標題: Titlebook: Cultural Intermediaries; Audience Participati Jonathon Hutchinson Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Cultural I [打印本頁] 作者: 底的根除 時間: 2025-3-21 20:08
書目名稱Cultural Intermediaries影響因子(影響力)
作者: PALL 時間: 2025-3-21 21:48 作者: Pessary 時間: 2025-3-22 00:49
Introduction,to mere market-driven activities and provides little contribution to knowledge. However, online communities and user participation continue to steadily grow through social network sites and online community platforms specifically built for the purpose of media convergence. This chapter introduces wh作者: Limited 時間: 2025-3-22 05:40
Institutional Cultural Intermediationn facilitators . economic taste agents within the cultural industries. In the context of this book, cultural intermediation takes on the role of the third substructure by both representing emerging new roles within media organizations that engage the increasingly blurred lines between cultural produ作者: Cpr951 時間: 2025-3-22 12:07 作者: 睨視 時間: 2025-3-22 14:47 作者: 睨視 時間: 2025-3-22 18:49
Co-creation as the Basis for Cultural Intermediationion, this chapter outlines ABC Pool (abc.net.au/pool), a now defunct platform that was developed and facilitated by the ABC to enable users to contribute user-created content (UCC). This UCC was hosted on ABC supported servers, and in some instances, ABC long-form radio documentaries, web production作者: Ptsd429 時間: 2025-3-22 23:19 作者: 有抱負者 時間: 2025-3-23 05:21 作者: coddle 時間: 2025-3-23 06:51
Alternative Forms of Participation in Media Organizationsn alternative to the very successful Triple J radio network that is aimed at 16–24-year-old listeners. During 2015, Double J, as part of its J Files programme that showcases artists, undertook a participatory project that chose fans of an international rock act, The Black Keys, to curate and produce作者: 粗魯性質(zhì) 時間: 2025-3-23 12:53
Conclusion a portion of the picture, where a broader understanding of how human and non-human intermediaries promote or inhibit user participation. Whilst suggesting that users have the capacity to participate is useful, there are many barriers such as regulatory frameworks, editorial oversight, code and deve作者: 1分開 時間: 2025-3-23 14:47
The Media and Representation of Leadership,to mere market-driven activities and provides little contribution to knowledge. However, online communities and user participation continue to steadily grow through social network sites and online community platforms specifically built for the purpose of media convergence. This chapter introduces wh作者: athlete’s-foot 時間: 2025-3-23 20:50 作者: 荒唐 時間: 2025-3-23 23:42
The Trouper on the Flying Trapeze John Reith, these PSM values include concepts such as the application of core principles of universality of availability and appeal, provision for minorities, education of the public, distance from vested interests, quality programming standards, programme maker independence and fostering of nation作者: dry-eye 時間: 2025-3-24 05:34 作者: 跳脫衣舞的人 時間: 2025-3-24 10:34 作者: Pathogen 時間: 2025-3-24 11:54
https://doi.org/10.1057/9781137300676porary suburban environments to explore the blur between physical and digital spaces with its citizens. Mobile media, specifically geo-locative AR applications such as Layar are ‘one of the most widely used mobile AR applications’ (Liao and Humphreys in .: 2, .) and challenge the sociological implic作者: DEFT 時間: 2025-3-24 15:50 作者: Sigmoidoscopy 時間: 2025-3-24 22:03
The Trouper on the Flying Trapezen alternative to the very successful Triple J radio network that is aimed at 16–24-year-old listeners. During 2015, Double J, as part of its J Files programme that showcases artists, undertook a participatory project that chose fans of an international rock act, The Black Keys, to curate and produce作者: BUOY 時間: 2025-3-25 02:56 作者: RAG 時間: 2025-3-25 04:58 作者: sed-rate 時間: 2025-3-25 09:05
978-3-319-88211-6The Editor(s) (if applicable) and The Author(s) 2017作者: 巨大沒有 時間: 2025-3-25 13:23
The Media and Representation of Leadership,hapter will primarily serve to introduce the book’s conceptual parameters and provide an overall reflection on new trends for the scholarly study of convergence culture, participation, and online communities. The field has tended to move beyond the ubiquitous manifestation of convergence that sees u作者: Fillet,Filet 時間: 2025-3-25 18:21 作者: 對待 時間: 2025-3-25 20:08 作者: Resign 時間: 2025-3-26 03:08
The Trouper on the Flying Trapezeipation within global media organizations, we need to look at cultural intermediation as the most contemporary approach towards a genuine convergence culture. Building on the conceptual work of Chap.?., this chapter is organized around three distinct sections to strengthen the argument for cultural 作者: GUISE 時間: 2025-3-26 05:58
The Trouper on the Flying TrapezeC and how they have incorporated social media platforms, co-creation and user participation historically since developing their online presence. The scholarship acknowledges that public service broadcasting has developed beyond the production and procurement of programming, to also include innovativ作者: extinguish 時間: 2025-3-26 11:16 作者: 紳士 時間: 2025-3-26 14:40
The Trouper on the Flying Trapeze The global screen industries have been experimenting with user participation for several years, based on broad cultural goals, which has also ignited broader media debates. The public service media (PSM) remit requires the Australian Broadcasting Corporation (ABC) to provide for minorities whilst f作者: Freeze 時間: 2025-3-26 18:54 作者: 玉米 時間: 2025-3-26 23:28 作者: obstruct 時間: 2025-3-27 04:26
The Trouper on the Flying Trapezedience members, media organizations have a sophisticated approach towards involving the audience in various ways. The research presented in this monograph so far has described a broad range of audience participation at varying levels of content production intensification. The book has made the case 作者: orthopedist 時間: 2025-3-27 08:28 作者: Misnomer 時間: 2025-3-27 12:43
http://image.papertrans.cn/d/image/240832.jpg作者: Lyme-disease 時間: 2025-3-27 14:58 作者: 要塞 時間: 2025-3-27 19:49 作者: 抵制 時間: 2025-3-28 01:00 作者: 使?jié)M足 時間: 2025-3-28 05:39 作者: 思想靈活 時間: 2025-3-28 06:31
Co-creation as the Basis for Cultural IntermediationC and how they have incorporated social media platforms, co-creation and user participation historically since developing their online presence. The scholarship acknowledges that public service broadcasting has developed beyond the production and procurement of programming, to also include innovativ作者: separate 時間: 2025-3-28 13:47 作者: cochlea 時間: 2025-3-28 18:15 作者: 切割 時間: 2025-3-28 19:58
Alternative Forms of Participation in Media Organizationsdia platforms. However, participation exists and has done so in organizations in many forms historically. From early forms of talkback radio and letters to the editor, scholars have explored the passive and active role of media and audiences as they participate in the production of content in variou作者: 蚊子 時間: 2025-3-29 01:55
Algorithmic Culture and Cultural Intermediationbegin, this chapter provides insight into automated media and cultural systems, and the sorts of implications associated with that arena of artificial intelligence and algorithms. This chapter provides a comprehensive overview of networks and social network analysis as a method to understand how hum作者: Bucket 時間: 2025-3-29 03:23 作者: 巨大沒有 時間: 2025-3-29 09:18
