標題: Titlebook: Cultural Robotics; First International Jeffrey T.K.V. Koh,Belinda J. Dunstan,Mari Velonak Conference proceedings 2016 Springer Internation [打印本頁] 作者: 推翻 時間: 2025-3-21 16:30
書目名稱Cultural Robotics影響因子(影響力)
書目名稱Cultural Robotics影響因子(影響力)學科排名
書目名稱Cultural Robotics網(wǎng)絡(luò)公開度
書目名稱Cultural Robotics網(wǎng)絡(luò)公開度學科排名
書目名稱Cultural Robotics被引頻次
書目名稱Cultural Robotics被引頻次學科排名
書目名稱Cultural Robotics年度引用
書目名稱Cultural Robotics年度引用學科排名
書目名稱Cultural Robotics讀者反饋
書目名稱Cultural Robotics讀者反饋學科排名
作者: sparse 時間: 2025-3-21 20:44 作者: 引起 時間: 2025-3-22 03:48 作者: 因無茶而冷淡 時間: 2025-3-22 05:09
Did the Scholarly Tradition Survive? interaction between users than other existing TPRs. The TPR is a robotic movable platform which helps people communicate across distances, and it is sometimes required to have the ability of ‘tele-manipulation’, which exceeds the current capacity of pure ‘telecommunication’?[.]. Of note, our M4K ha作者: Alpha-Cells 時間: 2025-3-22 12:14 作者: 永久 時間: 2025-3-22 14:54
Did the Scholarly Tradition Survive?ically inspired contributions are still rare. This paper aims to introduce a theory-driven method according to a sociological interaction concept to evaluate HRI and identify aspects of successful and satisfying interaction experiences. It combines Harold Garfinkel’s breaching experiments with a fra作者: 永久 時間: 2025-3-22 18:36
For the Duration: Place, Space and Gender,oid (male) robot in a playful context, as well as on the duration of the interactions. The robotic trials took place in an art exhibition where participants approached the robot either in groups, or alone, and were let free to either engage, or not in conversation. Our initial hypothesis that partic作者: Junction 時間: 2025-3-22 23:27
Did the Scholarly Tradition Survive?ds. Although these academic fields are very important, we believe that other subjects such as language, music, arts, literature, history, etc., are also essential for future generations. For this reason, the goal of this research is to explore the potential use of robots as educational tools for non作者: noxious 時間: 2025-3-23 02:47
Patriotic Femininity on the Home Front,act robot morphologies and their capacity to move in affective and expressive ways. We argue that movement offers a key to socializing non-anthropomorphic robots. Our Performative Body Mapping (PBM) method investigates the possibility of using human movement experts to teach non-humanlike robots to 作者: 重疊 時間: 2025-3-23 07:10 作者: 無目標 時間: 2025-3-23 10:20
Economy, History and Structure of Katsina, and assembly lines, among others. Much of the research focuses on efficiency, speed, accuracy of repetitive tasks, and in most cases the robot simply replaces and performs work tasks originally performed by humans. Looking beyond the simple replacement of humans with robotic servants, we focus on i作者: Bone-Scan 時間: 2025-3-23 14:44
For the Duration: Place, Space and Gender,, to facilitate a wider, yet fractional, discussion of the cultural provenance and potential integration of specifically female-appearing android robots (gynoids). The “display architecture” of the gynoid can be viewed as an aesthetic emulation by robot designers of the centuries-old characterizatio作者: 期滿 時間: 2025-3-23 19:36 作者: 名字的誤用 時間: 2025-3-24 00:20
Economy, History and Structure of Katsina,es the cultural legacy of the performance of automata and discusses historical and contemporary works to explore machine creativity as a cultural, bodily practice. Creative machines are explored as performers, capable to expand the script they are given by their human creator and skillful in bidding作者: 生銹 時間: 2025-3-24 05:20
Economy, History and Structure of Katsina,Z-Machine. Our primary research interest in this paper is the ways in which robots relate to, interact with, and are perceived by humans - or in short, human-robot relationships. To this aim we have conducted a small-scale (multi-‘species’) ethnography in which we were participant observers in the o作者: CHURL 時間: 2025-3-24 08:24
Jeffrey T.K.V. Koh,Belinda J. Dunstan,Mari VelonakIncludes supplementary material: 作者: grounded 時間: 2025-3-24 14:32 作者: Altitude 時間: 2025-3-24 15:10 作者: ANTI 時間: 2025-3-24 22:00 作者: enmesh 時間: 2025-3-24 23:39
https://doi.org/10.1007/978-3-319-42945-8autonomous robots; cognitive models; human-robot interaction; robotic agents; social robotics作者: BATE 時間: 2025-3-25 06:51
978-3-319-42944-1Springer International Publishing Switzerland 2016作者: charisma 時間: 2025-3-25 11:14 作者: FLUSH 時間: 2025-3-25 12:04 作者: STANT 時間: 2025-3-25 17:45 作者: Anthology 時間: 2025-3-25 22:11
The Positive Effect of Negative Feedback in HRI Using a Facial Expression Robotis determined during a task in human - robot collaboration, derived from a negative facial expression issued as feedback by the robot (sad face) when a failure in the execution of the task occurs. This study analyzes whether or not human intervention exists on the initial presence of an unexpected f作者: 紋章 時間: 2025-3-26 03:24 作者: 一大塊 時間: 2025-3-26 06:08 作者: mastoid-bone 時間: 2025-3-26 08:53 作者: painkillers 時間: 2025-3-26 12:55
Towards Socializing Non-anthropomorphic Robots by Harnessing Dancers’ Kinesthetic Awarenessact robot morphologies and their capacity to move in affective and expressive ways. We argue that movement offers a key to socializing non-anthropomorphic robots. Our Performative Body Mapping (PBM) method investigates the possibility of using human movement experts to teach non-humanlike robots to 作者: gimmick 時間: 2025-3-26 19:41
