作者: 準則 時間: 2025-3-22 00:18
,Coda: ‘I think it is myself I go to meet’—Charlotte Mew’s Afterlives,and poets responding to her work. This final chapter delves into how biographers and writers have responded to these gaps, silences and omissions, in scholarly biographies (Copus), novelistic biographies (Fitzgerald), essays (Boland), poetry (Clampitt, Warner, Boland, Longley, McGuckian). This chapt作者: 偽造者 時間: 2025-3-22 01:12 作者: 喧鬧 時間: 2025-3-22 06:40
Charlotte Mew’s Silenceosophical investments. Mew wrote to both articulate and overcome silence, in particular, what she saw as the empty words and entombing silence of the Christian faith. From the impossibility of speech in her short story ‘Passed,’ through to her bravura essay on Emily Bront?’s poetry and the anguished作者: palette 時間: 2025-3-22 09:33 作者: Cerumen 時間: 2025-3-22 15:24
Charlotte Mew’s Self-Effacing Celebritys of the early twentieth century, such as Edith Sitwell and Edna St. Vincent Millay, Mew apparently refused to use her image to promote her work, just as she routinely declined to provide personal details for anthologists. This chapter challenges such a narrative, revealing that Mew was in fact more作者: Cerumen 時間: 2025-3-22 20:58
Equivocal Address in the Poems of Charlotte Mew and being spoken to. Mew’s poems themselves, however, frequently refuse to signify identity in a way that is singular or definitive. While second-person address is a common feature of many lyric poems, Mew’s frequent adoption of personae, combined with her tendency towards the opaque and obscure, a作者: microscopic 時間: 2025-3-23 00:23
Charlotte Mew and the Unspeakable Sites of Trans Embodimentof Emily Bront?‘, the chapter uncovers a tumult of nonhuman embodiments and affinities, from body transformations at the hands of fairies to magical transitioning in the natural world. In doing so, the chapter argues that Mew‘s work celebrates a transgothic and transecological imaginary, comparing M作者: 牢騷 時間: 2025-3-23 03:26 作者: 熔巖 時間: 2025-3-23 05:56 作者: sinoatrial-node 時間: 2025-3-23 12:35
Charlotte Mew’s Travel Poeticss the Channel registered intensely, prompting Mew to reflect on the psycho-affective makeup of what she called her ‘queer uncertain mind.’ Following that introspective impulse, this chapter explores how Mew’s work engages with the defamiliarizing themes and genres of travel literature—what I refer t作者: 混合 時間: 2025-3-23 16:44
‘A Queer Uncertain Mind’: Charlotte Mew, Female Vocations, and the Ethics of Care her relationships with the Chick sisters, one of the most remarkable group of siblings born in the later decades of the nineteenth century. Six of the seven sisters benefited from higher education, and most of them went on to establish successful careers in a wide range of academic disciplines, inc作者: 褪色 時間: 2025-3-23 21:57
G. Cioni,A. Colagrossi,A. Miolamsbury, London, which she shared with her mother and sister Anne. Mew used to alarm those in her company by periodically withdrawing sheets of paper and rolling them up to light her cigarettes or by feeding small pieces to the family parrot Wek. ‘I’m burning up my work. I don’t know what else to do 作者: 奇怪 時間: 2025-3-24 00:00 作者: Common-Migraine 時間: 2025-3-24 04:46 作者: Entreaty 時間: 2025-3-24 10:28
https://doi.org/10.1007/978-3-031-06413-5osophical investments. Mew wrote to both articulate and overcome silence, in particular, what she saw as the empty words and entombing silence of the Christian faith. From the impossibility of speech in her short story ‘Passed,’ through to her bravura essay on Emily Bront?’s poetry and the anguished作者: GROG 時間: 2025-3-24 13:24 作者: EXULT 時間: 2025-3-24 18:33 作者: 為現(xiàn)場 時間: 2025-3-24 22:43
Rachel M. McCleary,Robert J. Barro and being spoken to. Mew’s poems themselves, however, frequently refuse to signify identity in a way that is singular or definitive. While second-person address is a common feature of many lyric poems, Mew’s frequent adoption of personae, combined with her tendency towards the opaque and obscure, a作者: patella 時間: 2025-3-25 02:36
Laura C. Anderson,Cheryl A. Kieliszewskiof Emily Bront?‘, the chapter uncovers a tumult of nonhuman embodiments and affinities, from body transformations at the hands of fairies to magical transitioning in the natural world. In doing so, the chapter argues that Mew‘s work celebrates a transgothic and transecological imaginary, comparing M作者: overshadow 時間: 2025-3-25 05:43 作者: 雪上輕舟飛過 時間: 2025-3-25 10:56 作者: VALID 時間: 2025-3-25 14:53 作者: 不給啤 時間: 2025-3-25 18:08
