標(biāo)題: Titlebook: Dance Theatre in Ireland; Revolutionary Moves Aoife McGrath Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 d [打印本頁] 作者: incontestable 時(shí)間: 2025-3-21 17:58
書目名稱Dance Theatre in Ireland影響因子(影響力)
書目名稱Dance Theatre in Ireland影響因子(影響力)學(xué)科排名
書目名稱Dance Theatre in Ireland網(wǎng)絡(luò)公開度
書目名稱Dance Theatre in Ireland網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Dance Theatre in Ireland被引頻次
書目名稱Dance Theatre in Ireland被引頻次學(xué)科排名
書目名稱Dance Theatre in Ireland年度引用
書目名稱Dance Theatre in Ireland年度引用學(xué)科排名
書目名稱Dance Theatre in Ireland讀者反饋
書目名稱Dance Theatre in Ireland讀者反饋學(xué)科排名
作者: justify 時(shí)間: 2025-3-21 20:35 作者: 字形刻痕 時(shí)間: 2025-3-22 01:03
ing of dance theatre practice in Ireland from Yeats‘ dance plays at the start of the 20th century to Celtic-Tiger-era works of Fabulous Beast Dance Theatre and CoisCéim Dance Theatre at the start of the 21st.978-1-349-44227-0978-1-137-03548-6作者: compose 時(shí)間: 2025-3-22 08:01 作者: ornithology 時(shí)間: 2025-3-22 10:21
https://doi.org/10.1007/978-3-642-59863-0eing instrumental in a movement of aesthetic change in performance practices, dance theatre works have also played a pivotal role in reflecting and critiquing socio-political and cultural developments in Ireland. In 2003, Brian Singleton proposed that, ‘the most exciting new playwrights in this coun作者: figment 時(shí)間: 2025-3-22 15:11
https://doi.org/10.1007/978-3-642-59863-0nning of the Easter Rising, a dress rehearsal performance of a dance play by Yeats, ., was held for a select, invited audience in the London drawing room of Lady Emerald Cunard.. On the surface, the aristocratic setting for this drawing room staging, which made it necessary for the performers to car作者: figment 時(shí)間: 2025-3-22 18:21
https://doi.org/10.1007/978-3-642-59863-0choreographers within the context of both the current Irish dance landscape and international dance theatre practice. As shown in the previous chapter, although there are several examples of interdisciplinary choreographies to be found in Ireland prior to the work of companies in the 1990s and beyon作者: 有毛就脫毛 時(shí)間: 2025-3-22 22:18 作者: 傲慢物 時(shí)間: 2025-3-23 04:23 作者: 射手座 時(shí)間: 2025-3-23 07:02
Plastiche und wiederherstellende Chirurgie,ng of CoisCéim Dance Theatre’s . (2008), interrogating how the work stages the politics of citizenship in Ireland. Whereas Chapter Five focussed on the transformative reconfigurations of gendered planes of representation in narratives of oppression, my interest here is in the links that can be found作者: 牛馬之尿 時(shí)間: 2025-3-23 12:51 作者: homeostasis 時(shí)間: 2025-3-23 15:39 作者: ADAGE 時(shí)間: 2025-3-23 18:49 作者: Fallibility 時(shí)間: 2025-3-23 23:25 作者: companion 時(shí)間: 2025-3-24 02:23
ing of dance theatre practice in Ireland from Yeats‘ dance plays at the start of the 20th century to Celtic-Tiger-era works of Fabulous Beast Dance Theatre and CoisCéim Dance Theatre at the start of the 21st.978-1-349-44227-0978-1-137-03548-6作者: 不遵守 時(shí)間: 2025-3-24 09:00 作者: Isolate 時(shí)間: 2025-3-24 12:11 作者: 花費(fèi) 時(shí)間: 2025-3-24 17:54 作者: 巧辦法 時(shí)間: 2025-3-24 22:45 作者: Highbrow 時(shí)間: 2025-3-25 01:05
Choreographing the Unanticipated: Death, Hope and Verticality in , and ,h. Dancing dead bodies appear in several of Keegan-Dolan’s works for Fabulous Beast; in . (2007), for example, exhumed corpses signal the poisoning of a community by suppressed societal ills or, as seen in the finale of the same work, reanimated slain bodies vent an anger provoked by the excesses of作者: 展覽 時(shí)間: 2025-3-25 05:22 作者: set598 時(shí)間: 2025-3-25 09:13
https://doi.org/10.1007/978-3-642-59863-0h theatre practice. It is a well-rehearsed lament that theatrical performance in Ireland habitually gave primacy to the written word over the performing body,. leading director Conall Morrison to describe the body in space and time as ‘the great unexplored’.. This focus on the authority of the word 作者: 不適當(dāng) 時(shí)間: 2025-3-25 15:31 作者: 與野獸博斗者 時(shí)間: 2025-3-25 18:36
https://doi.org/10.1007/978-3-642-59863-0ural terrain. In contrast with this, the wave of dance companies founded in Ireland in the early 1990s began to establish a critical mass in the area of contemporary dance, and so when CoisCéim and Fabulous Beast emerged in the mid-90s, they joined a small, yet vibrant, contemporary dance scene. Yet作者: fidelity 時(shí)間: 2025-3-25 21:57
https://doi.org/10.1007/978-3-642-59863-0constitutive stories’ that tell of a people’s defining traits and characteristics.. The creation of national myth through these stories aids the cohesion of ‘imagined communities’, to use Benedict Anderson’s term, and as Arash Abizadeh proposes, ‘[t]his mythical element in its shared memories is wha作者: 冒號(hào) 時(shí)間: 2025-3-26 00:39 作者: obviate 時(shí)間: 2025-3-26 08:06