Robots and the Moving Camera in Cinema, Television and Digital Mediand to the capabilities of human bodies and their physical equipment. Computer-based and robotic systems are enabling changes in image genres, extending the fields of perception for viewers. Motion control systems provide much tighter control over the movement of the camera in space and time. On tele作者: Glower 時間: 2025-3-26 23:26
Robot-Supported Food Experiences and assembly lines, among others. Much of the research focuses on efficiency, speed, accuracy of repetitive tasks, and in most cases the robot simply replaces and performs work tasks originally performed by humans. Looking beyond the simple replacement of humans with robotic servants, we focus on i作者: 使絕緣 時間: 2025-3-27 03:15
‘Face Robots’ Onscreen: ,, to facilitate a wider, yet fractional, discussion of the cultural provenance and potential integration of specifically female-appearing android robots (gynoids). The “display architecture” of the gynoid can be viewed as an aesthetic emulation by robot designers of the centuries-old characterizatio作者: 吊胃口 時間: 2025-3-27 07:07
Robot Opera: A Gesamtkunstwerk for the 21st Centuryt work of the future. This chapter addresses how framing robotic performance as a . (and its historical ambitions) contributes to the canon of Cultural Robotics. The notion of robotic performance agency is detailed through the history and theories surrounding representations of the robot in popular 作者: 后退 時間: 2025-3-27 10:06 作者: 裙帶關(guān)系 時間: 2025-3-27 14:51
Compressorhead: The Robot Band and Its Transmedia StoryworldZ-Machine. Our primary research interest in this paper is the ways in which robots relate to, interact with, and are perceived by humans - or in short, human-robot relationships. To this aim we have conducted a small-scale (multi-‘species’) ethnography in which we were participant observers in the o作者: 揮舞 時間: 2025-3-27 18:10 作者: MIRTH 時間: 2025-3-28 01:54
For the Duration: Place, Space and Gender,t than male participants. The findings suggest that androids have the ability to maintain the focus of attention during short-term interactions within a playful context, and that robots can be sufficiently studied in art settings. This study provides an insight on how users communicate with an andro作者: 急急忙忙 時間: 2025-3-28 03:15 作者: Bravado 時間: 2025-3-28 09:35 作者: condescend 時間: 2025-3-28 11:13
Head Orientation Behavior of Users and Durations in Playful Open-Ended Interactions with an Android t than male participants. The findings suggest that androids have the ability to maintain the focus of attention during short-term interactions within a playful context, and that robots can be sufficiently studied in art settings. This study provides an insight on how users communicate with an andro作者: 儀式 時間: 2025-3-28 16:43
Robot-Supported Food Experiences a robotic arm taking departure in themes of haute cuisine, “plating”, and the arts in order to show some of the capabilities of robots and to spark their imagination for possible future uses of robots in the kitchen. Through questionnaires and interviews, we gained feedback from ten chefs with resu作者: Clumsy 時間: 2025-3-28 21:34 作者: 發(fā)芽 時間: 2025-3-29 00:55
Did the Scholarly Tradition Survive?s or historical characters of Mesoamerican and South American cultures. We discuss how some of the traits of ancient gods and characters could serve as inspiration for the appearance design of commercial robots, and how these robots could be used in educational environments to attract the attention of students to learn about this history topic.作者: forthy 時間: 2025-3-29 03:03
Economy, History and Structure of Katsina,sly created by both humans and robots across multiple communication media platforms. In so doing, we argue that robots can indeed be seen as musicians, performers, and even celebrities, and therefore can be taken seriously as producers of culture.作者: Prosaic 時間: 2025-3-29 08:41
Designing the Appearance of a Telepresence Robot, M4K: A Case Studyh, ideal version design, to manufactured version design. This project is ongoing and at an estimated midway point of the whole development cycle, so it is also treated partly as an experiment. This study will be used to support the next phase of design and technical development.作者: 有其法作用 時間: 2025-3-29 11:54
Towards the Design of Robots Inspired in Ancient Cultures as Educational Toolss or historical characters of Mesoamerican and South American cultures. We discuss how some of the traits of ancient gods and characters could serve as inspiration for the appearance design of commercial robots, and how these robots could be used in educational environments to attract the attention of students to learn about this history topic.作者: 錯 時間: 2025-3-29 18:00
Compressorhead: The Robot Band and Its Transmedia Storyworldsly created by both humans and robots across multiple communication media platforms. In so doing, we argue that robots can indeed be seen as musicians, performers, and even celebrities, and therefore can be taken seriously as producers of culture.作者: Arbitrary 時間: 2025-3-29 23:10
0302-9743 2015, held as part of the 24th International Symposium on Robot and Human Interactive Communication held in Kobe, Japan,?in August/September 2015.?.?A total of 12 full papers and 1 short paper were accepted from a total of 26 initially submitted..The following papers are organized into four categor作者: EXALT 時間: 2025-3-30 00:25 作者: FLIP 時間: 2025-3-30 05:30 作者: 話 時間: 2025-3-30 10:07 作者: nominal 時間: 2025-3-30 14:22
