標題: Titlebook: Cultural Industries and the Environmental Crisis; New Approaches for P Kate Oakley,Mark Banks Book 2020 Springer Nature Switzerland AG 2020 [打印本頁] 作者: 海市蜃樓 時間: 2025-3-21 18:02
書目名稱Cultural Industries and the Environmental Crisis影響因子(影響力)
書目名稱Cultural Industries and the Environmental Crisis影響因子(影響力)學科排名
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書目名稱Cultural Industries and the Environmental Crisis讀者反饋
書目名稱Cultural Industries and the Environmental Crisis讀者反饋學科排名
作者: 土坯 時間: 2025-3-22 00:07
Towards a New Paradigm of the Creative City or the Same Devil in Disguise? Culture-led Urban (Re)dee for creative and social enterprises in a heavy polluted area in Amsterdam, this chapter?aims at answering the question why do cultural and creative entrepreneurs engage in sustainability and in particular in a circular economy model.作者: PACT 時間: 2025-3-22 03:18
Creative Labour, Metabolic Rift and the Crisis of Social Reproduction, of the creative industries. It suggests that what goes on in creative workplaces is conditioned by a web of relations external to those workplaces. These relations support the social reproduction of the workers and firms that perform and engage it, of which cities are a crucible of contestation, conflict and manifold contradictions.作者: GROG 時間: 2025-3-22 04:43
Muslims as the Internal and External Enemyery least, cultural industries are part of the way we make sense of things and sense making is as vital as ever, but in addition they are huge commercial entities, instruments of public policy across the globe, and, in some cases, major polluters and resource consumers.作者: irreparable 時間: 2025-3-22 11:19 作者: 歡樂東方 時間: 2025-3-22 13:38 作者: 歡樂東方 時間: 2025-3-22 19:12
,Interrogating Amazon’s Sustainability Innovation,ing at Amazon’s 2017 shareholders report and a number of additional studies of the CO. emissions associated with e-commerce, I pay particular attention to Amazon’s logistics system. In doing so, this chapter contributes to the perennial debates over the relative ecological benefits of online shopping versus conventional retail shopping.作者: 使厭惡 時間: 2025-3-22 23:42
Book 2020 and socially just cultural and creative industries. Aimed at the nexus of cultural and environmental concerns, the book assesses the ways in?which arts and cultural activities can help develop ideas of the ‘good life’ beyond excessive and unsustainable material consumption, and explores the complex作者: 沖突 時間: 2025-3-23 03:44 作者: Indelible 時間: 2025-3-23 08:17
from the patterns of working, exacerbated by distance from so-called ‘hub’ cities. Third it discusses how concern about the exhaustion of the natural environment is driving change in the cultural and creative industries.作者: 影響 時間: 2025-3-23 11:01
The Environmental Sustainability of the Music Industries,c industries – recorded music, live music, and musical instruments – and considers them from the perspective of environmental sustainability and political ecology. It also offers a critique of the assumption that the growth of these industries is an unquestionable good.作者: leniency 時間: 2025-3-23 13:53 作者: photophobia 時間: 2025-3-23 18:11 作者: canonical 時間: 2025-3-23 22:21
Jieyu Liuhat cultural policy has the potential to play a specific?and consequential role in supporting?the conditions of creative?democratic practice?necessary to building and sustaining momentum behind a Green New Deal.作者: Harass 時間: 2025-3-24 05:30 作者: dissent 時間: 2025-3-24 09:22
The Green New Deal and Cultural Policy,hat cultural policy has the potential to play a specific?and consequential role in supporting?the conditions of creative?democratic practice?necessary to building and sustaining momentum behind a Green New Deal.作者: Infantry 時間: 2025-3-24 14:34
l prosperity, employment quality and leisure.Showcases interThis volume critiques the current model of the creative economy, and considers alternative models that may point to greener, cleaner, more sustainable and socially just cultural and creative industries. Aimed at the nexus of cultural and en作者: Irascible 時間: 2025-3-24 17:11 作者: Cupping 時間: 2025-3-24 19:43
Jieyu Liue for creative and social enterprises in a heavy polluted area in Amsterdam, this chapter?aims at answering the question why do cultural and creative entrepreneurs engage in sustainability and in particular in a circular economy model.作者: 提名的名單 時間: 2025-3-25 02:10
of the creative industries. It suggests that what goes on in creative workplaces is conditioned by a web of relations external to those workplaces. These relations support the social reproduction of the workers and firms that perform and engage it, of which cities are a crucible of contestation, conflict and manifold contradictions.作者: 庇護 時間: 2025-3-25 05:14 作者: 反復無常 時間: 2025-3-25 10:34
Creative Economy, Degrowth and Aesthetic Limitation,riorities. It explores the possibility of more ecologically sustainable and ‘degrown’ creative economies of the future—forms of cultural production and cultural policy that take seriously ecological limits and tries to imagine sustainable creative economy futures.作者: 男生戴手銬 時間: 2025-3-25 12:53