Rebecca Fischer,Hauke Hasenknopf her relationships with the Chick sisters, one of the most remarkable group of siblings born in the later decades of the nineteenth century. Six of the seven sisters benefited from higher education, and most of them went on to establish successful careers in a wide range of academic disciplines, inc作者: 共同時代 時間: 2025-3-25 21:35
Francesca Bratton,Megan Girdwood,Fraser RiddellThe first dedicated volume to engage critically with Charlotte Mew’s poetry, fiction and essays.Explores Mew’s oeuvre in relation to her wider late-Victorian and early modernist intellectual milieu.Br作者: chastise 時間: 2025-3-26 02:22
Palgrave Studies in Nineteenth-Century Writing and Culturehttp://image.papertrans.cn/d/image/242073.jpg作者: 凹槽 時間: 2025-3-26 06:56 作者: 繁榮中國 時間: 2025-3-26 10:13 作者: Blazon 時間: 2025-3-26 13:50
Charlotte Mew: Poetics, Bodies, Ecologies978-3-031-62542-8Series ISSN 2634-6494 Series E-ISSN 2634-6508 作者: patriarch 時間: 2025-3-26 19:20
Environmental and Microbial Biotechnologyf her public readings. It attends to Mew’s distinctive self-fashioning—a persona constructed from dress, bearing, mannerisms, and speech—considering how this intersects with her remarkable poetic voice, concluding with a close reading of ‘Fame,’ a poem that encodes Mew’s ambivalent response to public exposure.作者: 領導權 時間: 2025-3-26 21:27 作者: tenosynovitis 時間: 2025-3-27 03:37 作者: deviate 時間: 2025-3-27 05:47 作者: Physiatrist 時間: 2025-3-27 11:26 作者: 輕快走過 時間: 2025-3-27 14:42 作者: troponins 時間: 2025-3-27 18:52 作者: chassis 時間: 2025-3-28 01:56 作者: 阻礙 時間: 2025-3-28 02:37 作者: LURE 時間: 2025-3-28 09:55
Book 2024rst volume dedicated solely to critical engagement with the full range of Mew’s poetry, fiction and essays. Mew moved within a remarkable range of literary and intellectual circles, from?.The Yellow Book.?in the 1890s to Bloomsbury’s Poetry Bookshop in the 1910s. As such, her work challenges traditi作者: 連詞 時間: 2025-3-28 11:38
2634-6494 er late-Victorian and early modernist intellectual milieu.Br.This collection of essays explores the life and works of the British poet and author of short stories Charlotte Mew (1869-1928). It represents the first volume dedicated solely to critical engagement with the full range of Mew’s poetry, fi作者: 凝視 時間: 2025-3-28 15:48 作者: Fortuitous 時間: 2025-3-28 22:45 作者: 細絲 時間: 2025-3-29 02:49
G. Cioni,A. Colagrossi,A. Miolaor reduces her ‘heap of treasured papers’ to ‘masses of charred paper’ and ‘blackened fragments’ on the hearth. These apocryphal manuscripts are among the many frustrating lacunae in the biography and poetic legacy of Mew, one of the most inscrutable literary figures of the nineteenth century.作者: 意外 時間: 2025-3-29 06:06 作者: 公共汽車 時間: 2025-3-29 09:35
Rachel M. McCleary,Robert J. Barroand addressees, through live performance. Through consideration of Mew’s engagement with ambiguous gender-profiling, shifting presence, uncertain power dynamics, and imagined identification, the chapter explores the ways in which the equivocality of address in Mew’s writing both complicates and info作者: myriad 時間: 2025-3-29 12:26
Martina Fricke,Freimut Bodendorfsult is not heroic resolution or confessional exorcism but rather an unsettled experience of grief, continuously interrupted and refused by what Winnicott termed ‘manic defence.’ The threatened loss of a love-object and the loss of a world are not readily separable in such a poem. Contemporary reade作者: 喃喃訴苦 時間: 2025-3-29 16:49
Rebecca Fischer,Hauke Hasenknopfself/world . Through her work, Mew explores the liberatory potentials that an ecologically conceived model of being might offer a subject beleaguered by modern living. Her work considers the natural world as both an aesthetic and material phenomenon, explored through the confluence of sensorial and 作者: BOON 時間: 2025-3-29 22:31
Matthia Leyendecker,Christian Zagelw’s speakers to their less noted multilingualism. In that performative range, we find an intimate connection between Mew’s travel poetics and her prowess in the dramatic monologue, for these texts model dramatic character as an unstable and place-based phenomenon. The chapter concludes by situating 作者: 火海 時間: 2025-3-30 01:41
Rebecca Fischer,Hauke Hasenknopf beliefs. The final section of the chapter turns to Mew’s story ‘Mademoiselle’ (1904), which exposes the dilemma facing an ageing professional woman who wishes to believe that she remains a source of sexual attraction to her younger (fickle) male lover. Taken together, these works reveal how Mew rec
