標(biāo)題: Titlebook: Cultural Policies in East Asia; Dynamics between the Hye-Kyung Lee,Lorraine Lim Book 2014 Palgrave Macmillan, a division of Macmillan Publi [打印本頁] 作者: Jaundice 時間: 2025-3-21 16:47
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書目名稱Cultural Policies in East Asia影響因子(影響力)學(xué)科排名
書目名稱Cultural Policies in East Asia網(wǎng)絡(luò)公開度
書目名稱Cultural Policies in East Asia網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Cultural Policies in East Asia被引頻次
書目名稱Cultural Policies in East Asia被引頻次學(xué)科排名
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書目名稱Cultural Policies in East Asia讀者反饋
書目名稱Cultural Policies in East Asia讀者反饋學(xué)科排名
作者: 哀求 時間: 2025-3-21 23:56 作者: Corral 時間: 2025-3-22 00:31
2730-924X overview of the culture-state relationships in East Asia, it provides an analysis of contemporary developments occurring in the regions‘ cultural policies and the challenges they are facing.978-1-349-46019-9978-1-137-32777-2Series ISSN 2730-924X Series E-ISSN 2730-9258 作者: contradict 時間: 2025-3-22 08:16 作者: 合唱隊 時間: 2025-3-22 09:58 作者: 性上癮 時間: 2025-3-22 14:51 作者: 性上癮 時間: 2025-3-22 19:47 作者: 安慰 時間: 2025-3-23 00:07
Cultural Policies in East Asia978-1-137-32777-2Series ISSN 2730-924X Series E-ISSN 2730-9258 作者: badinage 時間: 2025-3-23 05:05
Book 2014This book provides a detailed snapshot of cultural policies in China, Japan, Singapore, South Korea and Taiwan. In addition to an historical overview of the culture-state relationships in East Asia, it provides an analysis of contemporary developments occurring in the regions‘ cultural policies and the challenges they are facing.作者: ENACT 時間: 2025-3-23 07:01 作者: 教育學(xué) 時間: 2025-3-23 11:05
978-1-349-46019-9Palgrave Macmillan, a division of Macmillan Publishers Limited 2014作者: burnish 時間: 2025-3-23 15:05 作者: 銀版照相 時間: 2025-3-23 19:38 作者: 刺穿 時間: 2025-3-24 00:49
or example, ethnic differences, the rise of hybrid culture, and multiple identities) and homogenizing forces (the construction of a national identity) have continued through the various phases of Taiwanese history, affecting the Taiwanese version of multiculturalism. From the 1940s, the conflict bet作者: iodides 時間: 2025-3-24 02:41 作者: 金桌活畫面 時間: 2025-3-24 10:00 作者: CHOKE 時間: 2025-3-24 12:25
torical development of, and the recent controversies around, its arts policy. There are two reasons for the chapter’s focus on arts policy: firstly, preserving and developing the arts has traditionally been the main concern of Korean cultural policy; and secondly, the country’s arts sector, which ha作者: –scent 時間: 2025-3-24 15:49
Joy Jamese promotion of arts was seen as a luxury; issues such as sustained economic growth and social stability were deemed more important. It was only in 1990, more than two decades after independence, that the Singapore government published its first recognizable official cultural policy document. This is作者: 打包 時間: 2025-3-24 19:02
ship of these meanings is well-recognized. However, the analysis here focuses mainly on the aspect of culture that is related to the deeply embedded values, beliefs, signifying system, or ‘informing spirit’ behind the perceivable activities of a society (Gong 1995, p. 41; Yu 1992, pp. 20–21), rather作者: 中止 時間: 2025-3-25 00:10
Opening the Door to the Sanguinestrative structural reforms that have progressed in a rapid manner since 2000. I will analyze two particular reforms that have greatly affected the cultural sector in the country. The first would be the Basic Law for Promotion of Culture and Arts (BLPCA), and the second would be the ‘Designated Mana作者: 招惹 時間: 2025-3-25 04:55
Opening the Door to the Sanguineorms presided over, firstly by MAO Zedong’s successor DENG Xiaoping, and following DENG, JIANG Zemin, HU Jintao and XI Jinping. In this chapter, we focus on changes that have led to a revised understanding of culture. According to a Chinese Communist Party definition, informed by historical material作者: 財產(chǎn) 時間: 2025-3-25 07:37 作者: heterodox 時間: 2025-3-25 13:13
Opening the Door to the Sanguinen the 1950s and then progressed rapidly to the technology-intensive sector. The rapid industrialization and growth during the latter half of the 20th century created the ‘Taiwan miracle.’ In a recent report on global innovation and competitiveness published by the Economist Intelligence Unit in 2012作者: 原告 時間: 2025-3-25 19:13 作者: headway 時間: 2025-3-25 20:05
New Directions in Cultural Policy Researchhttp://image.papertrans.cn/d/image/240865.jpg作者: 不開心 時間: 2025-3-26 00:09
2730-924X overview of the culture-state relationships in East Asia, it provides an analysis of contemporary developments occurring in the regions‘ cultural policies and the challenges they are facing.978-1-349-46019-9978-1-137-32777-2Series ISSN 2730-924X Series E-ISSN 2730-9258 作者: 摘要 時間: 2025-3-26 04:27 作者: aplomb 時間: 2025-3-26 12:19
Bureaucratic Imaginations in the Global City: Arts and Culture in Singapore a nation. The island’s history as a colonial . and its unexpected independence in 1965 have been discursively synthesized by the postcolonial ruling People’s Action Party (PAP) into a durable narrative of a country that cannot survive should it ever flounder as a city open to the world. Being a glo作者: finite 時間: 2025-3-26 13:54