Plastiche und wiederherstellende Chirurgie,specific with the ‘painted stage’, the production involved the transplantation of a dodgems (or bumper-car) track, replete with 12 fully functioning dodgem cars, into Dublin’s O’Reilly Theatre in a bid to ‘captur[e] the lights, smells and sounds of the funfair’.. . boasted one of the most highly ant作者: Carminative 時(shí)間: 2025-3-26 09:39
Introduction,eing instrumental in a movement of aesthetic change in performance practices, dance theatre works have also played a pivotal role in reflecting and critiquing socio-political and cultural developments in Ireland. In 2003, Brian Singleton proposed that, ‘the most exciting new playwrights in this coun作者: 節(jié)約 時(shí)間: 2025-3-26 16:06
Danced Precedents from Yeats to Davis,nning of the Easter Rising, a dress rehearsal performance of a dance play by Yeats, ., was held for a select, invited audience in the London drawing room of Lady Emerald Cunard.. On the surface, the aristocratic setting for this drawing room staging, which made it necessary for the performers to car作者: 注射器 時(shí)間: 2025-3-26 16:48
Genre Debates: the Dance and the Bathwater,choreographers within the context of both the current Irish dance landscape and international dance theatre practice. As shown in the previous chapter, although there are several examples of interdisciplinary choreographies to be found in Ireland prior to the work of companies in the 1990s and beyon作者: 洞穴 時(shí)間: 2025-3-26 22:53
Choreographing Narratives: Buried Bodies and Constitutive Stories in , and , in the formation of national identity are reinterpreted in dance theatre pieces that perform not only a retelling of these stories, but which also highlight aspects of the construction of contemporary ‘Irish’ identity through their staging of a dialogue between body and text. The narrative of . is 作者: condescend 時(shí)間: 2025-3-27 04:29 作者: BINGE 時(shí)間: 2025-3-27 08:27 作者: 高腳酒杯 時(shí)間: 2025-3-27 10:32
Concluding Thoughts and Future Moves,s struck by the isolation of dance from other art forms in Ireland:.This sentiment is similar to that expressed by Joan Davis in Chapter Two, who also felt that the task of Dublin Contemporary Dance Theatre in the 1980s was to ‘demystify’ theatrical dance in Ireland. The dance theatre works that I h作者: 圓柱 時(shí)間: 2025-3-27 13:47
Analysing the Entire Wikipedia History with Database Supported Haskell,ies into analysts’ workflows in a rather ad hoc fashion. This paper would interest early technology adopters interested in new database query languages and practitioners working on large-scale data analysis.作者: 人類學(xué)家 時(shí)間: 2025-3-27 18:22 作者: jaundiced 時(shí)間: 2025-3-28 01:43
Hermann Adamdas "Pilotprojekt Umweltprobenbank" . Die in der Bank aufbewahrten Proben sollen sowohl Auskunft über Konzentrationen von Umweltchemikalien in der Vergangenheit als auch auf Grund dann m?glicher Trendaussagen Auskunft über künftige Belastungen geben. Das Pilotprojekt war so erfolgreich, da? die Bund作者: Saline 時(shí)間: 2025-3-28 03:36
elating fiber intake to disease patterns, subsequently broadened to include other food components, have been largely responsible for the current concept of diseases characteristic of modern Western culture and lifestyle. The potential importance of this realization is forcefully underlined by the considered j978-1-4612-9249-4978-1-4613-2111-8作者: 過分自信 時(shí)間: 2025-3-28 09:26
Micropatterned Hydrogels for Stem Cell Culture,ing micropattered hydrogels, as well as a review of basics of hydrogels and micropatterning technologies. The second half of the chapter provides a summary of particular micropatterned gels that have been applied to in vitro cell-based work, with specific attention paid to how these techniques could作者: MOAN 時(shí)間: 2025-3-28 14:16
W. de Beauclairctor”, is a Time Lord, who travels through space and time in a sentient device called the TARDIS (Time And Relative Dimension In Space). From the outside, the TARDIS looks like a 1950s British police box (Fig. 2.1). Painted blue and slightly larger than the classic red telephone booths, which can st作者: fulmination 時(shí)間: 2025-3-28 16:54
Keramische Isolierstoffe,Porzellans sind Tonsubstanz, Feldspat und Quarz, deren Verh?ltnis in Prozenten ausgedrückt als rationelle Zusammensetzung bezeichnet wird. Nach der üblichen Einteilung der keramischen Erzeugnisse unterscheidet man bei Porzellan zwei Hauptgruppen, n?mlich das Weichporzellan und das Hartporzellan, von
