標題: Titlebook: Cyborg Theatre; Corporeal/Technologi Jennifer Parker-Starbuck Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011 [打印本頁] 作者: 候選人名單 時間: 2025-3-21 17:27
書目名稱Cyborg Theatre影響因子(影響力)
書目名稱Cyborg Theatre影響因子(影響力)學(xué)科排名
書目名稱Cyborg Theatre網(wǎng)絡(luò)公開度
書目名稱Cyborg Theatre網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Cyborg Theatre被引頻次
書目名稱Cyborg Theatre被引頻次學(xué)科排名
書目名稱Cyborg Theatre年度引用
書目名稱Cyborg Theatre年度引用學(xué)科排名
書目名稱Cyborg Theatre讀者反饋
書目名稱Cyborg Theatre讀者反饋學(xué)科排名
作者: 沉積物 時間: 2025-3-21 20:29 作者: Trigger-Point 時間: 2025-3-22 03:14
978-1-137-46641-9Palgrave Macmillan, a division of Macmillan Publishers Limited 2011作者: 暴露他抗議 時間: 2025-3-22 08:23 作者: 山頂可休息 時間: 2025-3-22 12:03 作者: 火花 時間: 2025-3-22 14:19 作者: 火花 時間: 2025-3-22 19:36
Adult Learning and la Recherche Féminineuestions about the place of the human in contemporary culture. A desire to rethink both humanness and bodies springs up in provocative theoretical investigations such as Donna Haraway’s “cyborg,” Gilles Deleuze and Félix Guattari’s “becoming-animal,” Katherine Hayles’s “post-human,” and Rosi Braidot作者: Arrhythmia 時間: 2025-3-22 22:52
https://doi.org/10.1057/9781137012982 bodies, the hope for technological cures all attract us as we negotiate the limits of our own bodies. Some bodies remain healthy longer, others fit the “norms” of a given society more easily, but ultimately it is our bodies that fail us, yet bodies both real and imagined drive how we function in th作者: capillaries 時間: 2025-3-23 05:05 作者: 喚醒 時間: 2025-3-23 06:20
The “Enrichments” Learning Path 2009. . replaced the long-running ., which had itself replaced the original EO, operating from 1986–97. Both “attractions” are embedded into the Disney theme park as immersive “rides” — audiences don 3-D glasses and sit in theatrical audience configurations to experience these filmic events. In ., 作者: 極力證明 時間: 2025-3-23 10:37
The “Enrichments” Learning Path with “the machine.” Cyborgs are around us, in science and science fiction, in daily life. This relationship continues to be processual, technologies continue to move forward, assisting or, depending on your viewpoint, encroaching upon the human body. Technologies are more “subject” than ever before作者: Tartar 時間: 2025-3-23 17:37 作者: 有組織 時間: 2025-3-23 18:07
2947-5600 d, digitized, or mediatized, to re-imagine subjectivity for a post-human age.?It covers a variety of examples, to propose new theoretical tools for understanding performance in our changing world.978-1-137-46641-9978-0-230-30652-3Series ISSN 2947-5600 Series E-ISSN 2947-5619 作者: 偽造 時間: 2025-3-24 01:30 作者: PET-scan 時間: 2025-3-24 03:48
BACKspace: Historical/Theoretical Intersections,uestions about the place of the human in contemporary culture. A desire to rethink both humanness and bodies springs up in provocative theoretical investigations such as Donna Haraway’s “cyborg,” Gilles Deleuze and Félix Guattari’s “becoming-animal,” Katherine Hayles’s “post-human,” and Rosi Braidot作者: Dignant 時間: 2025-3-24 07:51
,SHIFTing the Balance: “Abject” Bodies, bodies, the hope for technological cures all attract us as we negotiate the limits of our own bodies. Some bodies remain healthy longer, others fit the “norms” of a given society more easily, but ultimately it is our bodies that fail us, yet bodies both real and imagined drive how we function in th作者: chronology 時間: 2025-3-24 10:44 作者: Impugn 時間: 2025-3-24 14:59
,ENTERing the View: Triangulating “Subject” Bodies, 2009. . replaced the long-running ., which had itself replaced the original EO, operating from 1986–97. Both “attractions” are embedded into the Disney theme park as immersive “rides” — audiences don 3-D glasses and sit in theatrical audience configurations to experience these filmic events. In ., 作者: SHOCK 時間: 2025-3-24 22:36
Conclusion: Remembering Bodies, Becoming-Cyborg, with “the machine.” Cyborgs are around us, in science and science fiction, in daily life. This relationship continues to be processual, technologies continue to move forward, assisting or, depending on your viewpoint, encroaching upon the human body. Technologies are more “subject” than ever before作者: corpus-callosum 時間: 2025-3-25 00:21
Introduction: Why Cyborg Theatre,re, science, the military, and in daily life as a representation of the often tangled line between bodies and technology. Taken literally (as a visual or physical composite) — a body fixed in its co-mingling of parts, machine and flesh — the cyborg has been considered “monstrous” and is often a figu作者: Anticoagulant 時間: 2025-3-25 06:51
BACKspace: Historical/Theoretical Intersections,rn towards notions of embodiment. Two publications in 1999, for example, use “post” to signify changing human-technological relations that underpin some of the theoretical and theatrical concerns of this book, Katherine Hayles’s ., and Hans-Thies Lehmann’s . (although the latter was not translated i作者: 積習(xí)難改 時間: 2025-3-25 10:14
,SHIFTing the Balance: “Abject” Bodies,formation. But the abject bodies of this chapter, disabled, disembodied, mechanical, and relegated to the outskirts, are all in their own ways already subjects; considering them under the designation of abject is a problematic, but also necessary, identification to reframe differing abilities. While作者: 領(lǐng)導(dǎo)權(quán) 時間: 2025-3-25 11:59