Cultural Difference, National Identity and Cultural Policy in Taiwanor example, ethnic differences, the rise of hybrid culture, and multiple identities) and homogenizing forces (the construction of a national identity) have continued through the various phases of Taiwanese history, affecting the Taiwanese version of multiculturalism. From the 1940s, the conflict bet作者: 沒收 時間: 2025-3-26 17:09
Online Games and Chinese National Identitiesthorities. Political censorship plays a crucial role in reinforcing the state’s hegemonic influence nationally. The sense is that, with its transformative power in defining cultural discourse and shaping national identity, media is always under the radar of the authoritarian state. And yet, new medi作者: Facilities 時間: 2025-3-26 23:22 作者: Minatory 時間: 2025-3-27 04:54 作者: 動物 時間: 2025-3-27 07:10 作者: 毗鄰 時間: 2025-3-27 09:41 作者: Initial 時間: 2025-3-27 13:58 作者: capsaicin 時間: 2025-3-27 19:07 作者: 小蟲 時間: 2025-3-28 00:32
Creative Industries, Creative Clusters and Cultural Policy in Shanghaiircles. To understand the origin and trajectory of this new policy agenda, we need to understand how most of the assumptions of Western. cultural policy and theory — which underpinned cultural and creative industries in that region — were rejected by Chinese communist ideology. Although MAO’s social作者: 使長胖 時間: 2025-3-28 05:36
Developing the Creative Economy: The Network Approach of the Five Municipalities in Taiwann the 1950s and then progressed rapidly to the technology-intensive sector. The rapid industrialization and growth during the latter half of the 20th century created the ‘Taiwan miracle.’ In a recent report on global innovation and competitiveness published by the Economist Intelligence Unit in 2012作者: GILD 時間: 2025-3-28 10:19 作者: synovitis 時間: 2025-3-28 12:15
Cultural Policies in East Asia: An Introductionarea. For instance, cultural economists (Peacock and Rizzo 1994) and critical cultural theorists (McGuigan 2004) provide two very different ways of understanding culture-state relations. As cultural policy research advances and matures, we expect that there will be more calls for it to develop its o作者: incisive 時間: 2025-3-28 18:32 作者: Evolve 時間: 2025-3-28 20:54
Online Games and Chinese National Identitiesofitability at the same time. That said, censored cultural goods may still generate decent profits in the domestic market, which is controlled by the state, but will these products still appeal to overseas consumers and achieve commercial success?作者: Conscientious 時間: 2025-3-29 02:19
Nation Branding of Korea rise of nation branding policy in South Korea within this context. The chapter views nation branding as part of the country’s active strategies to manage and survive the forces of economic globalization. Through cultivating a distinct message and impression of the country and improving its prestige作者: Abutment 時間: 2025-3-29 04:17
Culture and the State: From a Korean Perspectiveblic cultural institutions to resign, and dismissed some who refused to do so, in order to replace them with those deemed ideologically close to the government. It was argued by the opposition Democratic Party that such a political move was part of the government’s scheme to rebalance the power stru作者: forager 時間: 2025-3-29 08:16 作者: 脫毛 時間: 2025-3-29 12:27
ReOrienting Cultural Policy: Cultural Statecraft and Cultural Governance in Taiwan and Chinathers. This, when applied to the pragmatics of policies, stands for the intrinsic values and meanings underlying a cultural institution, or a particular way of management and decision-making of culture in a state.作者: 阻礙 時間: 2025-3-29 16:19
The Reform of the Cultural System: Culture, Creativity and Innovation in Chinaexchange for the potential benefits of cohesion and increased productivity that social liberalization is seen to promote. Inevitably the market, rather than government propaganda, has become the arbiter of people’s cultural tastes (Gerth 2010). It is important to bear in mind, however, that broadeni作者: Chivalrous 時間: 2025-3-29 22:41 作者: expository 時間: 2025-3-30 01:03 作者: BLINK 時間: 2025-3-30 07:05
area. For instance, cultural economists (Peacock and Rizzo 1994) and critical cultural theorists (McGuigan 2004) provide two very different ways of understanding culture-state relations. As cultural policy research advances and matures, we expect that there will be more calls for it to develop its o作者: 館長 時間: 2025-3-30 08:16
ce the various cultural identities. This chapter addresses how cultural policy and its new emphasis on multiculturalism have influenced the formation of national identity in the case of performing arts in Taiwan.作者: 為敵 時間: 2025-3-30 13:51 作者: Aids209 時間: 2025-3-30 17:53
rise of nation branding policy in South Korea within this context. The chapter views nation branding as part of the country’s active strategies to manage and survive the forces of economic globalization. Through cultivating a distinct message and impression of the country and improving its prestige
