 02:41 作者: 疾馳 時間: 2025-3-30 06:28
The Anti-World of Daniil Kharms: On the Significance of the Absurdnd theatre to the norms of European literature of the absurd.. While parallels with European literature of the absurd can illuminate the general phenomenon of OBERIU literature,. this approach is limited by its ahistoricity and its inability to account for the specific Russian and Soviet cultural tr作者: 耐寒 時間: 2025-3-30 08:43
On One Enigmatic Poem by Daniil Kharmsuty could not be handled, and still cannot be handled, with the tools at present available to the literary historian. Specific discussion of individual texts has, in OBERIU studies, been limited to prose works, whereas for the analysis of the recently published poems by Kharms and Vvedensky (and of 作者: 出生 時間: 2025-3-30 15:44
Die Kapitalgesellschaft als Schuldnerin der SchuldnerbegünstigungEine Untersuchung zu