Green Accounting for a Creative Economy, case of Eastman Kodak, a company whose failure was rooted in its contempt for the ecosystems it inhabited. Its disregard for the environment was key to its decision to place an all-or-nothing bet on its chemical businesses over its digital innovations. This example will frame the subsequent discuss作者: LEVER 時間: 2025-3-25 19:07 作者: 笨重 時間: 2025-3-25 20:32
Cultural Production Beyond Extraction? A First Approach to Extractivism and the Cultural and Creati all spheres of private and public life. In other words, we might speak of a logic of extraction. With this in mind, the chapter acts as a first approach to the question: how do the cultural and creative industries mobilize and reproduce a logic of extraction? Taking Argentina as a focus and context作者: insecticide 時間: 2025-3-26 00:38 作者: nepotism 時間: 2025-3-26 04:31 作者: Encumber 時間: 2025-3-26 10:56
Towards a New Paradigm of the Creative City or the Same Devil in Disguise? Culture-led Urban (Re)dempirical studies that provide enough insights to understand why culture matters for sustainability. By taking the case of De Ceuvel—a planned workplace for creative and social enterprises in a heavy polluted area in Amsterdam, this chapter?aims at answering the question why do cultural and creative 作者: conscribe 時間: 2025-3-26 15:40 作者: 白楊 時間: 2025-3-26 19:17
,‘You’re Always On, and You’re Always Lively’: Young People and Creative Work,t creatives. Based on interviews in very different parts of the UK—from the hyper-gentrified inner city to rural areas and a de-industrialised town—the chapter looks at how places shapes understanding of what is possible in terms of creative work and at how it intersects with social class in shaping作者: 平息 時間: 2025-3-27 01:00 作者: BLUSH 時間: 2025-3-27 04:25 作者: 競選運動 時間: 2025-3-27 08:53 作者: PANIC 時間: 2025-3-27 11:54 作者: curriculum 時間: 2025-3-27 16:06 作者: 著名 時間: 2025-3-27 18:16
Creative Economy, Degrowth and Aesthetic Limitation,riorities. It explores the possibility of more ecologically sustainable and ‘degrown’ creative economies of the future—forms of cultural production and cultural policy that take seriously ecological limits and tries to imagine sustainable creative economy futures.作者: Prognosis 時間: 2025-3-28 00:17 作者: 腐爛 時間: 2025-3-28 05:09 作者: Anthology 時間: 2025-3-28 08:51 作者: exhibit 時間: 2025-3-28 13:03
ety. In contexts of extreme poverty and deprivation, mobilising the idea of the ‘creative economy’ can generate resources, interest and support that would otherwise not exist, opening up greater possibilities for cultural producers and artists in shantytowns who are?attempting to secure jobs in the cultural and creative sector.作者: 小臼 時間: 2025-3-28 16:33
t creatives. Based on interviews in very different parts of the UK—from the hyper-gentrified inner city to rural areas and a de-industrialised town—the chapter looks at how places shapes understanding of what is possible in terms of creative work and at how it intersects with social class in shaping aspiration作者: BOGUS 時間: 2025-3-28 19:29 作者: slipped-disk 時間: 2025-3-29 00:10
Muslims as the Internal and External Enemyriorities. It explores the possibility of more ecologically sustainable and ‘degrown’ creative economies of the future—forms of cultural production and cultural policy that take seriously ecological limits and tries to imagine sustainable creative economy futures.作者: preeclampsia 時間: 2025-3-29 04:01 作者: 灰心喪氣 時間: 2025-3-29 09:39 作者: indoctrinate 時間: 2025-3-29 13:12
all spheres of private and public life. In other words, we might speak of a logic of extraction. With this in mind, the chapter acts as a first approach to the question: how do the cultural and creative industries mobilize and reproduce a logic of extraction? Taking Argentina as a focus and context作者: spinal-stenosis 時間: 2025-3-29 16:43
redictably, the firm’s environmental record has been the subject of some debate. This chapter seeks to re-establish the material connections between firms offering e-commerce and cloud computing services and the physical world by reconsidering the ecological impacts of these business practices. Look作者: STALL 時間: 2025-3-29 20:33 作者: patella 時間: 2025-3-30 02:26
Jieyu Liumpirical studies that provide enough insights to understand why culture matters for sustainability. By taking the case of De Ceuvel—a planned workplace for creative and social enterprises in a heavy polluted area in Amsterdam, this chapter?aims at answering the question why do cultural and creative 作者: Multiple 時間: 2025-3-30 07:11 作者: 免除責任 時間: 2025-3-30 10:00 作者: 前奏曲 時間: 2025-3-30 14:23
Jieyu LiuDeal’ (GND).?Proposing?a revolution in energy, transport and communication infrastructures, the GND is a new political story?–?set against neoliberal?accounts of the state and market-led approaches to tackling climate change.?This chapter asks:?what?would it?mean for cultural policy to contribute to作者: 可以任性 時間: 2025-3-30 16:46
es. It draws on recent research into small-scale cultural and creative production in Scotland to demonstrate that exhaustion is increasingly characteristic of the experience of working in the cultural and creative industries. First, it shows that extant models of cultural policy and cultural funding作者: 顯示 時間: 2025-3-30 21:59 作者: agitate 時間: 2025-3-31 01:34
