派博傳思國(guó)際中心

標(biāo)題: Titlebook: Centaur Art; The Future of Art in Remo Pareschi Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sprin [打印本頁(yè)]

作者: HIV763    時(shí)間: 2025-3-21 18:35
書目名稱Centaur Art影響因子(影響力)




書目名稱Centaur Art影響因子(影響力)學(xué)科排名




書目名稱Centaur Art網(wǎng)絡(luò)公開度




書目名稱Centaur Art網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Centaur Art被引頻次




書目名稱Centaur Art被引頻次學(xué)科排名




書目名稱Centaur Art年度引用




書目名稱Centaur Art年度引用學(xué)科排名




書目名稱Centaur Art讀者反饋




書目名稱Centaur Art讀者反饋學(xué)科排名





作者: prosperity    時(shí)間: 2025-3-21 20:30
AI for Games and Art,the contrast in AI’s application is not solely influenced by technology but significantly by the socio-cultural context, providing a deeper understanding of AI’s diverse impacts and potential in different environments.
作者: Fecundity    時(shí)間: 2025-3-22 00:32

作者: 字形刻痕    時(shí)間: 2025-3-22 06:06
,From ‘On-life’ to ‘On-art’ and ‘Beyond-Life’,ng artists who embody this spectrum, this chapter contemplates AI’s role in forging novel artistic paradigms. It reflects on the myriad of possibilities for art in a world where technology augments human creativity, heralding an era of unfettered co-creation between humans and machines.
作者: 平    時(shí)間: 2025-3-22 08:49
Vassiliki Karioti,Polychronis Economouof language in art, enabling the visualization of complex ideas and fostering generative cross-modal connections between text, imagery, and sound in music. This analysis reaffirms that art’s receptiveness to AI heralds a future enriched by centauric partnerships that amplify creative potential.
作者: 類型    時(shí)間: 2025-3-22 15:03

作者: 類型    時(shí)間: 2025-3-22 18:58

作者: BOON    時(shí)間: 2025-3-22 23:24
ic Creativity,” a new paradigm of artistic creation combinin.Generative AI is transforming the landscape of numerous industries, and the creative fields are no exception. As the figurative arts become a focal point in the ongoing debate, this book explores hybrid and centauric intelligence—an integr
作者: 顧客    時(shí)間: 2025-3-23 04:37
The Knowledge Management Perspective days of computing to its impactful applications in various fields. As the focus shifts to art, we uncover the centaur model’s technological, cognitive, and socioeconomic viability and its potential to enhance human creativity through AI integration.
作者: 放縱    時(shí)間: 2025-3-23 06:01

作者: Ptsd429    時(shí)間: 2025-3-23 12:18
Louis Redding,Rajkumar Roy,Andy Shawts nurture imitative creativity and confront the complexities of depicting intricate spatial relationships. This chapter underscores the integral role of generative platforms in driving artistic evolution and anticipates future advancements.
作者: GREG    時(shí)間: 2025-3-23 14:42
Costin-Gabriel Chiru,Bishnu Sarkerng artists who embody this spectrum, this chapter contemplates AI’s role in forging novel artistic paradigms. It reflects on the myriad of possibilities for art in a world where technology augments human creativity, heralding an era of unfettered co-creation between humans and machines.
作者: 西瓜    時(shí)間: 2025-3-23 19:11
https://doi.org/10.1007/978-3-319-49938-3nd legal discussions surrounding generative platforms, including notable lawsuits and copyright considerations. Drawing parallels with historical art movements like Mannerism, Surrealism, Cubism, and Andy Warhol’s Factory, we situate AI within the broader context of artistic evolution.
作者: 拘留    時(shí)間: 2025-3-24 01:01
The Knowledge Management Perspectivereplacing human creativity, this model serves as a tool for its expansion. We journey through the historical development of this model, from the early days of computing to its impactful applications in various fields. As the focus shifts to art, we uncover the centaur model’s technological, cognitiv
作者: vitrectomy    時(shí)間: 2025-3-24 03:36