,“Object” of CONTROL: Framing the Fragments, and a book on Breughel. This is the Breughelland of Ligeti’s opera, a body abused — the camera cuts to a woman, “Claudia,” mouth open in a panicked scream, perhaps having a heart attack, in pain. A close up of her distressed face remains visible as the lights shift and the projection appears on the作者: 粗魯?shù)娜?nbsp; 時間: 2025-3-25 19:17
,ENTERing the View: Triangulating “Subject” Bodies,ing into characters in such rides as the 1967 “Pirates of the Caribbean”), immersive 3-D action became this “ride’s” gimmick. These are, however, theme park rides that audiences encounter as theatre: bodies fill the audience in theatrical rows, and through glasses are drawn into immersively “l(fā)ive” e作者: keloid 時間: 2025-3-25 20:08
Conclusion: Remembering Bodies, Becoming-Cyborg,uced. In performance, this new strand is strengthened as concepts of abject, object, and subject form inter-alliances — these are crucially not erasures of the specific bodies of each category (though in this new testing stage there are still likely to be a few), but rather alliances formed to shed 作者: 凝乳 時間: 2025-3-26 01:49
Adult Learning and la Recherche Fémininere, science, the military, and in daily life as a representation of the often tangled line between bodies and technology. Taken literally (as a visual or physical composite) — a body fixed in its co-mingling of parts, machine and flesh — the cyborg has been considered “monstrous” and is often a figu作者: Sleep-Paralysis 時間: 2025-3-26 05:07
Adult Learning and la Recherche Fémininern towards notions of embodiment. Two publications in 1999, for example, use “post” to signify changing human-technological relations that underpin some of the theoretical and theatrical concerns of this book, Katherine Hayles’s ., and Hans-Thies Lehmann’s . (although the latter was not translated i作者: LINES 時間: 2025-3-26 09:37
https://doi.org/10.1057/9781137012982formation. But the abject bodies of this chapter, disabled, disembodied, mechanical, and relegated to the outskirts, are all in their own ways already subjects; considering them under the designation of abject is a problematic, but also necessary, identification to reframe differing abilities. While作者: Harbor 時間: 2025-3-26 15:53
https://doi.org/10.1057/9781137012982 and a book on Breughel. This is the Breughelland of Ligeti’s opera, a body abused — the camera cuts to a woman, “Claudia,” mouth open in a panicked scream, perhaps having a heart attack, in pain. A close up of her distressed face remains visible as the lights shift and the projection appears on the作者: 噴油井 時間: 2025-3-26 20:16
The “Enrichments” Learning Pathing into characters in such rides as the 1967 “Pirates of the Caribbean”), immersive 3-D action became this “ride’s” gimmick. These are, however, theme park rides that audiences encounter as theatre: bodies fill the audience in theatrical rows, and through glasses are drawn into immersively “l(fā)ive” e作者: Bother 時間: 2025-3-26 21:58 作者: deforestation 時間: 2025-3-27 04:11
Zusammenspiel der PR-Instrumentep?ter bei einer Dorfversammlung auch eine Bu?e in Geld und ., einem einheimischen Bier, entrichten. Schon bevor mein Dorf oder eines der umliegenden D?rfer jemals etwas von Nationalparks oder Schutzgebieten geh?rt hatten, verfügten sie über ein hochentwickeltes, lokal geregeltes System zur Waldpflege.作者: 變化 時間: 2025-3-27 06:23
Re-presencing Through Artistic Reverie: Implications for Postdigital Theology and the divine that could inform the emergence of a postdigital theology. The argument of this chapter is that the ungraspability of art, religion and the postdigital invite a return to engagement with art as a means to be present with, present to and present for deeper connection with ourselves and the divine.作者: deactivate 時間: 2025-3-27 09:50
hird section, following Yokota (Interdiscip Inf Sci 9(1):11–21, 2003. MR MR2023102 (2004j:57014)) again, we explain the relationship between the hyperbolic structure of the knot complement, and a “potential” function which we obtain in the second section. In the fourth section, we sort the remaining作者: Musculoskeletal 時間: 2025-3-27 14:59 作者: Femine 時間: 2025-3-27 21:46
fficient quan- tities alone is not enough to guarantee the survival of fish. Intact fish habitats comprise various phYsical structures including plenty of hiding places, hunting grounds, reproduction and nursery areas within suitable distances from each other. This third aspect of conservation and restoration978-3-0348-9867-6978-3-0348-9014-4作者: 減弱不好 時間: 2025-3-28 01:36 作者: 小隔間 時間: 2025-3-28 05:47
The Use of GC-MS in Perinatal Pharmacology: The Metabolism and Pharmacokinetics of Analgesic Drugs izing the lower part of the body. The drug of choice for this at present is bupivacaine. Table 1 lists the analgesic procedures used for the 845 deliveries during the year 1976 at St. Mary’s Hospital, London and shows that some 70% of mothers opted for one of the above treatments, compared with less than 20% who had no analgesic drugs.作者: 巧辦法 時間: 2025-3-28 06:23
https://doi.org/10.1057/9780230320826 zentrale Teil des Fragmentes von den ersten Stunden der Explantation an autolytischen Vorg?ngen, sei es, da? der Tod der Elemente durch Ersticken, sei es durch Nahrungsmangel, bedingt wird, entgegen. Wenn jedoch die Degeneration der zentralen Zone eine Erscheinung ist, die st?ndig vorkommt, so ist
