標(biāo)題: Titlebook: Cinematic Homelands; The Cultural and Gen Mara Antic Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to [打印本頁(yè)] 作者: 手套 時(shí)間: 2025-3-21 19:37
書(shū)目名稱Cinematic Homelands影響因子(影響力)
作者: 安定 時(shí)間: 2025-3-21 21:28
978-3-031-69274-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: canvass 時(shí)間: 2025-3-22 01:24
Mara AnticForegrounds women filmmakers of the Iranian diaspora, who have been historically excluded from dominant film culture.Uses close readings of 5 key films to trace the gendered reconfiguration of 21st ce作者: Outwit 時(shí)間: 2025-3-22 04:35
http://image.papertrans.cn/d/image/242122.jpg作者: 天賦 時(shí)間: 2025-3-22 09:15 作者: installment 時(shí)間: 2025-3-22 15:08 作者: installment 時(shí)間: 2025-3-22 18:12 作者: Corporeal 時(shí)間: 2025-3-22 23:27 作者: Cupping 時(shí)間: 2025-3-23 04:45
The Future of Africa-EU Strategymaginary in Ana Lily Amirpour’s ..” Firstly, I situate . within its cross-cultural context, paying close attention to its inception, direction and production. Secondly, I provide an overview of the film’s multiple genre affiliations and its pastiche aesthetics, arguing that it displays a high degree作者: doxazosin 時(shí)間: 2025-3-23 08:34
Samiratou Dipama,Emel Parlar Dalween her bisexuality and strong affiliation with her Iranian family and Persian culture. On the one hand, she is expected to accommodate the heteronormative expectations of her middle-class Iranian parents to find a boyfriend and a proper, lucrative profession. On the other hand, she is confronted b作者: IOTA 時(shí)間: 2025-3-23 13:01
Samiratou Dipama,Emel Parlar Dal, independent futures. . concludes with Munis shown again suspended in the air, reliving the metaphorical and liberating moment of her suicide, while the once fearful, traditional Faezeh confidently walks out of the Garden into the unknown. In ., Sara disappears along with the Green Movement itself 作者: Predigest 時(shí)間: 2025-3-23 17:41 作者: Gratulate 時(shí)間: 2025-3-23 19:24
Elizabeth Chacko,Peter H. Gebresident status to the establishment of large and thriving Iranian diasporic communities in the West. It proposes that Iranian diasporic women filmmakers offer a gendered reconfiguring of exilic and diasporic film aesthetics, revisiting issues of cultural in-betweenness and difference from a feminist perspective.作者: 腐敗 時(shí)間: 2025-3-24 01:47 作者: 甜瓜 時(shí)間: 2025-3-24 03:01 作者: 逗留 時(shí)間: 2025-3-24 06:42 作者: 空氣傳播 時(shí)間: 2025-3-24 10:41
Olufemi Babarinde,Stephen Wrightth the exilic condition in particular and an exilic filmic “accent,” focusing in particular on the incorporation of protest video footage and tweets to expand on another Deleuze and Guattari concept: the “minor.” The final section examines such stylistic elements and those of previous sections in re作者: AFFIX 時(shí)間: 2025-3-24 18:52 作者: Insul島 時(shí)間: 2025-3-24 22:15 作者: entrance 時(shí)間: 2025-3-25 02:58
Samiratou Dipama,Emel Parlar Dalayal of Shirin’s relationships, never reducing them to simplistic dichotomous representations of cultural belonging and sexual identity, but rather offering an intricate and deeply personal perspective on her own intersectional identity. As many elements of the storyline of . are autobiographically 作者: 纖細(xì) 時(shí)間: 2025-3-25 06:03
Samiratou Dipama,Emel Parlar Dalhe female protagonists are shown as active agents of change, mobile and in transit, yet unsure of what will come. The films’ lack of closure leaves us puzzled about the women’s future and whether or not their empowerment and feminist consciousness will last. All of the questions raised around female作者: monochromatic 時(shí)間: 2025-3-25 10:50 作者: resuscitation 時(shí)間: 2025-3-25 13:06 作者: 改正 時(shí)間: 2025-3-25 19:19 作者: Terrace 時(shí)間: 2025-3-25 22:09 作者: 遣返回國(guó) 時(shí)間: 2025-3-26 00:08 作者: 牽連 時(shí)間: 2025-3-26 05:10 作者: ENNUI 時(shí)間: 2025-3-26 09:10
Instead of Conclusion: Diasporic Indeterminacies,he female protagonists are shown as active agents of change, mobile and in transit, yet unsure of what will come. The films’ lack of closure leaves us puzzled about the women’s future and whether or not their empowerment and feminist consciousness will last. All of the questions raised around female作者: 調(diào)整 時(shí)間: 2025-3-26 15:57 作者: 勤勉 時(shí)間: 2025-3-26 17:53
Introduction,section of three conceptual frameworks: feminist theories of women’s film authorship, Hamid Naficy’s concept of “accented” cinema, and Iranian transnational cinema. Furthermore, the chapter introduces the concepts of exile, diaspora and post-diaspora, and provides a brief history of the formation of作者: rheumatology 時(shí)間: 2025-3-26 21:40
,The Cinepoetry of Shirin Neshat’s ,: Female Histories and the Cinematic Space of the Garden,shat’s film . (2009), which returns to one of the most critical episodes of Iranian history:—the British-American staged coup of 1953 against the democratic government of Mohammad Mosaddegh to reinstall the Shah. Drawing on postcolonial feminist discourse and the feminism of sexual difference, this 作者: 珍奇 時(shí)間: 2025-3-27 02:23 作者: 機(jī)密 時(shí)間: 2025-3-27 05:34
,The Transnational Cultural Space of Iranian Youth: Diasporic Fantasy in Maryam Keshavarz’s , that focus on major political events and feminist reimaginings of Iranian history to a conceptualisation of cinema situated at the intersection of queerness and diaspora. Taking Patricia White’s (“Changing Circumstances: Global Flows of Lesbian Cinema.” In ., edited by Elena Gorfinkel and Tami Will作者: debunk 時(shí)間: 2025-3-27 12:37 作者: MUTED 時(shí)間: 2025-3-27 16:24 作者: 颶風(fēng) 時(shí)間: 2025-3-27 19:49 作者: 不適 時(shí)間: 2025-3-27 22:58
The Physics of an Atom in a Molecule, from each of its individual atoms. This principle, when applied to a system in the presence of an electric or magnetic field, yields an atomic description of properties of interest to spectroscopists.作者: 小卷發(fā) 時(shí)間: 2025-3-28 05:56
,Einführung,g und erste Sorge alles Bauens. Schon die Planung mu? hierauf eingestellt sein; Einsicht in vorhandene Karten und geologische Schichtenpl?ne sowie die Kenntnis benachbarter Gründungen gibt Fingerzeige. Art und M?chtigkeit der auf der gew?hlten Baustelle vorhandenen Bodenschichten ist dann durch Schü