作者: craving    時(shí)間: 2025-3-24 07:53

作者: 吞下    時(shí)間: 2025-3-24 12:03

作者: ANTI    時(shí)間: 2025-3-24 18:36

作者: Exclaim    時(shí)間: 2025-3-24 20:20
Costin-Gabriel Chiru,Bishnu Sarkeres how generative AI redefines authorship and presents a taxonomy of centauric art, from traditional collaborations to fully automated works. Showcasing artists who embody this spectrum, this chapter contemplates AI’s role in forging novel artistic paradigms. It reflects on the myriad of possibiliti
作者: Predigest    時(shí)間: 2025-3-25 01:01

作者: HALL    時(shí)間: 2025-3-25 07:05

作者: 莊嚴(yán)    時(shí)間: 2025-3-25 07:39
978-3-031-69065-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
作者: blackout    時(shí)間: 2025-3-25 12:58
Remo PareschiProvides a unique exploration of the intersection between human creativity and artificial intelligence in art and design.Introduces “Centauric Creativity,” a new paradigm of artistic creation combinin
作者: 售穴    時(shí)間: 2025-3-25 16:33

作者: harpsichord    時(shí)間: 2025-3-25 23:05
Book 2024amines the implications of the recent developments, offering readers an understanding of how AI can support human creativity rather than replace it. Thus, a compelling vision of the future unfolds, one in which artists and AI collaborate, pushing the boundaries of what is artistically achievable...W
作者: braggadocio    時(shí)間: 2025-3-26 01:13
ow AI can support human creativity rather than replace it. Thus, a compelling vision of the future unfolds, one in which artists and AI collaborate, pushing the boundaries of what is artistically achievable...W978-3-031-69065-5978-3-031-69063-1
作者: 惹人反感    時(shí)間: 2025-3-26 07:28

作者: Vo2-Max    時(shí)間: 2025-3-26 08:42
Art and Artificial Intelligence Between Past, Present and Future,nd legal discussions surrounding generative platforms, including notable lawsuits and copyright considerations. Drawing parallels with historical art movements like Mannerism, Surrealism, Cubism, and Andy Warhol’s Factory, we situate AI within the broader context of artistic evolution.
作者: Irrepressible    時(shí)間: 2025-3-26 13:13
AI for Games and Art,neural networks, we reveal their mastery in strategic games like chess and their supportive role in the boundless creativity of art. We highlight how the contrast in AI’s application is not solely influenced by technology but significantly by the socio-cultural context, providing a deeper understand
作者: enterprise    時(shí)間: 2025-3-26 20:41
The Art of Turning Prompts into Art,els and the CLIP neural network in transforming textual prompts into vivid images. Through insights from centauric artist ., we show how nuanced prompts nurture imitative creativity and confront the complexities of depicting intricate spatial relationships. This chapter underscores the integral role
作者: 寬宏大量    時(shí)間: 2025-3-27 00:54

作者: 極大的痛苦    時(shí)間: 2025-3-27 03:09
,From ‘On-life’ to ‘On-art’ and ‘Beyond-Life’,es how generative AI redefines authorship and presents a taxonomy of centauric art, from traditional collaborations to fully automated works. Showcasing artists who embody this spectrum, this chapter contemplates AI’s role in forging novel artistic paradigms. It reflects on the myriad of possibiliti
作者: avarice    時(shí)間: 2025-3-27 05:29
Gilbert Probst,Stefan Raub,Kai Romhardt . . . .. . . . 30 . 5 Erste Ubungen und FragesteUungen . . . . .. . 32 A Zuerst einige Ubungen, die rasch erledigt sind . . . . . . . . . . . . . . . . . . .. . . 32 . . . . B Einiges zum Sechseck .............. 33 C Wozu die Gleichheit dient .......... 33 D Beschreibung der Steine durch Fra- spiele . . . . 978-3-528-08394-6978-3-322-84135-3
作者: 菊花    時(shí)間: 2025-3-27 10:31
s more accessible to economists. However, it would also be an invaluable tool for applied mathematicians who are looking to learn about possible economic applications of various control methods..978-981-99-5489-6978-981-99-5487-2
作者: 波動(dòng)    時(shí)間: 2025-3-27 14:14

作者: 極力證明    時(shí)間: 2025-3-27 19:32
Strengthening of Soil Subgrade Using Bio-Enzymezyme and indeed increase the soil shear strength properties up to 35% for clay. The strength gaining of bio-enzyme treated soil is very slow. Few other studies suggest that bio-enzyme not increases enough shear strength and it may not be useable to all kind of clay minerals.
作者: Exposure    時(shí)間: 2025-3-28 00:04





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